The mocking of Christ
The light fades into the dark.
Kratek opis
The mocking of Christ (1699) je slika avtorja Anthoni Schoonjans, ki pritegne največ pogledov; original se nahaja v muzeju Kunsthistorisches Museum, Dunaj. Nato se pogled smeri k The Apple of Eris (1690) in Portrait of an unknown lady (1690). Med 15 dela umetnika Anthoni Schoonjans v našem katalogu so ta 15 najbolj znana; vsako je edinstven original, predstavljen z letnico nastanka, muzejem in razlogom za njegovo nečasenost.
3 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Anthoni Schoonjans | Slike iz tega seznama |
|---|---|---|---|
| München | 11 | The Apple of Eris, Portrait of an unknown lady, Jacob blames Laban of his deception with Lea (Genesis 29:25-27) | |
| Dunaj | 2 | The mocking of Christ, Vestal virgins | |
| Berlin | 1 | Portrait of crown prince Frederick William as David with a sling |
Izberite desetletje, da si ogledate original, ki ga opredeljuje.
The mocking of Christ (1699), Kunsthistorisches Museum, Dunaj. Zatem sledeta The Apple of Eris (1690) in Portrait of an unknown lady (1690).
44 let: delo The mocking of Christ iz leta 1699, Anthoni Schoonjans pa je bil/a rojen/a leta 1655.
The mocking of Christ, The Apple of Eris, Portrait of an unknown lady, Jacob blames Laban of his deception with Lea (Genesis 29:25-27), Girl with a bird, Self-portrait of Anthon Schoonjans (1655-1726), Narcissus admires his reflection in the water, Joseph and Potiphar's Wife, allegory on the dew in Elector Johann Wilhelm on Horseback. Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.
Naš katalog vsebuje 15 del avtorja Anthoni Schoonjans, datiranih od 1690 do 1716.
Večini v Bavarske državne slikopisne zbirke (München), Kunsthistorisches Museum (Dunaj) in Charlottenburg Palace (Berlin). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
V obdobju 1690s: 10 od 15 del na tej strani je bilo izdelovanih takrat, med njimi pa The mocking of Christ.
Na tej strani je najstarejše delo iz The Apple of Eris (1690) in najstarejše iz Saint Elizabeth of Hungary Distributing Alms to the Poor (1716).
Oil, za 2 od 15 del na tej strani.
The Apple of Eris, Portrait of an unknown lady in Jacob blames Laban of his deception with Lea (Genesis 29:25-27): v muzeju Bavarske državne slikopisne zbirke, München se nahaja 11 del z te strani.
Anthoni Schoonjans, also known by the nickname Parrhasius, was a Flemish painter born in Ninove. After receiving his training in Antwerp under Erasmus Quellinus II and Jan-Erasmus Quellinus, his career took him across much of Europe. His journey included stays in France, specifically Reims and Paris, and a significant period in Rome, where he resided with the flower painter Carel de Vogelaer. During his time in Rome, he joined the Bentvueghels, a society for Flemish and Dutch artists.
His international presence saw him serve as a court painter in several locations, including Copenhagen, Berlin, and Düsseldorf. In Vienna, he became a court painter to Emperor Leopold I and married the opera singer Maria Regina Schweizer. His travels also led him to Frankfurt am Main, Kassel, Hamburg, The Hague, Amsterdam, and England, where he painted the stairwell in Montagu House. He eventually returned to Vienna, spending his final years in Perchtoldsdorf before passing away in 1726.
The works of Anthoni Schoonjans encompassed a variety of genres, including:
His religious commissions included an altarpiece of the Martyrdom of St. Sebastian for St. Roch's Church and a Visitation of Mary for St. Stephen's Cathedral in Vienna. In Denmark, he was invited by the court to paint portraits of the royal family. While in Berlin, he was commissioned by Queen Sophie Charlotte to paint the ceiling, rooms, and galleries of Charlottenburg Palace. His portraiture also extended to figures such as the composer Giovanni Bononcini and Attilio Ariosti. In Düsseldorf, he painted the portrait of the Elector Johann Wilhelm and his wife.