Posodobljeno oktober 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 22 del v našem katalogu avtorja Gillis Van Coninxloo
Kratek opis
Woodland with Saint Jerome (1583) je slika avtorja Gillis Van Coninxloo, ki pritegne največ pogledov; original se nahaja v muzeju Museum of Fine Arts Ghent (MSK), Gent. Nato se pogled smeri k Jonah Preaching to the Ninevites (1583) in Landscape with the judgment of Midas (1598). Med 22 dela umetnika Gillis Van Coninxloo v našem katalogu so ta 21 najbolj znana; vsako je edinstven original, predstavljen z letnico nastanka, muzejem in razlogom za njegovo nečasenost.
Woodland with Saint Jerome is an oil painting by Gillis Van Coninxloo. Created in 1583, the work places a solitary figure, likely Saint Jerome, within a dense thicket. He rests in the mid-ground, a quiet presence amidst the heavy growth of the trees.
Jonah Preaching to the Ninevites by Gillis Van Coninxloo depicts a specific biblical narrative. Created about 1583, the work illustrates the prophet Jonah delivering a message to the inhabitants of Nineveh. The scene focuses on the interaction between the central figure and the gathered crowd. This subject matter is intended to convey themes of repentance and awe through the varied gestures and facial expressions of the assembly.
In Landscape with the judgment of Midas, Gillis Van Coninxloo organizes a vast, panoramic world through a strict three-tier landscape structure. The viewer enters through a dark, densely wooded foreground where twisting branches and heavy foliage frame the view. This shadowed threshold pushes the eye toward the middle ground, where the mythological judgment of King Midas unfolds among scattered figures and architectural elements. The scale is expansive, a Mannerist arrangement…
Landscape with the Judgement of Paris is a large-scale, panoramic landscape painting by Gillis Van Coninxloo. Created about 1610, the work integrates a mythological narrative into an expansive natural setting. The scene focuses on the Judgement of Paris, situating the figures within a complex, multi-layered environment.
A dense, enveloping canopy of trees dominates this composition, framing a recessed view into the depths of a thick woodland. The scene is defined by an intricate network of organic lines, following the gnarled, twisting forms of trunks and the overlapping silhouettes of foliage. Sunlight filters through the heavy ceiling of leaves, creating a high-contrast environment where bright highlights on leaf edges meet deep, dark shadows within the forest floor.…
Undergrowth1597 · Musée des Beaux-Arts de Strasbourg
12
Forest Landscape1600 · Detroit Institute of Arts
13
Mountainous Landscape1600 · Museum Boijmans Van Beuningen
14
Forest Landscape1598 · Liechtenstein Museum
15
Mountain Landscape with River Valley and the Prophet HoseaMuseum Mayer van den Bergh
16
Landscape with Venus and AdonisCleveland Museum of Art
17
Elias is fed by ravensKraljevi muzeji lepih umetnosti na Belgiji
18
Landscape with a scene of the Conversion of Saul
19
Landscape with a scene of the Conversion of Saul.
20
LandscapeMuzej Prado
21
Landscape with Leto and Peasants of LykiaErmitaž
Četiri teme, ki se v teh originalih najpogosteje ponavljajo, vsaka z svojim vrhunskim primerom.
8 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Gillis Van Coninxloo | Slike iz tega seznama |
|---|---|---|---|
 Statens Museum For Kunst |
Kopenhagen | 2 | Jonah Preaching to the Ninevites, A River Landscape |
 Bavarske državne slikopisne zbirke |
München | 2 | Forest Landscape with the Expulsion of Hagar and Ishmael, Forest Landscape with Hagar and the Angel |
 Museum of Fine Arts Ghent (MSK) |
Gent | 1 | Woodland with Saint Jerome |
 Staatliche Kunstsammlungen Dresden |
Dresden | 1 | Landscape with the judgment of Midas |
 Narodni muzej zahodne umetnosti |
Tokyo | 1 | Landscape with the Judgement of Paris |
 Kunsthistorisches Museum |
Dunaj | 1 | Wooded landscape |
 Yekaterinburg Museum of Fine Arts |
Yekaterinburg | 1 | Jesus and Zacchaeus |
 Musée des Beaux-Arts de Strasbourg |
Strazburg | 1 | Undergrowth |
Izberite desetletje, da si ogledate original, ki ga opredeljuje.
Woodland with Saint Jerome is an oil painting by Gillis Van Coninxloo. Created in 1583, the work places a solitary figure, likely Saint Jerome, within a dense thicket. He rests in the mid-ground, a quiet presence amidst the heavy growth of the trees.
In Landscape with the judgment of Midas, Gillis Van Coninxloo organizes a vast, panoramic world through a strict three-tier landscape structure. The viewer enters through a dark, densely wooded foreground where twisting branches and heavy foliage frame the view. This shadowed threshold pushes the eye toward the middle ground, where the mythological judgment of King Midas unfolds among scattered figures and architectural elements. The scale is expansive, a Mannerist arrangement…
A dense, enveloping canopy of trees dominates this composition, framing a recessed view into the depths of a thick woodland. The scene is defined by an intricate network of organic lines, following the gnarled, twisting forms of trunks and the overlapping silhouettes of foliage. Sunlight filters through the heavy ceiling of leaves, creating a high-contrast environment where bright highlights on leaf edges meet deep, dark shadows within the forest floor.…
Woodland with Saint Jerome (1583), Museum of Fine Arts Ghent (MSK), Gent. Zatem sledeta Jonah Preaching to the Ninevites (1583) in Landscape with the judgment of Midas (1598).
