Portret Charles de Steuben

19 najbolj znanih slik umetnika Charles de Steuben, galerijska izbira

Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 19 del v našem katalogu avtorja Charles de Steuben

Kratek opis

Med vsemi originali, ki jih je pustil Charles de Steuben, je najbolj znan Portrait of Anna Benardaki (1844), ki se nahaja v kolekciji Ermitaž, Sankt Peterburg. Takoj za njima sta Portrait of Baron Alexander Stieglitz (1844) in Portrait of Alexander P. von Benckendorff (1819 – 1851) (1850). Naš katalog vsebuje 19 del umetnika Charles de Steuben; galerija je ohranila 19 del, ki jih svet najbolj oboževa, odlikovanih z datumom nastanka, pripadajočim muzajem in zgodbojo.

1788 – 1856, Bauerbach Romanticism Največ del: Ermitaž

10 najboljših slik umetnika Charles de Steuben: izbira galerije

1
Portrait of Anna Benardaki (1844) avtorja Charles de Steuben

Portrait of Anna Benardaki

1844 · Oil · Ermitaž, Sankt Peterburg

The Portrait of Anna Benardaki is a formal mid-19th-century oil portrait that captures a woman seated upon a luxurious red velvet sofa. The composition is centered on the subject, presenting a medium shot that establishes an intimate yet formal connection with the viewer. Her attire consists of a luminous white and silver gown, detailed with intricate lace sleeves and flowing satin folds. This bright palette stands in sharp contrast to…

2
Portrait of Baron Alexander Stieglitz (1844) avtorja Charles de Steuben

Portrait of Baron Alexander Stieglitz

1844 · Oil On Canvas · Ermitaž, Sankt Peterburg

The Portrait of Baron Alexander Stieglitz is a significant oil painting by the artist Charles Auguste Guillaume Steuben. Created in Russia around 1844, this work captures the likeness of Baron Alexander von Stieglitz, a man known for his influence as a Russian banker and philanthropist. The portrait offers a quiet study of a figure central to the social and economic fabric of the era.

3
Portrait of Alexander P. von Benckendorff (1819 – 1851) (1850) avtorja Charles de Steuben

Portrait of Alexander P. von Benckendorff (1819 – 1851)

1850 · Oil On Canvas · Ermitaž, Sankt Peterburg

The subject, Alexander P. von Benckendorff, is rendered in a three-quarter length pose, his gaze directed toward the viewer's left. He is dressed in a formal military uniform, a garment defined by sharp lines and heavy textures. The dark blues and blacks of his attire recede into a somber, atmospheric background, while the metallic sheen of buttons and braided cords catches the light. A draped cloak adds a sense of…

4
Portrait of a Young Woman (1843) avtorja Charles de Steuben

Portrait of a Young Woman

1843 · Oil On Canvas · Ermitaž, Sankt Peterburg

A young woman leans against a cool stone balustrade, her presence filling the space with a quiet, luminous grace. She is caught in a moment of stillness, her body angled slightly away as she gazes out toward a horizon we cannot quite reach. A bright orange-red shawl drapes over her shoulders, providing a sharp, warm contrast to the crisp white lace of her gown. The light catches the delicate textures…

5
Portrait of D.E. Benardaki (1844) avtorja Charles de Steuben

Portrait of D.E. Benardaki

1844 · Oil On Canvas · Ermitaž, Sankt Peterburg

In this 1844 oil portrait, we find ourselves in the presence of D.E. Benardaki, a man whose seated posture suggests a life of intellect and quiet authority. The composition is a formal, three-quarter length view, placing the subject slightly off-center to create a sense of balanced movement. He is positioned within a scholarly environment, seated beside a desk where writing implements rest, hinting at a mind preoccupied with thought or…

6
Portrait of Countess Yulia Stroganova (1848) avtorja Charles de Steuben

Portrait of Countess Yulia Stroganova

1848 · Oil On Canvas · Ermitaž, Sankt Peterburg

The Portrait of Countess Yulia Stroganova is an oil on canvas painted by Charles de Steuben in 1848. The subject, also identified as Julia Stroganova, is presented in a three-quarter length pose. She sits slightly off-center, her presence defined by the quiet weight of her station. She is a lady and a bride, captured in a moment of poised stillness.

