Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 12 del v našem katalogu avtorja Desiderio Da Settignano
Kratek opis
Za oči galerije je najbolj znano sliko umetnika Desiderio Da Settignano delo Virgin and Child (1450), katere original visi v muzeju Galleria Sabauda, Turin. Portrait of Marietta Strozzi (1460) in Meeting of Christ and St John the Baptist as Youth (1453) dopolnjujeta trijo, ki jo prepozna vsak pogled. Od 12 del avtorja Desiderio Da Settignano v našem katalogu galerija spodaj predstavlja 12 najbolj znanih; vsako je original z letom nastanka, pripadajočim mu muzejem in opisom tistega, kar ga dela edinstavnim.
To gaze upon Desiderio da Settignano's Virgin and Child is to step directly into the luminous heart of the Italian Renaissance. This exquisite marble sculpture, dating from 1450, transcends mere artistry; it captures a moment of profound, quiet intimacy. The piece presents the Virgin Mary cradling the infant Jesus Christ, rendered with a breathtaking naturalism that seems to breathe life back into the cold stone. Desiderio’s mastery is evident in…
Desiderio da Settignano’s “Portrait of Marietta Strozzi” isn't merely a depiction of a young woman; it’s a carefully constructed window into the heart of 15th-century Florence. Completed around 1460, this exquisite marble bust transcends its material form to embody the ideals of beauty, intellect, and social standing that defined the era. The sculpture, now residing in the Staatliche Lindenau Museum in Berlin, immediately captivates with its serene composure – a…
Desiderio da Settignano's “Meeting of Christ and St John the Baptist as Youth,” created in 1453, stands as a cornerstone of Florentine Renaissance sculpture—a testament to humanist ideals fused with profound spiritual contemplation. Executed in grayscale marble, this circular relief captures a moment of serene intimacy between two youthful figures, embodying the burgeoning fascination with classical beauty and Christian piety that characterized the era.
A woman’s profile emerges from the cool, white marble, her features caught in a moment of quietude. The stone does not feel like rock; it feels like skin under a soft, diffused light. Her hair is a complex architecture of braids and curls, each strand rendered with a precision that suggests the artist’s chisel moved with the lightness of a brush. There is a profound stillness in her gaze, a…
In a recessed niche within the walls of Santa Trinità in Florence, a marble figure emerges from the stone. This high relief sculpture, carved in 1464, captures Mary Magdalene in a moment of quiet introspection. She is positioned centrally within an ornate architectural frame, her form integrated into the very fabric of the building. The figure holds a lamp aloft, a gesture that directs the viewer's attention toward the interplay…
Within the hushed reverence of a Florentine chapel, or perhaps now adorning a discerning collector's home, resides “The Christ Child” by Desiderio da Settignano – a sculpture that transcends mere representation to embody the very essence of nascent divinity. Crafted in the luminous embrace of white marble around 1460, this intimate portrait captures a moment suspended between earthly vulnerability and celestial grace. More than just a depiction of infancy, it’s…
Desiderio da Settignano's "A Little Boy," a marble bust sculpted around 1460, isn’t merely a portrait; it’s a poignant distillation of the Florentine Renaissance spirit – a fleeting capture of youthful beauty and an exploration of idealized innocence. This exquisite piece, currently housed at the National Gallery of Art in Washington D.C., offers a rare glimpse into the artistic sensibilities of a master sculptor who, despite his relatively short career,…
Desiderio da Settignano’s “Laughing Boy,” crafted around 1453, isn't merely a sculpture; it’s a frozen moment of pure, unadulterated delight. Housed within the Kunsthistorisches Museum in Vienna, this small marble bust transcends its modest size to deliver an astonishingly potent emotional experience – a testament to the artist’s remarkable ability to capture fleeting human expression. Born into a family steeped in Florentine stonemasonry, Desiderio emerged as a prodigious talent, quickly…
The Tabernacle, also known as the Altar of the Sacrament, is a marble creation by the sculptor Desiderio da Settignano. Completed in 1461 or 1464, the work was originally intended for the Sacrament Chapel in San Lorenzo, Florence. It may have also been designed for the main chapel choir. This sacred structure was intended for the Medici family saints, Cosmas and Damian.
The Tomb of Carlo Marsuppini (detail) is a marble sculpture by Desiderio da Settignano. Created about 1453, this work functions as a memorial. It captures a fragment of a larger funerary monument located within the Basilica di Santa Croce in Florence, Italy.
Četiri teme, ki se v teh originalih najpogosteje ponavljajo, vsaka z svojim vrhunskim primerom.
