Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 123 del v našem katalogu avtorja Bartholomaeus Bruyn Starejši
Kratek opis
Portrait of a knight (1531) je slika avtorja Bartholomaeus Bruyn Starejši, ki pritegne največ pogledov; original se nahaja v muzeju Kunsthistorisches Museum, Dunaj. Nato se pogled smeri k Portrait of Wilhelm Kannengiesser (1550) in Portrait of Elisabeth Bellinghausen (1530). Med 123 dela umetnika Bartholomaeus Bruyn Starejši v našem katalogu so ta 100 najbolj znana; vsako je edinstven original, predstavljen z letnico nastanka, muzejem in razlogom za njegovo nečasenost.
The gaze of the sitter meets us directly in Portrait of a knight, a work that carries the weight of a specific identity. Painted by Bartholomaeus Bruyn the Elder, the image captures a man whose status is etched into his very presence. While the title identifies him simply as a knight, other names for this same figure suggest a more specific history. He is known in some circles as a…
A single light source strikes from the upper left, carving the face of Wilhelm Kannengiesser out of a heavy, dark silence. He sits in a three-quarter view, his gaze directed toward the right, fixed on something beyond the frame. His beard is a stark, white landscape of fine lines, contrasting sharply against the deep black of his heavy garment. This fabric falls in thick, sculptural folds, absorbing the light and…
To look upon this portrait is to encounter a moment of quiet intention from the year 1538. This is not a grand, sweeping scene, but an intimate half-length study of Elisabeth Bellinghausen, rendered with the meticulous precision characteristic of the Northern Renaissance. She is presented against a deep, solid blue background that pushes her figure forward, making the textures of her attire feel almost tangible. There is a certain stillness…
Margaretha von Mochau sits before us, her presence steady and dignified in the soft light of 1524. She is twenty-six years old, caught in a quiet moment of poise that feels as though it might break at any second. Her gaze is calm, directed slightly away, while her pale skin glows against the deep, atmospheric green of the background. She wears a heavy black garment, its weight suggested by the…
The sitter, Cardinal Bernhardus Clesius, is presented in a medium close-up, captured from the waist up against a deep green backdrop. His expression is solemn and contemplative, projecting a sense of gravity and ecclesiastical weight. He is draped in heavy, saturated red robes and a matching cap, the folds of which are defined by sharp, purposeful lines that suggest the substantial weight of silk or satin. Light enters from the…
The work titled Portrait of a young man holding gloves presents a quiet study of identity. Created by the artist Bartholomaeus Bruyn The Elder, the painting captures a single figure in a moment of stillness. The subject is a young man, his presence defined by the weight of his dark attire and the steady gaze directed toward the viewer. He holds gloves, a small detail that anchors the composition and…
The portrait presents a woman in a medium close-up, positioned slightly off-center and facing toward the left. She is depicted against a dark, undifferentiated background that pushes her figure into the foreground. Her attire consists of a heavy black gown and a white headpiece that creates sharp, defined folds. Around her neck, a delicate white ruff or pleated linen collar provides a textural contrast to the smooth, dark fabric of…
In this oil on panel, titled Virgin and Child with Saint Anne, Saint Gereon, and a Donor, we encounter a significant example of the German Renaissance. The work is attributed to Bartholomaeus Bruyn the Elder, a painter who was active in Cologne. Measuring 78.4 x 57.9cm, the panel presents a complex arrangement of figures that bridges the gap between the divine and the earthly through its specific iconographic program.
Crucifixion Altar: Saint Agnes and Donor is an oil on panel work by Bartholomaeus Bruyn the Elder. Created between 1515 and 1520, the piece reflects the stylistic developments of the German Renaissance. The composition is characterized by a vertical orientation, measuring 0.322m x 0.97m.
