Portret Cornelis Schut

35 najbolj znanih slik umetnika Cornelis Schut, galerijska izbira

Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 36 del v našem katalogu avtorja Cornelis Schut

Kratek opis

Med vsemi originali, ki jih je pustil Cornelis Schut, je najbolj znan The Virgin and Child with Saints (1600), ki se nahaja v kolekciji Museo de Arte de Ponce, Ponce. Takoj za njima sta Conversion of St. William of Maleval by St. Bernard of Clairvaux (1642) in Bacchus, Ceres and Venus (1633). Naš katalog vsebuje 36 del umetnika Cornelis Schut; galerija je ohranila 35 del, ki jih svet najbolj oboževa, odlikovanih z datumom nastanka, pripadajočim muzajem in zgodbojo.

1597 – 1655, Antverp Flemish baroque Največ del: Kraljevski muzej lepih umetnosti v Antwerpu

10 najboljših slik umetnika Cornelis Schut: izbira galerije

1
The Virgin and Child with Saints (1600) avtorja Cornelis Schut

The Virgin and Child with Saints

1600 · Oil On Canvas · Museo de Arte de Ponce, Ponce

In this oil on canvas work from the first half of the 17th century, the Virgin Mary holds the infant Jesus in a central embrace. The figures are surrounded by a gathering of angels and saints, some positioned at the periphery and others situated above the primary pair. The arrangement of these figures creates a sense of depth within the religious scene. Scattered throughout the composition are various fruits, including…

2
Conversion of St. William of Maleval by St. Bernard of Clairvaux (1642) avtorja Cornelis Schut

Conversion of St. William of Maleval by St. Bernard of Clairvaux

1642 · Oil · Kunsthistorisches Museum, Dunaj

The air in the composition feels heavy, thick with the sudden weight of a spiritual encounter. At the center, a pyramidal arrangement of figures anchors the chaos, pulling the eye from the fallen form at the bottom toward the celestial light above. St. William of Maleval lies cast down, his body a study in sudden, jarring movement. Above him, St. Bernard of Clairvaux stands as a pillar of steady, divine…

4
Triumph of Time (1625) avtorja Cornelis Schut

Triumph of Time

1625 · Oil On Canvas · Kunsthistorisches Museum, Dunaj

The oil painting titled Triumph of Time presents a large-scale, swirling arrangement of figures set against a turbulent sky. The composition is built upon a series of curvilinear lines that follow the limbs and heavy, folded drapery of various anatomical forms. In the center of this movement, a heroic figure holds a large astronomical clock or astrolabe, anchoring the chaotic arrangement. Surrounding this central action are several putti and larger…

5
Abduction Of Europa (1620) avtorja Cornelis Schut

Abduction Of Europa

1620 · Oil

The composition is defined by a powerful diagonal movement, sweeping from the lower left toward the upper right. This trajectory drives the viewer's eye along the white bull as it surges through turbulent waters, carrying Europa upon its back. Her body is twisted in a startled, graceful pose, one arm reaching toward the sky while her long hair trails behind her in the wind. A large, billowing red cloth drapes…

7
Beheading of Saint James (1626) avtorja Cornelis Schut

Beheading of Saint James

1626 · Oil On Canvas · Bavarske državne slikopisne zbirke, München

The air hangs heavy with the tension of a life reaching its final, violent moment. In this dramatic scene, titled Beheading of Saint James, the artist Cornelis Schut captures the precise instant of the saint's execution. The subject matter centers entirely on this harrowing martyrdom, pulling the viewer into the immediate presence of the executioner's blade and the heavy atmosphere of religious sacrifice. It is a moment frozen in time,…

8
The Glorification of the Holy Family by Female Saints and Angels (1635) avtorja Cornelis Schut

The Glorification of the Holy Family by Female Saints and Angels

1635 · Oil On Canvas · Museum Gouda, Gouda

In The Glorification of the Holy Family by Female Saints and Angels, Cornelis Schut organizes a celestial hierarchy through a dynamic, pyramidal composition. The Virgin Mary and Christ Child occupy the central focal point, anchoring the upward movement of the surrounding figures. This arrangement directs the eye through a layered perspective, beginning with female saints in the foreground, ascending to the Holy Family in the midground, and finally reaching an…

9
Holy Family with Saint John the Baptist as a Child (1626) avtorja Cornelis Schut

Holy Family with Saint John the Baptist as a Child

1626 · Oil · Bavarske državne slikopisne zbirke, München

We are looking at Holy Family with Saint John the Baptist as a Child, a work by the Flemish painter Cornelis Schut. This particular piece dates to 1626, a period when the artist was establishing his presence within the artistic circles of the Low Countries. Schut, who was born in 1597, brought a specific sensibility to his religious subjects, focusing on the intimate connections between the figures depicted.