8 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Desiderio Da Settignano | Slike iz tega seznama |
|---|---|---|---|
 Bazilika San Lorenzo |
Fireenca | 3 | Tabernacle (detail), Tabernacle, Tabernacle (detail) |
 National Gallery of Art |
Washington | 2 | The Christ Child (.), A Little Boy |
 Santa Croce |
Firence | 2 | Tomb of Carlo Marsuppini (detail), Tomb of Carlo Marsuppini |
 Galleria Sabauda |
Turin | 1 | Virgin and Child |
 Staatliche Museen zu Berlin |
Berlin | 1 | Portrait of Marietta Strozzi |
 Louvre |
Pariz | 1 | Meeting of Christ and St John the Baptist as Youth |
 Santa Trinità |
Firence | 1 | Mary Magdalene |
 Kunsthistorisches Museum |
Dunaj | 1 | Laughing Boy |
Kariera umetnika Desiderio Da Settignano na tej strani obsega 15 let, od 1450 do 1464: vsako leto je tu predstavljeno z njegovimi najbolj znanimi originali.
Izberite leto in oglej originale.
To gaze upon Desiderio da Settignano's Virgin and Child is to step directly into the luminous heart of the Italian Renaissance. This exquisite marble sculpture, dating from 1450, transcends mere artistry; it captures a moment of profound, quiet intimacy. The piece presents the Virgin Mary cradling the infant Jesus Christ, rendered with a breathtaking naturalism that seems to breathe life back into the cold stone. Desiderio’s mastery is evident in…
Desiderio da Settignano's “Meeting of Christ and St John the Baptist as Youth,” created in 1453, stands as a cornerstone of Florentine Renaissance sculpture—a testament to humanist ideals fused with profound spiritual contemplation. Executed in grayscale marble, this circular relief captures a moment of serene intimacy between two youthful figures, embodying the burgeoning fascination with classical beauty and Christian piety that characterized the era.
Več od 1453
Desiderio da Settignano’s “Portrait of Marietta Strozzi” isn't merely a depiction of a young woman; it’s a carefully constructed window into the heart of 15th-century Florence. Completed around 1460, this exquisite marble bust transcends its material form to embody the ideals of beauty, intellect, and social standing that defined the era. The sculpture, now residing in the Staatliche Lindenau Museum in Berlin, immediately captivates with its serene composure – a…
Več od 1460
A woman’s profile emerges from the cool, white marble, her features caught in a moment of quietude. The stone does not feel like rock; it feels like skin under a soft, diffused light. Her hair is a complex architecture of braids and curls, each strand rendered with a precision that suggests the artist’s chisel moved with the lightness of a brush. There is a profound stillness in her gaze, a…
In a recessed niche within the walls of Santa Trinità in Florence, a marble figure emerges from the stone. This high relief sculpture, carved in 1464, captures Mary Magdalene in a moment of quiet introspection. She is positioned centrally within an ornate architectural frame, her form integrated into the very fabric of the building. The figure holds a lamp aloft, a gesture that directs the viewer's attention toward the interplay…
Virgin and Child (1450), Galleria Sabauda, Turin. Zatem sledeta Portrait of Marietta Strozzi (1460) in Meeting of Christ and St John the Baptist as Youth (1453).
20 let: delo Virgin and Child iz leta 1450, Desiderio Da Settignano pa je bil/a rojen/a leta 1430.
Virgin and Child, Portrait of Marietta Strozzi, Meeting of Christ and St John the Baptist as Youth, Tabernacle (detail), Mary Magdalene, The Christ Child (.), A Little Boy, Laughing Boy, Tabernacle in Tomb of Carlo Marsuppini (detail). Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.
Naš katalog vsebuje 12 del avtorja Desiderio Da Settignano, datiranih od 1450 do 1464.
Večini v Bazilika San Lorenzo (Fireenca), National Gallery of Art (Washington) in Santa Croce (Firence). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
V obdobju 1460: 5 od 12 del na tej strani je bilo izdelovanih takrat, med njimi pa Portrait of Marietta Strozzi.
Na tej strani je najstarejše delo iz Virgin and Child (1450) in najstarejše iz Mary Magdalene (1464).
Marble (7), Sculpture (6) in Marble sculpture (4), na 12 delih na tej strani.
Marble, za 9 od 12 del na tej strani.
Renaissance in Early renaissance, glede na originala na tej strani.
Tabernacle (detail), Tabernacle in Tabernacle (detail): v muzeju Bazilika San Lorenzo, Fireenca se nahaja 3 del z te strani.
