Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 59 del v našem katalogu avtorja Bartolomeo Passarotti
Kratek opis
Med vsemi originali, ki jih je pustil Bartolomeo Passarotti, je najbolj znan Portrait of an old woman (1582), ki se nahaja v kolekciji Kunsthistorisches Museum, Dunaj. Takoj za njima sta The Anatomy Lesson (1550) in Family Portrait (1585). Naš katalog vsebuje 59 del umetnika Bartolomeo Passarotti; galerija je ohranila 56 del, ki jih svet najbolj oboževa, odlikovanih z datumom nastanka, pripadajočim muzajem in zgodbojo.
The Portrait of an old woman is a work by Bartolomeo Passarotti. Created around 1582, this oil on canvas belongs to the portrait genre. It captures a single subject, an elderly woman, in a moment of quiet presence. The sitter faces the viewer with a steady, unadorned gaze.
The oil painting titled The Anatomy Lesson brings us into a crowded, intense moment of scholarly inquiry. Created by Bartolomeo Passarotti, this work captures a dramatic academic demonstration. The scene centers on an open human body, laid out for study. A professor, dressed in ecclesiastical attire, leads the lesson. He directs the attention of a group of listeners who gather closely to witness the unfolding dissection. The body rests above…
In this vertical composition from around 1585, we find ourselves in the presence of three generations, brought together in a quiet, somber arrangement. The painting depicts an older widow seated with a grown son standing behind her, while a small child stands before them. There is a certain stillness to the grouping, a sense of social hierarchy expressed through their physical placement and stoic expressions. The figures are tightly clustered…
The Portrait of the physician Carlo Fontana is an oil on canvas work created by the artist Bartolomeo Passarotti. This portrait, which dates to 1580, depicts a male subject in a medium close-up composition. The painting is categorized within the genre of portraiture.
The gaze of the subject in Portrait of a Man meets the viewer with a quiet, steady presence. This work, created by the Bolognese artist Bartolomeo Passarotti, captures a moment of stillness from 1560. The man sits before us, his features defined by a calm and direct look that suggests a life of introspection and dignity.
A muscular, semi-nude ascetic occupies the center of a rugged landscape. His skin, a stark white against the warm ochre and tan of the earth, catches a sharp light that carves out the heavy anatomy of his torso. He is a figure of monumental presence, positioned vertically to command the space. Deep shadows cling to the contours of his muscles, creating a sense of three-dimensional volume that feels heavy and…
The air in the scene feels heavy with the scent of salt and wet scales. A dense crowd gathers around a bounty of seafood, their bodies pressed close in a crowded, intimate space. An older man with a grey beard anchors the composition, his presence steady amidst the movement. Beside him, a younger man opens his mouth in a wide, theatrical expression, while a child looks upward, eyes searching the…
The oil painting on panel presents a tightly framed view of Bartolomeo Passerotti, focusing on his face and upper torso. The subject is positioned in a one-point perspective, directing the viewer's gaze toward his features. A dark color palette dominates the work, utilizing shades of brown, black, and muted green. Light enters the scene to create strong contrasts, sculpting the musculature of the face and the folds of the garment.…
In this 1560 oil on canvas, we find ourselves in the private, silent world of a scholar. The subject, a man engaged in the act of writing, is seated at a desk, his presence defined by a sense of focused intellectualism. There is a certain stillness here, a moment captured where the only sound is the scratching of a quill against parchment. The composition is centered and formal, drawing the…
