Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 108 del v našem katalogu avtorja Bernhard Strigel
Kratek opis
The Announcement to Anne and Joachim (1510) je slika avtorja Bernhard Strigel, ki pritegne največ pogledov; original se nahaja v muzeju Thyssen-Bornemisza Museum, Madrid. Nato se pogled smeri k Portrait of Maximiliaan I van Habsburg (1459-1519) (1500) in St. Anthony Abbot and St. Paul the Hermit (1507). Med 108 dela umetnika Bernhard Strigel v našem katalogu so ta 100 najbolj znana; vsako je edinstven original, predstavljen z letnico nastanka, muzejem in razlogom za njegovo nečasenost.
The painting depicts a domestic interior where a seated woman, Mary, occupies the left side of the frame. She holds a piece of cloth in her hands, her posture settled within a chair. Opposite her, a standing figure, the angel Gabriel, appears in the space of the room. The scene is grounded by a dining table positioned toward the upper right, upon which a single bowl rests. In the lower…
The air in the portrait feels heavy with the scent of polished metal and expensive dyes. Maximilian I sits in a profile view, a choice that demands respect and distances the viewer from the intimate space of the ruler. His gaze does not meet ours; instead, it looks toward a horizon only he can see. The light catches the sharp edge of his crown and the fine, meticulous embroidery of…
The oil on panel painting titled St. Anthony Abbot and St. Paul the Hermit was executed by the German artist Bernhard Strigel in 1507. This work depicts two religious figures, St. Anthony Abbot and St. Paul the Hermit, positioned in close proximity. The two subjects are shown engaged in conversation, their forms set against a gold-toned surface.
A man stares directly from the panel, his presence heavy and immediate. He wears a black hat adorned with a delicate gold trim, a piece of finery that catches the light against the dark fabric. A red cape drapes over his shoulders, providing a sudden, sharp splash of color against the more somber tones of his attire. His hand is raised, a ring glinting on his finger, as if he…
A single figure occupies the center of the frame, stripped of his garments. The skin of Christ appears pale against the heavy, textured folds of the drapery being pulled away. Around him, several figures press inward, their hands grasping at cloth and limb. The scene is set outdoors, where the dark silhouette of a tree rises in the background, grounding the divine drama in a tangible, earthly space. There is…
Mindelheim Altarpiece: Saint Servatius by Bernhard Strigel is a vertically oriented religious portrait executed about 1505. The composition centers on a seated figure shown in profile, facing toward the left of the frame. The subject is Saint Servatius, depicted in clerical attire and wearing spectacles while reading a book. This figure is positioned near a wooden bookcase, creating a focused, intimate setting. The perspective remains shallow, concentrating the viewer's attention…
In this intimate work, titled Funk Diptych: Donor Portrait of Hans Funk, we encounter a quiet moment of devotion captured by the hand of Bernhard Strigel. The portrait focuses on the individual known as Hans Funk, presented with the solemnity typical of a late Gothic donor image. It is a work that seeks to preserve the identity and piety of its subject through a formal, dignified gaze.
The air feels thick with anticipation as a procession moves through the narrow, structured gates of a city. Jesus Christ rides a donkey, his presence marked by a golden halo that glows softly against the surrounding figures. Around him, a sea of followers and onlookers surges forward, their faces etched with intense expressions. The composition is vertical and tightly packed, creating a sense of movement that pushes against the edges…
In this work, titled betrothal of Maria with the founder, Bernhard Strigel presents a solemn depiction of the Betrothal of the Virgin Mary. The scene unfolds within an indoor or semi-enclosed space, where the atmosphere is defined by a dense arrangement of figures. At the heart of the composition, a high priest or officiating figure stands centrally, mediating the ritual between the primary subjects. To the left, a woman kneels…
This painting depicts Saint Barbara and was executed by the artist Bernhard Strigel. The work is dated to 1500. Strigel was a painter associated with the Swabian school, a group of artists active in the southern German regions. He was born in Memmingen.