The composition is a dense, multi-layered arrangement that fills the frame from foreground to background. At the center of this celestial and earthly convergence lies the infant Jesus, whose presence emanates a divine light that cuts through the nocturnal shadows. Surrounding the manger are the Virgin Mary, Joseph, and various angels, all rendered with the meticulous detail characteristic of the German Renaissance. The scene is framed by the sharp architectural…
Virgin and Child with Saint Margaret and Dorothy and angels playing music1517 · Bavarske državne slikopisne zbirke
12
Christ on the cross with the saints Peter, Mary, Mary Magdalene, John the Evangelist and Barbara, with three donors1517 · Bavarske državne slikopisne zbirke
13
Pietà1514 · Narodni muzej v Varšavi
14
Cyriacus Cycle: Saint Cyriacus Baptizes Arthemia1532 · Bavarske državne slikopisne zbirke
15
Lamentation Altarpiece, Outer Wing: Saint Suitbert1531 · Bavarske državne slikopisne zbirke
16
Cyriacus Cycle: Death of Saint Cyriacus1532 · Bavarske državne slikopisne zbirke
17
Cyriakus Cycle: Saint Cyriacus is Welcomed by the Persian King1532 · Bavarske državne slikopisne zbirke
18
Lamentation Altarpiece: Saint Stephen with the Donor Stephan Vell von Wevelinghoven1531 · Bavarske državne slikopisne zbirke
19
Lamentation Altarpiece: A Saint with the Donor Bernhard (?) von Huchtenbroich1531 · Bavarske državne slikopisne zbirke
20
Lamentation Altarpiece, Outer Wing: Saint Kunibert1531 · Bavarske državne slikopisne zbirke
21
Cyriakus Cycle: Emperor Diocletian Shakes Hands with Saint Cyricus1532 · Bavarske državne slikopisne zbirke
22
Cyriacus Cycle: Saint Cyriacus Delivers Jobia from the Evil Spirit1532 · Bavarske državne slikopisne zbirke
23
Christ Bids Farewell to His Mother1532 · Wallraf-Richartz-Museum
24
Sybilla von Aich, born Reidt, with four daughters1520 · Bavarske državne slikopisne zbirke
25
Christ carrying the cross1520 · Bavarske državne slikopisne zbirke
26
Donor image of the Cologne patrician family Rinck: Virgin Mary1530 · Bavarske državne slikopisne zbirke
27
Donor image of the Cologne patrician family Rinck: Saint Anne1530 · Bavarske državne slikopisne zbirke
28
Johann von Aich, mayor of Cologne, with his two sons1520 · Bavarske državne slikopisne zbirke
29
The lamentation of Christ1531 · Bavarske državne slikopisne zbirke
30
The martyrdom of Saint Cyriacus1532 · Bavarske državne slikopisne zbirke
31
Wing of an Altarpiece: Saint Catherine and a Donor1521 · Bavarske državne slikopisne zbirke
32
Portrait Diptych of Johann von Rolinxwerth and his Wife, Christine von Sternberg1529 · Mauritshuis
33
Saint Barbara1520
34
Saint Bartholomew1520
35
Adoration of the Magi1525 · National Museum of Fine Arts
36
Christ appearing to Mary Magdalene1520 · Narodni muzej v Varšavi
37
The Annunciation1520 · Narodni muzej v Varšavi
38
The Nativity1520 · Thyssen-Bornemisza Museum
39
Portrait of a Young Man1528 · Kraljevski muzej lepih umetnosti v Antwerpu
40
Crucifixion1532 · Wallraf-Richartz-Museum
41
Homo bulla: A Boy Blowing Bubbles1532 · Germanisches Nationalmuseum
42
Adoration of the magi1532 · Wallraf-Richartz-Museum
43
Mary with the child, adored by the Duke of Cleves1528 · Gemäldegalerie
44
Portrait of a Man, traditionally said to be Roger, Count Blitterswyk-Geldern1528 · Harvard Art Museums
45
Christ appearing before Mary1520 · Narodni muzej v Varšavi
46
Portrait of a Woman with Rosary and Carnation1547 · Gemäldegalerie
47
Portrait of Chancellor Balthasar von Kerpen1535 · Kunstmuseum
48
Portrait of Sibylla Kessel1542 · Städel Museum
49
Portrait of Peter Heyman1542 · Städel Museum
50
Portrait of an unknown family: a father with his three sons1549 · Bavarske državne slikopisne zbirke
51
Passion Altarpiece of the Siegen Family: Left Panels1540 · Bavarske državne slikopisne zbirke
52
Passion Altarpiece of the Siegen Family: Right Panels1540 · Bavarske državne slikopisne zbirke
53
Donor image of the Cologne patrician family Rinck: Christ Crowned with Thorns1540 · Bavarske državne slikopisne zbirke
54
Passion Altarpiece of the Siegen family: Central Panel1540 · Bavarske državne slikopisne zbirke
55
Margarethe von Aich (1517–1570)1540 · Muzej fine arts
56
Johann von Aich (1510–1549)1540 · Muzej fine arts
57
Man's portrait with armour, rear: child wifh skull1544 · Wallraf-Richartz-Museum