The composition centers on three men positioned in a tight, intimate arrangement. A central figure holds a glass containing a reddish liquid, acting as the focal point of the group. To his side, another man appears to play a flute, while the third man engages with the others in a shared social moment. Two dogs are integrated into the lower portion of the frame, their forms resting near their human…
Portrait of the Physician Carlo Fontana1570 · Museum of Fine Arts Ghent (MSK)
12
Portrait of Pope Pius V1579
13
Portrait of a Young General1575
14
Pope Gregory XIII1580 · Gemäldegalerie
15
Portrait of a Man1580 · Harvard Art Museums
16
Poultry dealer1580 · Fondazione di Studi di Storia dell'Arte Roberto Longhi
17
Blood of the RedeemerMuzej fine arts
18
Portrait of Ignazio Danti1597 · Musée des Beaux-Arts de Brest
19
Portrait of a Man Playing a Lute1576 · Muzej fine arts
20
Copy after Michelangelo1550 · Nelson-Atkins Museum of Art
21
DIANE CHASSERESSELouvre
22
The Holy Family with St Elizabeth and the Infant St John the Baptist1572
23
Portrait of a Young Man Holding a Statuette1575
24
Portrait of a Man with a Dog (detail)1585 · Pinacoteca Capitolina
25
The Fishmonger's Shop1580 · Galleria Nazionale d'Arte Antica
26
Portrait of a Man with a Dog1585 · Pinacoteca Capitolina
27
Study of Male Nudes Fighting1572
28
Perseus frees Andromeda1575
29
Family portraitGemäldegalerie Alte Meister
30
Saint John Baptist, Saint Jerome and Saint Francis of AssisiMusée des Beaux-Arts de Strasbourg
31
Lute palyer
32
Portrait d'homme en armure
33
A Butchery1575 · Galleria Nazionale d'Arte Antica
34
Male Nude1550 · Muzej Prado
35
Copy of a Statue with A Female Nude From Back1550 · Muzej Prado
36
Lucretia's Suicide1550
37
Portrait of a Botanist (Ulisse Aldrovandi.)1570 · Galleria Spada
38
Portrait of Pope Pius V1566 · Walters Art Museum
39
Portrait of a Lady with a Dog1569
40
Double Portrait of Musicians1579 · Kapitolinski muzeji
41
Double Dressed Portrait of Circe and Ulysses1575
42
Copy of the Good Thief, From the Last Judgement of Michelangelo1570 · Muzej Prado
43
The Holy Family Accompained by an Angel and two Saints1565 · Muzej Prado
44
Portrait of a Gentleman1580
45
Nude Studies1580
46
Portrait of a Cavalier with his Hunting Dogs1580 · Rhode Island School of Design Museum of Art
47
The Coronation of the Virgin with Saints Luke, Dominic, and John the Evangelist1580 · Art Gallery of South Australia
48
St. Dominicus and the Albigensians1580 · Pinacoteca Nazionale di Bologna
49
Domenico Giuliani and His Servant
50
Portrait of an Old Woman
51
A Group of Six Men, Including a Self Portrait
52
Portrait of a lady, head and shouldersBavarske državne slikopisne zbirke
53
Portrait of an Unknown Soldier in ArmourNational Trust
54
Holy Family with the Infant St John the Baptist and St Catherine of AlexandriaChristian Museum
55
Two market women and a boy with chicken and vegetablesGemäldegalerie
56
The Butcher's Shop1580 · Galleria Nazionale d'Arte Antica
Četiri teme, ki se v teh originalih najpogosteje ponavljajo, vsaka z svojim vrhunskim primerom.
8 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Bartolomeo Passarotti | Slike iz tega seznama |
|---|---|---|---|
 Muzej Prado |
Madrid | 4 | Male Nude, Copy of a Statue with A Female Nude From Back, Copy of the Good Thief, From the Last Judgement of Michelangelo |
 Kunsthistorisches Museum |
Dunaj | 3 | Portrait of an old woman, Family Portrait, Portrait of the physician Carlo Fontana |
 Galleria Nazionale d'Arte Antica |
Rim | 3 | The Fishmonger's Shop, A Butchery, The Butcher's Shop |
 Bavarske državne slikopisne zbirke |
München | 2 | Portrait of a Man, Portrait of a lady, head and shoulders |
 Muzej fine arts |
Boston | 2 | Blood of the Redeemer, Portrait of a Man Playing a Lute |
 Pinacoteca Capitolina |
Rim | 2 | Portrait of a Man with a Dog (detail), Portrait of a Man with a Dog |
 Galerija Borghese |
Rim | 1 | The Anatomy Lesson |
 National Gallery of Ireland |
Dublin | 1 | Saint Jerome |
Izberite desetletje, da si ogledate original, ki ga opredeljuje.
