1949
Composition (William Gear, 1949)
William Gear (1915–1997) je izdelal Composition. Zajema obdobje iz leta 1949. Dimenzije so 116 × 89 cm.
- 1949
- 116 × 89 cm
Composition, na kratek
- Naslov
- Composition
- Avtor
- William Gear (1915–1997)
- Umetnik, rojen v
- Methil, United Kingdom
- Datum
- 1949
- Dimenzije
- 116 × 89 cm
Visokoresolucijske slike dela Composition
Zaščitovano z avtorskimi pravicami: ti datoteke so namenjene osebni referenci, ne paovojilu za ponovno objavo.
William Gear, Composition (1949).
Odgovori na vprašanja o Composition
Kateri je datum nastanka dela "Composition" avtorja William Gear?
"Composition" avtorja William Gear je nastalo leta 1949.
Kakšnih je originalnih dimenzij "Composition"?
Dimenzije originalnega dela "Composition" avtorja William Gear so 116 x 89 cm.
Ali je "Composition" v javni domeni?
V zvezi z avtorskimi pravicami je "Composition" v še vedno pod avtorsko zaščito.
Kdo je ustvaril "Composition"?
"Composition" pripisujemo William Gear.
Pri katerih letih je William Gear ustvaril/a "Composition"?
Ko je bilo delo "Composition" ustvarjeno leta 1949, je bil William Gear – rojen leta 1915 – star 34 let.
Zakaj je status avtorske pravice za "Composition" prav takšen, kot je?
Status avtorske pravice za "Composition" – še vedno pod avtorsko zaščito – izhaja iz smrti umetnika v letu 1997.
O umetniku, William Gear
1915–1997, United Kingdom
William Gear
A Life Immersed in Abstraction: The Journey of William Gear William Gear, born in Methil, Fife, Scotland in 1915, emerged as a pivotal figure in British abstract art, a painter whose career spanned decades and reflected the seismic shifts in artistic expression throughout the 20th century. His early life hinted at the creative path he would forge; winning the Dux Arts Medal at Buckhaven High School in 1932 signaled a burgeoning talent nurtured through formal study at Edinburgh College of Art from 1932 to 1936. There, amongst his peers – Wilhelmina Barns-Graham and Margaret Mellis – Gear began to lay the foundations for a style that would ultimately blend nature’s vibrancy with the dynamism of modernism. His postgraduate scholarship in 1936–37 at the University of Edinburgh, under the tutelage of Professor David Talbot Rice, further solidified his understanding of art history, providing a crucial intellectual framework for his artistic explorations.