10
The Coronation of the Virgin (1633) avtorja Cornelis Schut

The Coronation of the Virgin

1633 · Oil · Statens Museum For Kunst, Kopenhagen

The Coronation of the Virgin is an oil painting by Cornelis Schut, executed in 1633. The artist, born in 1597 in Antwerp, Belgium, lived until 1655. This specific work depicts a celestial scene organized into two distinct registers. The upper portion of the composition features the Virgin Mary seated upon clouds, where she is being crowned by figures representing the Holy Trinity, including God the Father, Jesus Christ, and the…

Izbor umetnika Cornelis Schut se nadaljuje, od 11 do 35

Motivi, ki so očarali Cornelis Schut

Četiri teme, ki se v teh originalih najpogosteje ponavljajo, vsaka z svojim vrhunskim primerom.

Muzeji, ki hranijo originala umetnika Cornelis Schut

8 muzejev, ki vsebujo največ slik na tej strani.

Muzej Mesto Sloga Cornelis Schut Slike iz tega seznama
Kraljevski muzej lepih umetnosti v Antwerpu, AntverpKraljevski muzej lepih umetnosti v Antwerpu Antverp 4 The purification of the holy virgin, The beheading of Saint George, Portiuncula
Bavarske državne slikopisne zbirke, MünchenBavarske državne slikopisne zbirke München 3 Annunciation to Mary, Beheading of Saint James, Holy Family with Saint John the Baptist as a Child
Kunsthistorisches Museum, DunajKunsthistorisches Museum Dunaj 2 Conversion of St. William of Maleval by St. Bernard of Clairvaux, Triumph of Time
Statens Museum For Kunst, KopenhagenStatens Museum For Kunst Kopenhagen 2 Bacchus, Ceres and Venus, The Coronation of the Virgin
Rubens House, AntverpRubens House Antverp 2 Geometria, Astrology
Museo de Arte de Ponce, PonceMuseo de Arte de Ponce Ponce 1 The Virgin and Child with Saints
Museum Gouda, GoudaMuseum Gouda Gouda 1 The Glorification of the Holy Family by Female Saints and Angels
Harvard Art Museums, CambridgeHarvard Art Museums Cambridge 1 The Ascension of Christ

Cornelis Schut desetletje za desetletjem: originali, ki definira vsako od njih

Delo po desetletjih

Izberite desetletje, da si ogledate original, ki ga opredeljuje.

Vprašanja zbirateljev o slikah umetnika Cornelis Schut

Za katero delo je Cornelis Schut najbolj znan/a?Razkriti odgovor

The Virgin and Child with Saints (1600), Museo de Arte de Ponce, Ponce. Zatem sledeta Conversion of St. William of Maleval by St. Bernard of Clairvaux (1642) in Bacchus, Ceres and Venus (1633).

Katera je deset najbolj znanih slik umetnika Cornelis Schut?Razkriti odgovor

The Virgin and Child with Saints, Conversion of St. William of Maleval by St. Bernard of Clairvaux, Bacchus, Ceres and Venus, Triumph of Time, Abduction Of Europa, Annunciation to Mary, Beheading of Saint James, The Glorification of the Holy Family by Female Saints and Angels, Holy Family with Saint John the Baptist as a Child in The Coronation of the Virgin. Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.

Koliko slik je pustil Cornelis Schut?Razkriti odgovor

Naš katalog vsebuje 36 del avtorja Cornelis Schut, datiranih od 1620 do 1653.

V katerih muzejih so razložena remek dela umetnika Cornelis Schut?Razkriti odgovor

Večini v Kraljevski muzej lepih umetnosti v Antwerpu (Antverp), Bavarske državne slikopisne zbirke (München) in Kunsthistorisches Museum (Dunaj). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.

V katerih letih je Cornelis Schut naslikal svoja najbolj znana dela?Razkriti odgovor

V obdobju 1650s: 8 od 35 del na tej strani je bilo izdelovanih takrat, med njimi pa The purification of the holy virgin.

Kakšna sta prva in zadnja znana originala umetnika Cornelis Schut?Razkriti odgovor

Na tej strani je najstarejše delo iz Abduction Of Europa (1620) in najstarejše iz The beheading of Saint George (1653).

Katere teme je Cornelis Schut najpogosteje izbiral?Razkriti odgovor

Woman (15), Clouds (10) in Drapery (7), na 35 delih na tej strani.

Katero tehniko je Cornelis Schut najpogosteje uporabljal?Razkriti odgovor

Oil, za 13 od 35 del na tej strani.

Kateri umetniški slog pripada Cornelis Schut?Razkriti odgovor

Flemish baroque in Baroque, glede na originala na tej strani.