The oil painting titled The Anatomy Lesson brings us into a crowded, intense moment of scholarly inquiry. Created by Bartolomeo Passarotti, this work captures a dramatic academic demonstration. The scene centers on an open human body, laid out for study. A professor, dressed in ecclesiastical attire, leads the lesson. He directs the attention of a group of listeners who gather closely to witness the unfolding dissection. The body rests above…
The gaze of the subject in Portrait of a Man meets the viewer with a quiet, steady presence. This work, created by the Bolognese artist Bartolomeo Passarotti, captures a moment of stillness from 1560. The man sits before us, his features defined by a calm and direct look that suggests a life of introspection and dignity.
In this intimate portrait, we encounter the physician Carlo Fontana, a man whose presence is defined by a quiet, scholarly intensity. He is captured in a three-quarter view, his gaze meeting the viewer with a directness that suggests a lifetime of observation. The lighting is deliberate, a controlled chiaroscuro that emerges from the upper left to illuminate the textures of his weathered skin, the crispness of his white collar, and…
The Portrait of an old woman is a work by Bartolomeo Passarotti. Created around 1582, this oil on canvas belongs to the portrait genre. It captures a single subject, an elderly woman, in a moment of quiet presence. The sitter faces the viewer with a steady, unadorned gaze.
Portrait of an old woman (1582), Kunsthistorisches Museum, Dunaj. Zatem sledeta The Anatomy Lesson (1550) in Family Portrait (1585).
53 let: delo Portrait of an old woman iz leta 1582, Bartolomeo Passarotti pa je bil/a rojen/a leta 1529.
Portrait of an old woman, The Anatomy Lesson, Family Portrait, Portrait of the physician Carlo Fontana, Portrait of a Man, Saint Jerome, The Fishmongers, Self-portrait, Portrait of a Scribe in Three Men with Two Dogs. Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.
Naš katalog vsebuje 59 del avtorja Bartolomeo Passarotti, datiranih od 1550 do 1585.
Večini v Muzej Prado (Madrid), Kunsthistorisches Museum (Dunaj) in Galleria Nazionale d'Arte Antica (Rim). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
V obdobju 1580s: 15 od 56 del na tej strani je bilo izdelovanih takrat, med njimi pa Portrait of an old woman.
Na tej strani je najstarejše delo iz The Anatomy Lesson (1550) in najstarejše iz Family Portrait (1585).
Man (19), Beard (8) in Book (6), na 56 delih na tej strani.
Oil On Canvas, za 18 od 56 del na tej strani.
Mannerism in Renaissance, glede na originala na tej strani.
Male Nude, Copy of a Statue with A Female Nude From Back in Copy of the Good Thief, From the Last Judgement of Michelangelo: v muzeju Muzej Prado, Madrid se nahaja 4 del z te strani.
V živopletnem, nenehno spremljajočem se pokrajisu končine šestodestega stoletja je malo umetnikov tako vešto zajelo prehod iz strukturirane elegance visoke renesanse v dramatično intenzivnost baroka kot Bartolomeo Passarotti. Rodjen v Bologni leta 1529, se Passarotti ni pojavil zgolj kot slikar, temveč kot ključni most med epami. Njegova zgodnja leta je bila zaznamana z globoko potopijošću v rimsko umetnost, kjer je med letoma 1550 in 1555 poiskal vodstvo mojstrov, kot sta Giacomo Barozzi da Vignola in Taddeo Zuccari. Ta obdobje rimskih izkušenj je bilo preobrazbno; vplonilo mu je globoko spoštovanje do klasične antike in humanističnih načel anatomske natančnosti ter uravnotežene kompozicije, kljub temu ko se je že začel eksperimentirati z bolj izdolginimi in kompleksnimi oblikami, ki bodo definirale manierističko gibanje.
