Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 32 del v našem katalogu avtorja Gaspare Traversi
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Self-portrait (1750) je slika avtorja Gaspare Traversi, ki pritegne največ pogledov; original se nahaja v muzeju Art Museum, Seattle. Nato se pogled smeri k The Seduction (1752) in Portrait of a cardinal (1750). Med 32 dela umetnika Gaspare Traversi v našem katalogu so ta 31 najbolj znana; vsako je edinstven original, predstavljen z letnico nastanka, muzejem in razlogom za njegovo nečasenost.
This 1750 oil self-portrait presents a young man in a poised and contemplative stance, captured in a medium close-up from the waist up. Positioned slightly off-center to create a balanced yet dynamic feel, the subject is depicted as a creator, holding a quill pen and resting his hand upon a book or portfolio. This arrangement serves to symbolize both intellect and craft. The perspective is set at eye-level, establishing a…
The Seduction is an oil on canvas by the Italian Rococo painter Gaspare Traversi. This work emerged around 1752, a period when the artist was active in Naples and throughout the Italian peninsula. The physical presence of the painting is defined by its rectangular scale, measuring 88.1 x 107.5cm.
A single figure emerges from a deep, shadow-filled void. The cardinal, identified as Gian Giacomo Millo, occupies the center of the canvas with a quiet, heavy presence. He is caught in a moment of transition, his hand lifting a red biretta as if acknowledging a guest or preparing for prayer. The light falls from the upper left, catching the silvered texture of his hair and the delicate, translucent folds of…
is an oil painting on canvas by the Neapolitan artist Gaspare Traversi. Executed about 1747, the work belongs to the genre painting tradition of the Rococo era. Traversi, born in Naples to Genoese parents, developed a style characterized by psychological depth and a focus on the everyday lives of the bourgeois class.
The Portrait of cardinal Giovanni Giacomo Millo is an oil on canvas work by the Neapolitan painter Gaspare Traversi. Created about 1753, this portrait captures a man of significant ecclesiastical influence. The subject, Cardinal Gian Giacomo Millo, held the important position of trustee to Pope Benedict XIV. Traversi’s approach to this commission moves away from the rigid formality often expected of such high-ranking clerics, opting instead for a sense of…
is an oil on canvas by Gaspare Traversi, executed about 1752. The work emerged during the artist's period of activity in Naples, a city that shaped his dramatic approach to genre painting and social observation.
The Merry Company is an oil on canvas painting by the Italian Rococo painter Gaspare Traversi. This work dates to about 1760. The piece is a genre painting that captures a specific moment of social interaction among a group of figures.
To stand before La Rixe is to be immediately drawn into the vibrant heart of human interaction—a moment suspended between jest and genuine discord. The title itself, translating simply as 'The Quarrel,' suggests a volatile energy barely contained within the canvas. Yet, what captivates the modern viewer is not merely the conflict, but the exquisite refinement with which it is rendered. This scene pulses with the characteristic spirit of the…
In the soft, amber glow of an eighteenth-century interior, a single moment of shared focus suspends time. Gaspare Traversi’s 1741 masterpiece, “Reading a Letter,” is far more than a mere genre painting; it is a window into the soul of the Rococo era, capturing a profound sense of domestic intimacy and intellectual curiosity. As we gaze upon the central figure—a woman draped in elegant blue, her eyes anchored to the…
An old beggar, lying down, his hand reaching out
12
A concert
13
Portrait of a lady, half-length, in a golden dress with a blue fur-lined wrap
14
Peasant womanNational Museum of Medieval and Modern Art of Basilicata
15
Le concert
16
La Dérision de Noé
17
Job mocked by his wife.Narodni muzej v Varšavi
18
LA SEANCE DE POSELouvre
19
The Sitting1754 · Louvre
20
Untitled (D2X8MC)1760 · Metropolitanski muzej umetnosti
21
The Drawing Lesson1750 · Nelson-Atkins Museum of Art
22
Detected Love LetterJohn and Mable Ringling Museum of Art
23
Margherita da Cortona
24
the Fortune Teller
25
Salome with the Head of John the BaptistUniversity of Michigan Museum of Art
26
Portrait of Fra Raffaello da Lugagnano
27
Die Ermordung Amnons beim Gastmahl Absaloms
28
Old Man and a ChildMuzej fine arts
29
Gian Lorenzo Berti1750 · Musée des Beaux-Arts de Strasbourg
30
Saint Margaret of Cortona1758 · Metropolitanski muzej umetnosti
31
The concert 'A voce sola'
Četiri teme, ki se v teh originalih najpogosteje ponavljajo, vsaka z svojim vrhunskim primerom.
8 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Gaspare Traversi | Slike iz tega seznama |
|---|---|---|---|
 Louvre |
Pariz | 3 | LA RIXE, LA SEANCE DE POSE, The Sitting |
 Metropolitanski muzej umetnosti |
New York | 2 | Untitled (D2X8MC), Saint Margaret of Cortona |
 Art Museum |
Seattle | 1 | Self-portrait |
 Museo de Arte de Ponce |
Ponce | 1 | The Seduction |
 Labirinto della Masone |
Fontanellato | 1 | Portrait of a cardinal |
 Musée d'art et d'histoire de Narbonne |
Narbonne | 1 | Beggar curled up |
 Legija časti |
San Francisco | 1 | The Merry Company |
 Staatsgalerie Stuttgart |
Stuttgart | 1 | Die operation |
Izberite desetletje, da si ogledate original, ki ga opredeljuje.
is an oil painting on canvas by the Neapolitan artist Gaspare Traversi. Executed about 1747, the work belongs to the genre painting tradition of the Rococo era. Traversi, born in Naples to Genoese parents, developed a style characterized by psychological depth and a focus on the everyday lives of the bourgeois class.