Izbor umetnika Charles de Steuben se nadaljuje, od 11 do 19

Motivi, ki so očarali Charles de Steuben

Četiri teme, ki se v teh originalih najpogosteje ponavljajo, vsaka z svojim vrhunskim primerom.

Muzeji, ki hranijo originala umetnika Charles de Steuben

8 muzejev, ki vsebujo največ slik na tej strani.

Muzej Mesto Sloga Charles de Steuben Slike iz tega seznama
Ermitaž, Sankt PeterburgErmitaž Sankt Peterburg 7 Portrait of Anna Benardaki, Portrait of Baron Alexander Stieglitz, Portrait of Alexander P. von Benckendorff (1819 – 1851)
Palais des Beaux-Arts de Lille, LillePalais des Beaux-Arts de Lille Lille 2 Joan the Mad Waiting for the Resurrection of Philip the Handsome Her Husband, Marquise de Béthisy as an Orientalist
Carnavalet Museum, ParizCarnavalet Museum Pariz 1 Portrait of Edme Champion, known as the "man in the small blue cloak" (1764-1852), philanthropist
Musée Victor Hugo, ParižMusée Victor Hugo Pariž 1 Sketch for the painting "La Esmeralda and her goat"
Opera House, VersaillesOpera House Versailles 1 Anne d'Autriche, reine de France
Château de Versailles, VersaillesChâteau de Versailles Versailles 1 Louis IV, King of France
Napoleon museum ArenenbergNapoleon museum Arenenberg 1 The Death of Napoleon
Cleveland Museum of Art, ClevelandCleveland Museum of Art Cleveland 1 Battle of Poitiers, 25 October 732

Charles de Steuben desetletje za desetletjem: originali, ki definira vsako od njih

Delo po desetletjih

Izberite desetletje, da si ogledate original, ki ga opredeljuje.

Vprašanja zbirateljev o slikah umetnika Charles de Steuben

Za katero delo je Charles de Steuben najbolj znan/a?Razkriti odgovor

Portrait of Anna Benardaki (1844), Ermitaž, Sankt Peterburg. Zatem sledeta Portrait of Baron Alexander Stieglitz (1844) in Portrait of Alexander P. von Benckendorff (1819 – 1851) (1850).

Koliko je bil Charles de Steuben let, ko je nastalo delo Portrait of Anna Benardaki?Razkriti odgovor

56 let: delo Portrait of Anna Benardaki iz leta 1844, Charles de Steuben pa je bil/a rojen/a leta 1788.

Katera je deset najbolj znanih slik umetnika Charles de Steuben?Razkriti odgovor

Portrait of Anna Benardaki, Portrait of Baron Alexander Stieglitz, Portrait of Alexander P. von Benckendorff (1819 – 1851), Portrait of a Young Woman, Portrait of D.E. Benardaki, Portrait of Countess Yulia Stroganova, Mercury Putting Argus to Sleep, Portrait of Edme Champion, known as the "man in the small blue cloak" (1764-1852), philanthropist, Sketch for the painting "La Esmeralda and her goat" in Joan the Mad Waiting for the Resurrection of Philip the Handsome Her Husband. Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.

Koliko slik je pustil Charles de Steuben?Razkriti odgovor

Naš katalog vsebuje 19 del avtorja Charles de Steuben, datiranih od 1800 do 1850.

V katerih muzejih so razložena remek dela umetnika Charles de Steuben?Razkriti odgovor

Večini v Ermitaž (Sankt Peterburg), Palais des Beaux-Arts de Lille (Lille) in Carnavalet Museum (Pariz). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.