Ob povratku v njegovo rodno Bologno se Passarotti ni le ustavil v lokalni praksi; vzpostavil je močno umetniško središče. Njegov studio je postal krčev za inovacije, ki je privabil generacijo talentov, ki so na koncu preoblikovali evropsko umetnost. Med njegovimi najbolj izpostavljenimi učenci so bili Agostino Carracci, Lucio Massari in Francesco Brizzi—umetniki, ki so seme njegovega stilskega eksperimentiranja prenesli v vzrastajočo baročno dobo. Ta dediščevo mentorstva je zagotovilo, da je Passarottijev vpliv dosegel daleč 넘어 zidove njegovega lastnega ateljeja, saj je njegov pristop k svetlobi, teksturi in tematiki prodrl v samo tkivo bološke šole.
Passarottijevo delo je slavno po svoji izjemni vsestranosti, ki sega od božanskega do globoko zemeljskega. Imel je edinstveno sposobnost premikanja med grandioznimi religioznimi oltarnimi slikami in intimnimi, pogosto surovo realističnimi žanerskimi scenami. Njegova dela pogosto izpostavljajo osupljivo uporabo chiaroscuro, ki uporablja ostre kontraste med svetlobo in senco, da bi svojim motivom podelil občutek psihološke globine in fizične prisotnosti. Ta tehnika, ki je napovedala dramatično osvetlitev, ki jo je kasneje izpilil Caravaggio, mu je omogočila, da je vplivnil tako mitološke figure kot tudi vsakodnevne delavce.
V svojih žanrskih slikah je Passarotti pokazal izjemno oko za podrobnosti in fascinacijo nad teksturami vsakdanje eksistence. Dela, kot je Mestna klop (1580), služijo kot očarjavši okna v svet pozne renesanse, ki prikazujejo mojstrovsko obvladovanje toplih tonov in realističen prikaz skupnostnega življenja. Podobno je njegova sposobnost prikazovanja božanskega raz ${\text{vidna}}$ v delih, kot je Diana Lovca, kjer je rimska boginja lovov captured z dinamično, mišičasto gracijo, ki personificira samo esenco manieristične energije. Ne glede na to, ali je portretiral tiho samozobo Lutnarja ali resničnost religijske pobožnosti, je njegov čopič nenehno skušal zajeti prebežno napetost med idealnim in realnim.
Čeprav zgodovina včasih spominska Passarottija manj kot revolucionarne figure, kot je Michelangelo, je njegov pomen za razvoj italijanske umetnosti nepodporno. Bil je mojster prehodov, umetnik, ki je razumel, kako izraziti spoštovanje do klasičnega preteklosti, hkrati pa pripraviti tlo za čustveno turbulenco naslednjega stoletja. Njegova pozna dela, pod vplivom toskanskih vzorcev, kot sta Giorgio Vasari in Prospero Fontana, dokazujejo nenehno evolucijo in neugasljivo radovednost o spreminjajočih se nihah estetsičnega okusa.
Zgodovinski pomen Bartolomeo Passarottija leži v njegovi vlogi utemeljevalca Carraccijeve akademije in širše bološke tradicije. Njegovo življenjsko del — mešanica natančne anatomije, dramatične osvetlitve in globokega zanimanja za človeško kondicijo — ostaja spomenik trajni moči manierizma. Skozi svoj studio, svoje učence in svoje evokativna platna je Passarotti zagotovil, da bo duh Bologne ostal v srcu evropskega umetnostnega dialoga za prihajajoče generacije.