Katera dela umetnika Cornelis Schut so razstavljena v muzeju Kraljevski muzej lepih umetnosti v Antwerpu?Razkriti odgovor

The purification of the holy virgin, The beheading of Saint George in Portiuncula: v muzeju Kraljevski muzej lepih umetnosti v Antwerpu, Antverp se nahaja 4 del z te strani.

Cornelis Schut: življenje in delo

A Master of Baroque Drama: The Life and Art of Cornelis Schut

Cornelis Schut, born in Antwerp in 1597, emerged as a pivotal figure within the vibrant Flemish Baroque tradition. Though often overshadowed by his celebrated contemporary, Peter Paul Rubens, Schut carved out a distinguished career marked by dynamic compositions, masterful use of color, and a profound engagement with both religious and mythological themes. His journey, spanning from the bustling artistic hub of Antwerp to the cultural heart of Italy and back again, reflects the broader currents of 17th-century European art—a period defined by dramatic intensity, spiritual fervor, and an evolving aesthetic landscape. While concrete details regarding his early training remain elusive, historical accounts suggest a formative apprenticeship under Rubens himself, an influence readily apparent in Schut’s energetic brushwork and penchant for monumental scale. However, the seeds of his individual style were also nurtured by exposure to the work of Abraham Janssens, another prominent Antwerp painter, hinting at a complex artistic lineage that shaped his unique vision.

From Antwerp to Rome: A Period of Artistic Growth

Schut’s ambition and thirst for artistic exploration led him to Italy shortly after becoming a master within the Antwerp Guild of St Luke in 1618. This sojourn proved transformative, immersing him in the rich classical heritage and burgeoning Baroque style that characterized Roman art during this period. He quickly integrated himself into the vibrant community of Northern European artists working abroad, becoming a founding member of the *Bentvueghels*, a society known for its playful nicknames and spirited artistic camaraderie. Schut adopted the moniker “Broodzak” – meaning ‘bread bag’ – a testament to the often-eccentric personalities within this group. His time in Italy wasn't solely defined by social engagements; it was also marked by significant commissions, including frescoes at the Villa "Casino Pescatore" in Frascati, undertaken in collaboration with fellow Dutch painter Tyman Arentsz. Cracht. This project, secured through the patronage of the wealthy Flemish banker Pietro Pescatore, served as a crucial stepping stone, establishing Schut’s reputation and opening doors to further opportunities. He also garnered recognition from Vincenzo Giustiniani, an aristocratic Roman art collector who commissioned two large-scale religious compositions that now reside in the Abbey of Sainte-Trinité in Caen. These commissions demonstrate not only his growing artistic prowess but also the esteem he commanded within Rome's discerning artistic circles. Even the young Nicolas Poussin acknowledged Schut’s influence, incorporating motifs from his works into his own early paintings.

A Brush with Controversy and Return to Antwerp

Schut’s Roman idyll was briefly disrupted by a dark episode in 1627: an imprisonment following the death of a fellow artist named Giusto. Though details remain murky, Schut was accused of homicide, but swiftly released thanks to the intervention of the Accademia di San Luca, highlighting his standing within the artistic community. Following this incident and a period spent in Florence designing tapestries for the Arazzeria Medicea – the renowned Medici tapestry workshop – Schut returned to Antwerp around 1631. He quickly re-established himself as a leading figure in the city’s artistic life, marrying Catharina Gheenssins from a well-to-do family and securing numerous commissions for altarpieces and other religious works. The loss of his first wife and two children was a sorrowful period, but he found companionship again with Anastasia Scelliers, with whom he had further children.

Antwerp’s Leading History Painter: Style and Legacy

Upon his return to Antwerp, Schut fully embraced the High-Baroque style that dominated Flemish painting at the time. He excelled in creating monumental compositions characterized by dramatic lighting, dynamic movement, and a palpable sense of emotional intensity. His ability to execute large-scale ceiling decorations with illusionistic effects was particularly admired, exemplified by his *Assumption of Mary* within Antwerp Cathedral – a testament to his mastery of perspective and spatial illusion. Schut’s involvement in the elaborate decorative schemes for the Royal Entry of Cardinal-Infante Ferdinand in both Antwerp and Ghent further solidified his position as one of the city's most sought-after artists. He collaborated with other prominent painters, including Gaspard de Crayer and Theodoor Rombouts, on these grand public spectacles. Beyond these large-scale projects, Schut also demonstrated a keen eye for detail and narrative clarity in his smaller works, often depicting scenes from the lives of saints or mythological narratives. His influence extended beyond painting, as he was commissioned to create over 100 etchings documenting the Ghent Royal Entry, showcasing his versatility as an artist and printmaker. Cornelis Schut died in Antwerp in 1655, leaving behind a legacy of powerful Baroque paintings that continue to captivate viewers with their dramatic energy and technical brilliance. He remains a significant figure in the history of Flemish art, representing the culmination of the Baroque style within his native region.