This 1750 oil self-portrait presents a young man in a poised and contemplative stance, captured in a medium close-up from the waist up. Positioned slightly off-center to create a balanced yet dynamic feel, the subject is depicted as a creator, holding a quill pen and resting his hand upon a book or portfolio. This arrangement serves to symbolize both intellect and craft. The perspective is set at eye-level, establishing a…
The Merry Company is an oil on canvas painting by the Italian Rococo painter Gaspare Traversi. This work dates to about 1760. The piece is a genre painting that captures a specific moment of social interaction among a group of figures.
Self-portrait (1750), Art Museum, Seattle. Zatem sledeta The Seduction (1752) in Portrait of a cardinal (1750).
28 let: delo Self-portrait iz leta 1750, Gaspare Traversi pa je bil/a rojen/a leta 1722.
Self-portrait, The Seduction, Portrait of a cardinal, Women lace-working, 8 figures, Portrait of cardinal Giovanni Giacomo Millo, Beggar curled up, The Merry Company, Die operation, LA RIXE in Reading a Letter. Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.
Naš katalog vsebuje 32 del avtorja Gaspare Traversi, datiranih od 1741 do 1760.
Večini v Louvre (Pariz), Metropolitanski muzej umetnosti (New York) in Art Museum (Seattle). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
V obdobju 1750s: 9 od 31 del na tej strani je bilo izdelovanih takrat, med njimi pa Self-portrait.
Na tej strani je najstarejše delo iz Reading a Letter (1741) in najstarejše iz The Merry Company (1760).
Man (6), Woman (4) in Social commentary (3), na 31 delih na tej strani.
Oil On Canvas, za 11 od 31 del na tej strani.
Rococo in Baroque, glede na originala na tej strani.
LA RIXE, LA SEANCE DE POSE in The Sitting: v muzeju Louvre, Pariz se nahaja 3 del z te strani.
Gaspare Traversi (1722-1770) se predstavlja kot edinstven osebnost v živahnem umetniškem pejzažu Neapola v dobi rokoko, vendar so njegove stilistične afinitete širše prekravične meje Kampanije. Rojen je iz genoškega trgovskega družine v Napolu in je začel umetniško potovanje, značilno za pedantno usposabljanje pod Francesco Solimeno – ključno srečanje, ki mu je cementiralo zavezništvo do karavaggističnih načel – ter razvil sodelovanja s solimenovimi učenci kot so Giuseppe Bonito in Francesco de Mura. Aktiven predvsem med leti 1732 in 1769, Traversijevo delo presega regionalne meje, vključuje naročila v Parmi in ga ustanavlja kot sodobnika osebnosti kot je Giovanni Lorenzo Berti.
Traversijeva umetniška občutljivost se močno nanaša na venetsksko barokno tradicijo, kar je še posebej očitno v njegovi pedantni pozornosti nad podrobnosti in majsterski manipulaciji svetlobe in senci – tehnike, ki so jih popolnili umetniki kot so Pietro Pellegrino Paladino in Giovanni Battista Tiepolo. Njegove kanvaise pulsirajo z dinamiko, ogledajo se teatralna veličastnost, ki jo je ljubili venetijanski slikarji v svoji zlati dobi. Vpliv Caravaggia je neosporen, kar se kaže v traversijevem naklonjenosti k dramatičnim kompozicijam in njegovem brezkompromesnem prikazovanju človeške čustvene spletnosti.
Traversijeva žanrsko slikarstvo presega samo prikazovanje; služi kot pametno družbeno komentiranje, ki razkriva resničnost in pretencioznost aristokratske elite z oštrim humorjem in brezkompromesno poštenostjo. Njegove kanvaise pogosto prikazuje animirane skupine buržojskih protagonistov zapletenih v omejene prostore – stilsko sredstvo, ki poudarja psihološki pritisk inherenten v družbenih hierarhijih. Traversijeva dela rezonirajo z moralističnimi zgodbami – podobno Caravaggiojevo „Predсказаlka“ – ponujajo gledalcem vpogled v anksioznosti in kontradikcije svoje časa.
Kljub temu, da ni imel učencev, je Gaspare Traversi iztekel zmerno vpliv na kasnejše generacije napolenskih umetnikov, zlasti Lorenzo de Caro in Giuseppe Bonito. Njegov edinstven stil – značilen za dramatično chiaroscuro, psihološko globino in moralistične narative – nadaljuje navdihovanje divljenja in znanstvene debate. Monografija Roberta Longhija je utrdil Traversijeve reputacijo kot ključnega osebja v venetském baroknem umetnosti, zagotavljajoč njegovo trajno nashranjje znotraj zapisov italijanske slikarske zgodovine.