Buxheim Altar: Prophet Isaiah1500 · Bavarske državne slikopisne zbirke
12
Altarpiece: Birth of Mary1500
13
Altarpiece: Martyrdom of Saint Quirinus1500
14
Three Kings Altar: The Adoration of the Magi1500
15
Portrait of a Man1493 · Gemäldegalerie
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Prophets with Scroll1493 · Gemäldegalerie
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Prophets with Scroll1493 · Gemäldegalerie
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Prophets with Scroll1493 · Gemäldegalerie
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Prophets with Scroll1493 · Gemäldegalerie
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Mindelheim Altarpiece: Anna and Joachim with Mary1500 · Bavarske državne slikopisne zbirke
21
Virgin with child1490 · Bavarske državne slikopisne zbirke
22
The returning of David with the head Goliath1500 · Bavarske državne slikopisne zbirke
23
Mindelheim Altarpiece: Mary Salome and Zebedee with their Childs1500 · Bavarske državne slikopisne zbirke
24
The Arrest of Christ1500 · Walters Art Museum
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Pilate Washing His Hands of Guilt for Christ's Death1500 · Walters Art Museum
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Christ Before the High Priest1500 · Walters Art Museum
27
Death of Mary (Reverse: St. Dorothea and Margaretha)1510 · Bavarske državne slikopisne zbirke
28
Sliding Lid for the Portrait of Hieronymus II. Haller zu Kalchreuth1503 · Bavarske državne slikopisne zbirke
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Finding and Exaltation of the True Cross1507 · Veste Coburg Art Collections
30
Epitaph of the Familie Funk von Memmingen, 15131513 · Museum of All Saints
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Ulrich von Frundsberg as Donor of the Family Retable1505
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St Catherine of Alexandria1505 · Städel Museum
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The Emperor Maximilian I (1459 - 1519)1508 · Upton House
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Mindelheim Altarpiece: Cleophas and Maria Cleophae and Childs1505 · Bavarske državne slikopisne zbirke
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Mindelheim Altarpiece: Mary of Clopas and Alphaeus with their Childs1505 · Bavarske državne slikopisne zbirke
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Mindelheim Altarpiece: Issachar and Susanna and their Childs1505 · Bavarske državne slikopisne zbirke
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Mindelheim Altarpiece: Esmeria and Ephrem with their Childs1505 · Bavarske državne slikopisne zbirke
38
Mindelheim Altarpiece: Eliud and Memelia with Saint Servatius1505 · Bavarske državne slikopisne zbirke
39
Emperor Maximilan I. (1459-1519) with a Scroll1515 · Gemäldegalerie
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Portrait of Maximilian I1515
41
Angel with Censer1520 · Louvre Abu Dhabi
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The Thurifer Angel Dressed in a Yellow Tunic1520 · Louvre Abu Dhabi
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Prayer of Christ in the Garden of Olives1525 · Staatliche Kunsthalle Karlsruhe
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Sleeping guard of a grave with a crossbow1520 · Bavarske državne slikopisne zbirke
45
Calvary (verso): Chris as Man of Sorrows1520 · Bavarske državne slikopisne zbirke
46
St.Peter and St. Paul1521
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Portrait d'une dame1520
48
Portrait of Mary of Burgundy1520 · Dumbarton Oaks
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Portrait of Count Johann II, Count of Montfort and Rothenfels1523 · National Gallery of Ireland
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Holy Family with Angels1510 · Kunsthistorisches Museum
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Portrait of a Man1528 · Thyssen-Bornemisza Museum
52
Buxheim Altar: Prophet Zacharias Reverse: Part of an Annunciation(?)1500 · Bavarske državne slikopisne zbirke
53![Hans Roth [obverse] (1527) avtorja Bernhard Strigel](/media/artworks/images-thumb/c0/53/c0536f9d39bebacea67dcfd17e7277dd.jpg)
Hans Roth [obverse]1527 · National Gallery of Art
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Holy Tribe1520 · Kunsthistorisches Museum
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Portrait of Hieronymus II. Haller zu Kalchreuth1503 · Bavarske državne slikopisne zbirke
56
Christ Washing the Disciples' Feet1520 · Staatliche Kunsthalle Karlsruhe
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The Annunciation1515 · Fundación Colección Thyssen-Bornemisza
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John the Evangelist is taught to write1510 · Kunsthistorisches Museum
59![Margarethe Vöhlin, Wife of Hans Roth [reverse] (1527) avtorja Bernhard Strigel](/media/artworks/images-thumb/ca/b1/cab156fa5e0148a2e9b0560926d3d422.jpg)
Margarethe Vöhlin, Wife of Hans Roth [reverse]1527 · National Gallery of Art
60![Hans Roth [reverse] (1527) avtorja Bernhard Strigel](/media/artworks/images-thumb/e3/a3/e3a3614e1ef6310758806a32d0c9299c.jpg)