58
Portrait of a Woman1534 · Gemäldegalerie
59
Portrait of a Woman1537 · Harvard Art Museums
60
Portrait of a Man1537 · Harvard Art Museums
61
Portrait of a Man1550 · Bavarske državne slikopisne zbirke
62
Rinck Altar II: Saint Benedict1550 · Bavarske državne slikopisne zbirke
63
Saint Barbera and the donor Sibylla Rinck-Kannegießer1550 · Bavarske državne slikopisne zbirke
64
Rinck-Altar II:Saint Catherine with donor Hermann Rinck1550 · Bavarske državne slikopisne zbirke
65
Portrait of a Man with a Book1550 · Bonnefanten Museum
66
Lamentation over the dead Christ1550 · Musée des Beaux-Arts
67
Kreuzigungs-Triptychon, St. Andreas Köln1550
68
Portrait of a Woman1565 · Saint Louis Art Museum
69
Portrait of a Woman of the Slosgin Family of Cologne1557 · Metropolitanski muzej umetnosti
70
Portrait of a Young Woman with a Pink1660 · Walters Art Museum
71
Bacchus with putti1747 · Plantin-Moretus Museum
72
Portrait of Scholar Petrus von Clapis1528 · Muzej lepih umetnosti
73
Vanitas Still-lifeKröller-Müller Museum
74
Portrait of a Woman1539 · Thyssen-Bornemisza Museum
75
Portrait of a Woman1541 · Yale University Art Gallery
76
German, )1493
77
Crucifixion of christ1515 · Böttcherstraße Museums
78
Portrait of a Woman1533 · Metropolitanski muzej umetnosti
79
Portrait of a Man1533 · Metropolitanski muzej umetnosti
80
Portrait of a Man with Three Sons1530 · Ermitaž
81
Burgomaster Arnold von Brauweiler1535 · Wallraf-Richartz-Museum
82
Crucifixion Altar: Emperor Henry II the SaintBavarske državne slikopisne zbirke
83
Crucifixion Altar: Saint HelenaBavarske državne slikopisne zbirke
84
Portrait of a Man (Vanitas Portrait)Bavarske državne slikopisne zbirke
85
Appearance of the Risen Christ before MaryBavarske državne slikopisne zbirke
86
Crucifixion Altar: Saint Bishop (Lambertus of Liège?) with FoundressBavarske državne slikopisne zbirke
87
Portrait of Johannes Draconites
88
Resurrection of ChristKraljevski muzej lepih umetnosti v Antwerpu
89
Portrait of a ManKraljevski muzej lepih umetnosti v Antwerpu
90
Portrait of a WomanKraljevski muzej lepih umetnosti v Antwerpu
91
Triptych with DonorsKraljevski muzej lepih umetnosti v Antwerpu
92
Portrait of a ManKraljevski muzej lepih umetnosti v Antwerpu
93
Portrait of a Lady
94
Portrait of a Man
95
Portrait of a clergymanNarodni muzej v Varšavi
96
CATHERINE DE BOREMusée Condé
97
Saint Jérôme pénitent
98
PHILIPP VON GAILLouvre
99
PORTRAIT D'HOMME AVERS
100
PORTRAIT DE FEMME
#9 Crucifixion Altar: Saint Agnes and Donor
#10 The Nativity with the Donors Peter von Clapis and Bela Bonenberg
#11 Virgin and Child with Saint Margaret and Dorothy and angels playing music
#12 Christ on the cross with the saints Peter, Mary, Mary Magdalene, John the Evangelist and Barbara, with three donors
#13 Pietà
Četiri teme, ki se v teh originalih najpogosteje ponavljajo, vsaka z svojim vrhunskim primerom.
8 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Bartholomaeus Bruyn Starejši | Slike iz tega seznama |
|---|---|---|---|
 Bavarske državne slikopisne zbirke |
München | 34 | Crucifixion Altar: Saint Agnes and Donor, Virgin and Child with Saint Margaret and Dorothy and angels playing music, Christ on the cross with the saints Peter, Mary, Mary Magdalene, John the Evangelist and Barbara, with three donors |
 Kraljevski muzej lepih umetnosti v Antwerpu |
Antverp | 6 | Portrait of a Young Man, Resurrection of Christ, Portrait of a Man |
 Wallraf-Richartz-Museum |
Köln | 7 | Christ Bids Farewell to His Mother, Crucifixion, Adoration of the magi |
 Narodni muzej v Varšavi |
Varšava | 5 | Pietà, Christ appearing to Mary Magdalene, The Annunciation |
 Kunsthistorisches Museum |
Dunaj | 3 | Portrait of a knight, Cardinal Bernhardus Clesius, Portrait of a young man holding gloves |
 Städel Museum |
Frankfurt | 3 | The Nativity with the Donors Peter von Clapis and Bela Bonenberg, Portrait of Sibylla Kessel, Portrait of Peter Heyman |
 Gemäldegalerie |
Berlin | 3 | Mary with the child, adored by the Duke of Cleves, Portrait of a Woman with Rosary and Carnation, Portrait of a Woman |
 Harvard Art Museums |
Cambridge | 3 | Portrait of a Man, traditionally said to be Roger, Count Blitterswyk-Geldern, Portrait of a Woman, Portrait of a Man |
Izberite desetletje, da si ogledate original, ki ga opredeljuje.
