Kratek opis
Study of Cows (1861) je slika avtorja Anders Askevold, ki pritegne največ pogledov; original se nahaja v muzeju Narodni muzej za umetnost, arhitekturo in dizajn, Oslo. Nato se pogled smeri k Study of carrying Farmers (1860) in Rest at Noon in the Mountains (1859). Med 62 dela umetnika Anders Askevold v našem katalogu so ta 59 najbolj znana; vsako je edinstven original, predstavljen z letnico nastanka, muzejem in razlogom za njegovo nečasenost.
10 najboljjših slik umetnika Anders Askevold skozi oči galerije
Slavna platna umetnika Anders Askevold, od številk 11 do 59
Motivi, ki so očarali Anders Askevold
Četiri teme, ki se v teh originalih najpogosteje ponavljajo, vsaka z svojim vrhunskim primerom.
Landscape 6 delo
Animals 5 delo
Mountain scenery 3 delo
Muzeji, ki hranijo originala umetnika Anders Askevold
4 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Anders Askevold | Slike iz tega seznama |
|---|---|---|---|
| Oslo | 25 | Study of Cows, Study of carrying Farmers, Rest at Noon in the Mountains | |
| Trondheim | 6 | Livestock on the Way Home, High Mountain Image, High Mountain Picture. Paris | |
| Bergen | 2 | Landscape with Cattle, Fjord Landscape with Cattle | |
| Stockholm | 1 | Landscape with Cattle |
Anders Askevold skozi desetetja: vsak unikatni original za vsako obdobje
Slike umetnika Anders Askevold: vprašanja za galerijo
Katero je najbolj znano delo umetnika Anders Askevold?Razkriti odgovor
Study of Cows (1861), Narodni muzej za umetnost, arhitekturo in dizajn, Oslo. Zatem sledeta Study of carrying Farmers (1860) in Rest at Noon in the Mountains (1859).
Pri kateri dobe je Anders Askevold ustvaril Study of Cows?Razkriti odgovor
27 let: delo Study of Cows iz leta 1861, Anders Askevold pa je bil/a rojen/a leta 1834.
Katera desetina slik avtorja Anders Askevold je najbolj znana?Razkriti odgovor
Study of Cows, Study of carrying Farmers, Rest at Noon in the Mountains, Livestock on the Way Home, High Mountain Image, Evening at the Riverside, Landscape with Cattle, Fjord Landscape with Cattle, Summer Day by the Tarn in Study of Cows. Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.
Koliko je znanih del avtorja Anders Askevold?Razkriti odgovor
Naš katalog vsebuje 62 del avtorja Anders Askevold, datiranih od 1853 do 1900.
Kje si lahko ogledate najslavnejše originale umetnika Anders Askevold?Razkriti odgovor
Večini v Narodni muzej za umetnost, arhitekturo in dizajn (Oslo), Trondheim Kunstmuseum (Trondheim) in Bergen Kunstmuseum (Bergen). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
V katerem obdobju je Anders Askevold ustvaril svoja najbolj znana dela?Razkriti odgovor
V obdobju 1860s: 16 od 59 del na tej strani je bilo izdelovanih takrat, med njimi pa Study of Cows.
Katero znano sliko je naslikal Anders Askevold najprej in katero najpozdneje?Razkriti odgovor
Na tej strani je najstarejše delo iz Stilleben (1853) in najstarejše iz Study of two Cows (1900).
Katere teme je Anders Askevold najprej ravnate?Razkriti odgovor
Landscape (6), Animals (5) in Mountain scenery (3), na 59 delih na tej strani.
Kateri umetniški slog predstavlja delo umetnika Anders Askevold?Razkriti odgovor
Romanticism, glede na originala na tej strani.
Katere originale Anders Askevold lahko vidim v muzeju Narodni muzej za umetnost, arhitekturo in dizajn?Razkriti odgovor
Study of Cows, Study of carrying Farmers in Rest at Noon in the Mountains: v muzeju Narodni muzej za umetnost, arhitekturo in dizajn, Oslo se nahaja 25 del z te strani.
Anders Askevold: portret umetnika
A Life Shaped by the Norwegian Landscape
Anders Monsen Askevold entered the world in 1834 in Askvoll, Sunnfjord, Norway. He was born into a family of ten siblings, the second oldest, to a father who served as a teacher and a member of parliament. His early years were rooted in the quiet rhythms of his homeland, a connection that would later define his entire artistic output. At thirteen, he began his formal training in Bergen under the landscape painter Hans Leganger Reuch.
His path eventually led him far beyond the borders of Norway. Askevold sought deeper instruction in the great art centers of Europe, moving through the studios of Düsseldorf, Munich, and Paris. In Düsseldorf, he studied under Hans Frederik Gude between 1855 and 1859, a period that deeply influenced his approach to light and terrain. While he spent winters in Germany, his heart often returned to the summers in Norway, where the fjords and mountains provided his most enduring subjects.
The Language of the Fjord and Field
Askevold’s work is closely tied to the Düsseldorf school of painting, a style that emphasized a realistic yet romanticized view of nature. He focused heavily on the landscapes of Western Norway, capturing the specific atmosphere of the fjords and coastal regions. His paintings often depict the quiet, pastoral life of the Norwegian countryside, where mountains meet the water and livestock graze in summer pastures.
His technical approach varied depending on his surroundings, sometimes utilizing a more impressionistic brushwork to capture light, as seen in his coastal scenes from Sundfjord. Some of his notable subjects included:
- Norwegian Summer Landscape with Cows: A 1860 work depicting the serene beauty of rural life and mountain views.
- Ferry Place on a Lake: An 1882 painting that captures a moment of stillness in Norwegian life.
- Fishing Boats on a Fjord: A detailed 1890 landscape focusing on the relationship between the water and the mountains.
Recognition and Legacy
Throughout his career, Askevold’s work traveled to major international stages. He exhibited his paintings in London, Paris, Vienna, and Philadelphia, earning respect from audiences far from his birthplace. His ability to translate the national character of Norway onto canvas brought him significant honors, including medals won in both Vienna and Philadelphia, as well as a gold medal awarded in London in 1884.
Beyond landscapes, he also undertook religious commissions, such as painting altarpieces for churches like the Askvoll Church in 1859. He settled in Düsseldorf in 1878, where he remained until his death in 1900. Today, his legacy is preserved in important collections, including the National Museum of Art, Architecture and Design in Oslo and the Bergen Billedgalleri, ensuring that his vision of the Norwegian landscape remains accessible to those who seek to understand the era's romantic national expression.