Hans Roth [reverse]1527 · National Gallery of Art
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Margarethe Vöhlin1527 · National Gallery of Art
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Portrait of Maximilian I1459
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Emperor Maximilian I1459
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Maximilian I1459 · Kunsthistorisches Museum
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Christ Taking Leave of His Mother1520 · Staatliche Museen zu Berlin
66
Inside Pages of the Wings of the Schussenrieder Marienaltar1515 · Gemäldegalerie
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Sacrifice of Isaac, and Transfiguration1510
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Portrait of Georg Tannstetter (Collimitius)1515
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The eight children Konrad Rehlinger1517 · Bavarske državne slikopisne zbirke
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Portrait of Martha Thannstetter (née Werusin)1515 · Liechtenstein Museum
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Portrait of Dr. Georg Thannstetter1515 · Liechtenstein Museum
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Portrait of Emperor Maximilian and His Family1515
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Sleeping guardian of a grave with sword and halberd1520 · Bavarske državne slikopisne zbirke
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Saint Mary Salome and Her Family1528 · National Gallery of Art
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Saint Mary Cleophas and Her Family1528 · National Gallery of Art
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Portrait of Conrad Rehlinger and his Children1517 · Alte Pinakothek
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Emperor Maximilian I1459
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Portrait of a Woman1510 · Metropolitanski muzej umetnosti
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Mary and Joseph with Jesus1506 · Bavarske državne slikopisne zbirke
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Lamentation of ChristStaatliche Kunsthalle Karlsruhe
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Emperor Maximilian IBavarske državne slikopisne zbirke
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The Marriage of the VirginStaatsgalerie Stuttgart
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Crowning of Christ with ThornsStaatliche Kunsthalle Karlsruhe
84
St Ladislas Presents Wladislav II and his Sons to the Virgin (podrobnost)1511 · Muzej lepih umetnosti
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Eliud with Memelia and Saint Servatius as a ChildGemäldegalerie
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Saints Vitus and MargaretGemäldegalerie
87
Annunciation to MaryStaatliche Kunsthalle Karlsruhe
88
Portrait of Hieronymus HallerMuzej lepih umetnosti
89
Saint John the BaptistMuzej fine arts
90
Pair of lovers with the Devil and CupidKupferstichkabinett
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Portrait of the Cuspinian Family1520
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Christ Taking Leave of His Mother1520
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Portrait of Louis II of Hungary1515 · Kunsthistorisches Museum
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Saint Elizabeth of Thuringia and Emperor Henry IIGemäldegalerie
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Margaret of Antioch
96
John the Evangelist
97
John the Baptist
98
Barbara of Nicomedia
99
Hans Caspar von LaubbergStaatliche Kunsthalle Karlsruhe
100
Sleeping Grave Guards with Mace and SwordBavarske državne slikopisne zbirke
Četiri teme, ki se v teh originalih najpogosteje ponavljajo, vsaka z svojim vrhunskim primerom.
8 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Bernhard Strigel | Slike iz tega seznama |
|---|---|---|---|
 Bavarske državne slikopisne zbirke |
München | 25 | Portrait of Maximiliaan I van Habsburg (1459-1519), Mindelheim Altarpiece: Saint Servatius, Funk Diptych: Donor Portrait of Hans Funk |
 Gemäldegalerie |
Berlin | 10 | Portrait of a Man, Prophets with Scroll, Prophets with Scroll |
 Staatliche Kunsthalle Karlsruhe |
Karlsruhe | 6 | Prayer of Christ in the Garden of Olives, Christ Washing the Disciples' Feet, Lamentation of Christ |
 National Gallery of Art |
Washington | 6 | Hans Roth [obverse], Margarethe Vöhlin, Wife of Hans Roth [reverse], Hans Roth [reverse] |
 Kunsthistorisches Museum |
Dunaj | 6 | Holy Family with Angels, Holy Tribe, John the Evangelist is taught to write |
 Walters Art Museum |
Baltimore | 4 | The Entry Into Jerusalem, The Arrest of Christ, Pilate Washing His Hands of Guilt for Christ's Death |
 Muzej lepih umetnosti |
Budimpešta | 3 | St Ladislas Presents Wladislav II and his Sons to the Virgin (podrobnost), Portrait of Hieronymus Haller |
 Thyssen-Bornemisza Museum |
Madrid | 2 | The Announcement to Anne and Joachim, Portrait of a Man |
Izberite desetletje, da si ogledate original, ki ga opredeljuje.