39 let: delo Woodland with Saint Jerome iz leta 1583, Gillis Van Coninxloo pa je bil/a rojen/a leta 1544.
Woodland with Saint Jerome, Jonah Preaching to the Ninevites, Landscape with the judgment of Midas, Landscape with the Judgement of Paris, Wooded landscape, Forest Landscape with the Expulsion of Hagar and Ishmael, Jesus and Zacchaeus, A River Landscape, Landscape with Jesus and his disciples on their way to Emmaüs (Luke 24:13-35) in Forest Landscape with Hagar and the Angel. Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.
Naš katalog vsebuje 22 del avtorja Gillis Van Coninxloo, datiranih od 1574 do 1600.
Večini v Statens Museum For Kunst (Kopenhagen), Bavarske državne slikopisne zbirke (München) in Museum of Fine Arts Ghent (MSK) (Gent). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
V obdobju 1580s: 5 od 21 del na tej strani je bilo izdelovanih takrat, med njimi pa Woodland with Saint Jerome.
Na tej strani je najstarejše delo iz Forest Landscape with the Expulsion of Hagar and Ishmael (1574) in najstarejše iz Wooded landscape (1600).
Landscape (7), Figures (4) in Trees (3), na 21 delih na tej strani.
Oil On Panel, za 4 od 21 del na tej strani.
Jonah Preaching to the Ninevites in A River Landscape: v muzeju Statens Museum For Kunst, Kopenhagen se nahaja 2 del z te strani.
Gillis Van Coninxloo stoji kot ključna figura v evoluciji severne slikovnostne umetnosti, saj služi kot vitalni most med zapletenimi manierističnimi tradicijami in razvijajočo se atmosferno globino early baroka. Born v mestu Antwerp, v Belgiji, je bilo njegovo življenje tesno prepleteno z bogato umetniško dediščino Nizozemske. Kot sin slikarja je bil potopljen v svet, kjer sta bila vrhunsko znanje in opazovanje narave ključna. Njegova zgodnja izobrazba pod mojmi, kot so Pieter Coecke van Aelst mlajši in Lenaert Kroes, mu je zagotovila strogo podlago, vendar je bil prav čas dela v delavnici Gillis Mostaert tisti, ki je njegov talent resnično dopustil cvetoči, mu omogočilo prispevanje k profesionalnim delom, medtem ko je izpilščal svojo edinstveno vizijo.
Njegova pot je bila pot gibanja in širjenja, ki odraža premikajoče se politične in kulturne valove obdobja. Čeprav so se njegova kariera začela v Antwerpu, je zadnji del njegovega življenja obiskoval velik del Evrope, delal v Nemčiji in se končno naselil v Nizozemski republiki. Ta nomadsko obstojnost je omogočila, da je njegov slog absorbiral različne regionalne vplive, kar je prisidelo k sofisticiranemu razvoju gozdovske pokrajine. Postal je znan po svoji sposobnosti, da je preoblikoval zgolj prikaz gozdov v globoko čutni izkušnjo, kjer gledalec ne gleda le v drevesa, temveč je povabljen v živo, dišečo ekosistemo.
Prava briljantnost Coninxloovega dela leži v njegovem nepremagljivem mojkanju gozdovske pokrajine. Imel je edinstveno sposobnost manipulacije svetlobą in senci—tehniko, ki je pogosto povezana z chiaroscuro—za oblikovanje gostih grmičev in prepletenih vej, ki dajo prepoznatnost njegovim kompozicijam. V delih, kot je njegov Gozdovska pokrajina, lahko opazimo skoraj obsesivno pozornost do podrobnosti; vsaka žila lista in vsaka tekstura korone je slikana z natančnim skrbništvom. Uporabljal je medij olje na lesu in bakru, da bi dosegel luminosno kakovost, ki omogoča svetlobi, da se prehaja skozi krošnja različnih zelenih odtenkov, kar ustvarja občutek atmosferne globine, ki deluje hkr oprijemljivo in eterično.
Poleg zgolj tehnične izvedbe so njegovi pejzaži prepojeni z občutkom narrative in tihe simbolike. Zapletena pot bi lahko vodila oko proti oddaljenim, skromnim vsem ali impozantnemu zamku na obzorju, kar nakazuje teme izolacije, zaščite ali sožitja civilizacije in divjine. Njegovo del zajema prehod v zgodovini umetnosti, kjer pokrajina ni več bila le ozadje za človeško dramo, temveč je postala sama protagonistica. Skozi svojo skrbno konstrukcijo svetlobe, senče in globine je Coninxloo ustvaril svetove, ki vabijo k mirni kontemplaciji, ter pustil neizbrisno marko na razvoj nizozemskega in flamantskega zlotega obdobja.
