Portret Francesco Bartolozzi

2 najbolj znanih slik umetnika Francesco Bartolozzi, galerijska izbira

Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 2 del v našem katalogu avtorja Francesco Bartolozzi

Kratek opis

Med vsemi originali, ki jih je pustil Francesco Bartolozzi, je najbolj znan Thomas Cheesman (1777), ki se nahaja v kolekciji National Portrait Gallery, London. Naš katalog vsebuje 2 del umetnika Francesco Bartolozzi; galerija je ohranila 2 del, ki jih svet najbolj oboževa, odlikovanih z datumom nastanka, pripadajočim muzajem in zgodbojo.

1728 – 1815, Florence Največ del: National Portrait Gallery

10 najboljših slik umetnika Francesco Bartolozzi: izbira galerije

1
Thomas Cheesman (1777) avtorja Francesco Bartolozzi

Thomas Cheesman

1777 · Oil On Canvas · National Portrait Gallery, London

This oil on canvas portrait depicts Thomas Cheesman, an English engraver and draughtsman. Attributed to the artist Francesco Bartolozzi, the work was created circa 1777. The subject, who lived from 1760 to circa 1834, is presented in a formal manner that identifies his professional standing. The painting is held within the National Portrait Gallery in London.

2
Bacchante (1786) avtorja Francesco Bartolozzi

Bacchante

1786 · Engraving · Ermitaž, Sankt Peterburg

In this 1786 composition, we find ourselves drawn into a quiet, wooded setting where three women are gathered. There is a sense of ease in their posture, a feeling of shared companionship that feels almost private, as if we have stumbled upon a fleeting moment of rest. The figures are positioned with a natural grace; one woman rests on the left, while the other two are situated closer to the…

Muzeji, ki hranijo originala umetnika Francesco Bartolozzi

2 muzejev, ki vsebujo največ slik na tej strani.

Muzej Mesto Sloga Francesco Bartolozzi Slike iz tega seznama
National Portrait Gallery, LondonNational Portrait Gallery London 1 Thomas Cheesman
Ermitaž, Sankt PeterburgErmitaž Sankt Peterburg 1 Bacchante

Francesco Bartolozzi leta za letom: originali, ki definira vsako obdobje

V obdobju necelo desetletja, od 1777 do 1786, je ta izdelek temโลกu ponudil vsako datirano originalno delo umetnika Francesco Bartolozzi v tej izbiri: tukaj je, leto za letom.

Delo po letih

Izberite leto in oglej originale.

Vprašanja zbirateljev o slikah umetnika Francesco Bartolozzi

Za katero delo je Francesco Bartolozzi najbolj znan/a?Razkriti odgovor

Thomas Cheesman (1777)

Koliko je bil Francesco Bartolozzi let, ko je nastalo delo Thomas Cheesman?Razkriti odgovor

49 let: delo Thomas Cheesman iz leta 1777, Francesco Bartolozzi pa je bil/a rojen/a leta 1728.

Koliko slik je pustil Francesco Bartolozzi?Razkriti odgovor

Naš katalog vsebuje 2 del avtorja Francesco Bartolozzi, datiranih od 1777 do 1786.

V katerih muzejih so razložena remek dela umetnika Francesco Bartolozzi?Razkriti odgovor

Večini v National Portrait Gallery (London) in Ermitaž (Sankt Peterburg). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.

Kakšna sta prva in zadnja znana originala umetnika Francesco Bartolozzi?Razkriti odgovor

Na tej strani je najstarejše delo iz Thomas Cheesman (1777) in najstarejše iz Bacchante (1786).

Francesco Bartolozzi: življenje in delo

Francesco Bartolozzi: Life and Legacy

Early Life and Training

  • Born: Florence, Italy in 1725.
  • Initially destined to follow his father’s profession as a goldsmith and silversmith.
  • Demonstrated exceptional artistic talent early on, leading him to study painting under Florentine artists Ignazio Hugford and Giovanni Domenico Ferretti.
  • Spent three years dedicated to painting before turning his attention to engraving in Venice.
  • Influenced by the work of Joseph Wagner, a prominent engraver, during his time in Venice.

Artistic Development and Style

  • Bartolozzi’s early engravings were initially in the style of artists like Marco Ricci and Zuccarelli.
  • He later developed a distinctive style, becoming renowned for popularizing the “crayon” method of engraving.
  • The ‘crayon’ manner imitated the subtle effects of chalk drawings, creating soft, delicate textures and tones.
  • His work often featured portraits and allegorical scenes, reflecting Neoclassical influences.

Career in London

  • Moved to London in 1764 and remained there for nearly forty years.
  • Quickly established himself as a leading engraver, appointed ‘Engraver to the King’ with an annual salary of £300.
  • Elected a founding member of the Royal Academy in 1768, solidifying his position within the British art establishment.
  • Contributed significantly to Boydell's Shakespeare Gallery, creating engravings based on works by prominent artists.
  • Frequently collaborated with artists such as Cipriani and Angelica Kauffman.

Major Achievements and Works

  • Notable works include engravings of “Clytie” after Annibale Carracci and the “Virgin and Child” after Carlo Dolci.
  • His skill in reproducing paintings with a chalk-like quality made his engravings highly sought after.
  • In 1802, he became the founding president of the short-lived Society of Engravers.
  • Bartolozzi’s influence extended to numerous pupils, including Michele Benedetti and Luigi Schiavonetti.

Later Life and Historical Significance

  • In 1802, Bartolozzi accepted the position of director of the National Academy of Lisbon.
  • He died in Lisbon in 1815.
  • Bartolozzi’s contribution to engraving lies in his mastery and popularization of the crayon manner, which significantly impacted the aesthetic qualities of engravings during his time.
  • His work remains a testament to the skill and artistry of 18th-century engravers and continues to be appreciated for its delicate beauty and technical brilliance.