In this work, titled betrothal of Maria with the founder, Bernhard Strigel presents a solemn depiction of the Betrothal of the Virgin Mary. The scene unfolds within an indoor or semi-enclosed space, where the atmosphere is defined by a dense arrangement of figures. At the heart of the composition, a high priest or officiating figure stands centrally, mediating the ritual between the primary subjects. To the left, a woman kneels…
In this intimate work, titled Funk Diptych: Donor Portrait of Hans Funk, we encounter a quiet moment of devotion captured by the hand of Bernhard Strigel. The portrait focuses on the individual known as Hans Funk, presented with the solemnity typical of a late Gothic donor image. It is a work that seeks to preserve the identity and piety of its subject through a formal, dignified gaze.
The air in the portrait feels heavy with the scent of polished metal and expensive dyes. Maximilian I sits in a profile view, a choice that demands respect and distances the viewer from the intimate space of the ruler. His gaze does not meet ours; instead, it looks toward a horizon only he can see. The light catches the sharp edge of his crown and the fine, meticulous embroidery of…
The painting depicts a domestic interior where a seated woman, Mary, occupies the left side of the frame. She holds a piece of cloth in her hands, her posture settled within a chair. Opposite her, a standing figure, the angel Gabriel, appears in the space of the room. The scene is grounded by a dining table positioned toward the upper right, upon which a single bowl rests. In the lower…
A man stares directly from the panel, his presence heavy and immediate. He wears a black hat adorned with a delicate gold trim, a piece of finery that catches the light against the dark fabric. A red cape drapes over his shoulders, providing a sudden, sharp splash of color against the more somber tones of his attire. His hand is raised, a ring glinting on his finger, as if he…
The Announcement to Anne and Joachim (1510), Thyssen-Bornemisza Museum, Madrid. Zatem sledeta Portrait of Maximiliaan I van Habsburg (1459-1519) (1500) in St. Anthony Abbot and St. Paul the Hermit (1507).
50 let: delo The Announcement to Anne and Joachim iz leta 1510, Bernhard Strigel pa je bil/a rojen/a leta 1460.
The Announcement to Anne and Joachim, Portrait of Maximiliaan I van Habsburg (1459-1519), St. Anthony Abbot and St. Paul the Hermit, Portrait of a Gentleman, Disrobing of Christ, Mindelheim Altarpiece: Saint Servatius, Funk Diptych: Donor Portrait of Hans Funk, The Entry Into Jerusalem, betrothal of Maria with the founder in Saint Barbara. Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.
Naš katalog vsebuje 108 del avtorja Bernhard Strigel, datiranih od 1485 do 1528.
Večini v Bavarske državne slikopisne zbirke (München), Gemäldegalerie (Berlin) in Staatliche Kunsthalle Karlsruhe (Karlsruhe). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
V obdobju 1500s: 28 od 100 del na tej strani je bilo izdelovanih takrat, med njimi pa Portrait of Maximiliaan I van Habsburg (1459-1519).
Na tej strani je najstarejše delo iz betrothal of Maria with the founder (1485) in najstarejše iz Portrait of a Man (1528).
Man (41), People (22) in Woman (21), na 100 delih na tej strani.
Oil On Panel, za 51 od 100 del na tej strani.
Northern renaissance, glede na originala na tej strani.
Portrait of Maximiliaan I van Habsburg (1459-1519), Mindelheim Altarpiece: Saint Servatius in Funk Diptych: Donor Portrait of Hans Funk: v muzeju Bavarske državne slikopisne zbirke, München se nahaja 25 del z te strani.