Crucifixion Altar: Saint Agnes and Donor is an oil on panel work by Bartholomaeus Bruyn the Elder. Created between 1515 and 1520, the piece reflects the stylistic developments of the German Renaissance. The composition is characterized by a vertical orientation, measuring 0.322m x 0.97m.
Margaretha von Mochau sits before us, her presence steady and dignified in the soft light of 1524. She is twenty-six years old, caught in a quiet moment of poise that feels as though it might break at any second. Her gaze is calm, directed slightly away, while her pale skin glows against the deep, atmospheric green of the background. She wears a heavy black garment, its weight suggested by the…
The gaze of the sitter meets us directly in Portrait of a knight, a work that carries the weight of a specific identity. Painted by Bartholomaeus Bruyn the Elder, the image captures a man whose status is etched into his very presence. While the title identifies him simply as a knight, other names for this same figure suggest a more specific history. He is known in some circles as a…
The artwork titled Portrait of a Woman with Rosary and Carnation is a painting by Bartholomaeus Bruyn the Elder. This work is dated 1547. The subject is presented in a half-length composition, positioned slightly off-center against a dark, muted green background. The sitter faces toward the left of the frame, wearing an elaborate headpiece of white and gold fabric with flowing white veils. Her attire consists of a black bodice…
A single light source strikes from the upper left, carving the face of Wilhelm Kannengiesser out of a heavy, dark silence. He sits in a three-quarter view, his gaze directed toward the right, fixed on something beyond the frame. His beard is a stark, white landscape of fine lines, contrasting sharply against the deep black of his heavy garment. This fabric falls in thick, sculptural folds, absorbing the light and…
Portrait of a knight (1531), Kunsthistorisches Museum, Dunaj. Zatem sledeta Portrait of Wilhelm Kannengiesser (1550) in Portrait of Elisabeth Bellinghausen (1530).
38 let: delo Portrait of a knight iz leta 1531, Bartholomaeus Bruyn Starejši pa je bil/a rojen/a leta 1493.
Portrait of a knight, Portrait of Wilhelm Kannengiesser, Portrait of Elisabeth Bellinghausen, Portrait of Margaretha von Mochau, wife of Gerhard von Westerburg, Cardinal Bernhardus Clesius, Portrait of a young man holding gloves, Portrait of a Woman with a Prayer Book, Virgin and Child with Saint Anne, Saint Gereon, and a Donor, Crucifixion Altar: Saint Agnes and Donor in The Nativity with the Donors Peter von Clapis and Bela Bonenberg. Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.
Naš katalog vsebuje 123 del avtorja Bartholomaeus Bruyn Starejši, datiranih od 1514 do 1550.
Večini v Bavarske državne slikopisne zbirke (München), Kraljevski muzej lepih umetnosti v Antwerpu (Antverp) in Wallraf-Richartz-Museum (Köln). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
V obdobju 1530s: 29 od 100 del na tej strani je bilo izdelovanih takrat, med njimi pa Portrait of a knight.
Na tej strani je najstarejše delo iz Pietà (1514) in najstarejše iz Portrait of Wilhelm Kannengiesser (1550).
Man (40), Woman (34) in Landscape (20), na 100 delih na tej strani.
Oil On Panel, za 77 od 100 del na tej strani.
Northern renaissance, glede na originala na tej strani.
Crucifixion Altar: Saint Agnes and Donor, Virgin and Child with Saint Margaret and Dorothy and angels playing music in Christ on the cross with the saints Peter, Mary, Mary Magdalene, John the Evangelist and Barbara, with three donors: v muzeju Bavarske državne slikopisne zbirke, München se nahaja 34 del z te strani.
Informacije o Bruynovih formativeh letih so skoraj neosegljive. Vendar pa verjamemo, da je svoje prve umetniške korake naredil v Düsseldorfu, kjer je podrichtil pri Johannu Schädelu I., znamenitemem kiparju in slikarju, ki je bil znan po svojem prispevku k dekoraciji katedrale svete Elizabete. Njegov slog tesno sodeluje z prevladujočimi trendi severnoevropske renesančne portreture. Bruyn je prednost dajal natančnemu opazovanju in anatomski točnosti, pri čemer je uporabljal oljno barvo na leseni plati