V katerih letih je Charles de Steuben naslikal svoja najbolj znana dela?Razkriti odgovor

V obdobju 1830s: 9 od 19 del na tej strani je bilo izdelovanih takrat, med njimi pa Portrait of Edme Champion, known as the "man in the small blue cloak" (1764-1852), philanthropist.

Kakšna sta prva in zadnja znana originala umetnika Charles de Steuben?Razkriti odgovor

Na tej strani je najstarejše delo iz The Death of Napoleon (1800) in najstarejše iz Portrait of Alexander P. von Benckendorff (1819 – 1851) (1850).

Katere teme je Charles de Steuben najpogosteje izbiral?Razkriti odgovor

Woman (3), Man (3) in Lace (2), na 19 delih na tej strani.

Katero tehniko je Charles de Steuben najpogosteje uporabljal?Razkriti odgovor

Oil On Canvas, za 5 od 19 del na tej strani.

Kateri umetniški slog pripada Charles de Steuben?Razkriti odgovor

Romanticism, glede na originala na tej strani.

Katera dela umetnika Charles de Steuben so razstavljena v muzeju Ermitaž?Razkriti odgovor

Portrait of Anna Benardaki, Portrait of Baron Alexander Stieglitz in Portrait of Alexander P. von Benckendorff (1819 – 1851): v muzeju Ermitaž, Sankt Peterburg se nahaja 7 del z te strani.

Charles de Steuben: življenje in delo

A Life Forged in the Shadows of Empires

Born into the nobility of the German Duchy of Württemberg, the life of Charles Auguste Guillaume Steuben was never destined for a quiet existence. His early years were defined by movement and the grandeur of shifting borders, moving from his birthplace to the imperial splendor of Saint Petersburg at the tender age of twelve. It was within the hallowed halls of the Imperial Academy of Arts that the young student first began to grasp the language of light and shadow, studying drawing under the watchful eyes of Russian masters. This formative period in Russia, shaped by the social connections of his father—a captain in Russian service—provided a unique cosmopolitan foundation. As he transitioned from the Russian court to the artistic epicenter of Paris, Steuben carried with him a perspective that was both deeply European and profoundly observant, preparing him for a career that would bridge the gap between the Napoleonic era and the Second Empire.

The Echo of Schiller and the Romantic Flame

Steuben’s artistic identity was not merely a product of formal training at the École des Beaux-Arts under luminaries like Jacques-Louis David and Pierre-Paul Prud'hon; it was ignited by the literary fire of Friedrich Schiller. The poet's ideals of individual liberty and free self-determination became the heartbeat of Steuben’s Romantic sensibility, instilling in him a belief that art should reflect the internal struggle for freedom. His style emerged as a dramatic interplay of expressive brushstrokes and a vivid, emotive palette, designed to capture the turbulent spirit of an age defined by revolution and restoration. He mastered the ability to blend meticulous observation with an imaginative, almost theatrical interpretation of history.

  • Philosophical Roots: The profound influence of Friedrich Schiller’s political ideals on his Romantic vision.
  • Academic Pedigree: Refined training under the masters of French Neoclassicism and lithography.
  • Thematic Depth: A focus on historical narratives that emphasized psychological insight and emotional fervor.

Chronicles in Color and Chiaroscuro

The true mastery of Steuben lay in his ability to weave meticulous historical detail with a cinematic sense of drama. He was a storyteller who utilized the technique of chiaroscuro to pull figures from the darkness, lending them a monumental presence that commanded the viewer's attention. In his celebrated work, The Death of Napoleon, one finds a hauntingly intimate glimpse into the twilight of a legend, where the grandeur of empire meets the stark reality of mortality on Saint Helena. Similarly, his Battle of Poitiers serves as a powerful testament to historical resilience, utilizing vibrant color and dynamic composition to depict the decisive clash between Charles Martel and Abd al-Rahman III. Through both painting and lithography, Steuben left behind a legacy that remains a vital window into the soul of nineteenth-century Europe, capturing the very essence of the Romantic era.