V srcu švabske pokrajine, v obdobju, ko se je srednji vek začel predajati osvitu renesanse, se je Bernhard Strigel pojavil kot mojster svetlobe in človeške prisotnosti. Rod v Memmingenu okoli leta 1461 ni Strigel le slikal figure; on jim je vdihnil življenje skozi natančno vladanje z barvo in obliko. Njegova pot je bila pot globoke umetniške evolucije, ki se je premikala iz strukturiranih tradicij gotike proti boljนะคะ subtilnemu, opazovalnemu slogu, ki bo definiral nemško renesanso. Kot ključna figura švabske šole njegovo delo služi kot pomembna premoščica med duhovno intenzivnostjo srednjega veka in humanistično jasnostjo šestnadnevnega stoletja.
Temelj Striglovega genija so se ulegli v intimenih okringih družinske delavnice. Pod vodstvom svojega očeta, Hansa Strigla, ter pod vplivom cenjenega mojstra Zeitbloma iz Ulma, je mlad umetnik razvil oko za drobnosti, ki značijo umetnost severne renesanse. Ta zgodnji trening mu je vgradil spoštovanje do tekstur realnosti — težkih gub veluraste oble, subtilnega sijaja pearl in mehkega žarob kože pod svetlo sveč.
V njegovih zgodnjih kompozicijah lahko sledimo odmevom mojstrov, kot sta Rogier van der Weyden in Dieric Bouts, kjer se občutek globoke pobožnosti sreča z skoraj znanstveno natančnostjo v detajlih.
Striglov vzpon od regionalnega talenta do slavne figure evropskega pomena je podpirala najmočnejša patronska skrb njegove dobe: tista cesarja Maksimilijana I. Cesar, človek z nezasrpno lahkostjo za slike in zgodovinsko dokumentacijo, je v Striglu prepoznal edinstveno sposobnost zajeti ne le podobnost, temveč samo bistvo avtoritete in plemenitosti. Ta odnos je spremenil Striglovo kariero ter ga vodil na velike umetniške ekspedicije skozi kultna središča Augsburga, Innsbrucka in Dunaja. Njegova prisotnost na imperialnih dvorih mu je omogočila sodelovanje v najpomembnejših političnih in družbenih zgodovinskih zaporedjih njegovega časa.
Morda njegov najbolj trajen prispevek k zgodovini portretne umetnosti leži v njegovi vlogi med pomembnimi pogodbami o zakum Habsburg-Jagellon. Leta 1515, ko je bil posebej poklican v Dunaj, je Strigl naletel na nalogo, da zajame obraze spreminjajoče se Evrope. Njegovi portreti iz te dobe so zaznameni z izjemno jasnostjo in psihološko globino, ki presega zgolj dokumentacijo. Skozi njegov č笔, imajo subjekti tiho dostojnost in svetlobno kakovost, ki nakazuje dušo, kako poglega skozi pigmet.
Tehnična briljantnost Bernharda Strigla je najbolj očitna v njegovem mojstrovstvu svetlobnosti. Imel je redko sposobnost manipulacije svetlobo, tako da se je zdalo, da izvira iz samega življenja slike, namesto da bi se le zrcalila na njeni površini. Ta tehnika, v kombinaciji s sofisticirano uporabo barvnih palet, mu je omogočila ustvarjanje del, ki so delovala tako fizično oprijemljivo kot duhovno vzvišena. Ne glede na to, ali je delal na velikih zgodovinskih kompozicijah ali intimnih individualnih portretih, je njegova predanost natančnosti ostala neomajna.
Njegove umetniške dosežke lahko povzamemo skozi nekaj ključnih stebrov njegove kariere:
Danes dela Bernharda Strigla ostajajo spomenik obdobju globokih preobrazb. Njegova sposobnost zajema begaajoče svetlobo trenutka in njeno ohranjanje v trajnosti olja in tempera zagotavlja, da njegova dediščina še vedno odmeva. Pogledati Striglov portret pomeni srečati samega duha švabske renesanse — svet, kjer je vsaka poteza črna znamenje predanosti lepoti vidnega sveta.
