Baroque · 1631

The Annunciation (Matthias Stom, 1631)

Matthias Stom (1600–1650) je izdelal The Annunciation. Zajema obdobje iz leta 1631. Spada v smer Baroque. Izdelano je iz Oil On Canvas. Del se nahaja v muzeju Kunsthistorisches Museum v mestu Dunaj, Avstrija. Dimenzije so 117 × 171.5 cm.

The Annunciation avtor Matthias Stom, 1631, oil on canvas, Kunsthistorisches Museum
The Annunciation avtor Matthias Stom, 1631, oil on canvas, Kunsthistorisches Museum. Javna lastnina

Predogled v realnem okolju Predogled v AR Ročno izdelano oljno slikarstvo Pošlji
Informacijski list Dodaj v priljubljene Prenesi sliko Podobni izdelki Rentgenski posnetek Predvajaj diaporama Vprašanja in odgovori Prenosna prezentacija Statistika

The Annunciation, na kratek

Naslov
The Annunciation
Avtor
Matthias Stom (1600–1650)
Umetnik, rojen v
Amersfoort, Netherlands
Datum
1631
Tehnika
Oil On Canvas
Dimenzije
117 × 171.5 cm
Kje je videti
Kunsthistorisches Museum, Dunaj, Avstrija
Gibanje
Baroque
Tema
woman, angel, lily, red cloak, blue drapery, wings

Kaj prikazuje The Annunciation?

Identification of The Annunciation by Matthias Stom

The Annunciation is an oil on canvas by Matthias Stom. This work captures a specific biblical scene where the Virgin Mary is visited by an angel. She is often depicted in the act of reading when the divine messenger arrives to deliver the news. The painting measures 117 x 171.5 cm.

The artist, Matthias Stom, was a Dutch painter who spent many years in Italy. This particular piece was created about 1631. It focuses on the intimate, silent moment of revelation between the celestial visitor and the woman. The scale of the canvas allows for a heavy presence of light and shadow within the sacred encounter.

Technical Details and Artistic Influence

The oil on canvas carries the weight of the Baroque and Caravaggesque style. Light acts as a sculptor here, carving form out of a dark, atmospheric void. This technique relies on a sophisticated command of chiaroscuro, where a strong light source from the upper right illuminates the faces and hands of the subjects. Such dramatic contrast defines the religious art of the period, grounding the divine encounter in a tangible, physical reality.

Stom’s hand moves with a quiet precision. Smooth brushwork renders the fine details of the scene, from the delicate texture of the lily held by Gabriel to the heavy, sculptural folds of the drapery. This meticulousness reflects a Northern sensibility applied to the intense, tenebristic traditions of Italy. The artist’s style emerged from a convergence of influences, absorbing the dramatic lighting of the followers of Caravaggio and the heavy, emotive realism found in the works of Jusepe de Ribera and Peter Paul Rubens.

The composition relies on organic, fluid shapes and a shallow perspective. By overlapping the figures, the artist creates an intimate space that pulls the viewer into the immediate tension of the revelation. The interplay of deep blues, vibrant reds, and warm golds against earthy shadows creates a sense of weight and texture. It is a study of light emerging from shadow.

Current Location and Museum Collection

The oil on canvas resides within the Kunsthistorisches Museum in Vienna. It is held as part of the Gemäldegalerie collection. The work carries the accession number 5806. This specific piece is also associated with the Galleria degli Uffizi in Florence.

The painting remains a physical presence in these halls. It rests under the quiet stewardship of these institutions. A shadow of its history connects it to both Vienna and Florence. The light of the gallery finds the surface of the canvas.

Barve
#352921#8a5234#b88d5e#5b3824

V katerem muzeju se nahaja The Annunciation?

Kunsthistorisches Museum

Dunaj, Avstrija

Zgodovina Kunsthistorisches Museum Kunsthistorisches Museum v Dunaju v Avstriji se je rodil iz globoke želje, da se obsežna dediščina habsburške družine odpre širši javnosti. Po naročilu cesarja Franja Josipa I. je bila ta institucija ustanovljena leta 1871, da bi v njej gostila cesarske umetnostne zbirke.

Visokoresolucijske slike dela The Annunciation

The Annunciation avtor Matthias Stom, 1631, oil on canvas, Kunsthistorisches Museum
Brezplačen prenos

Javna lastnina: umetnik je umrl leta 1650.

Druge velikosti, izrezave in citiranje →
Podatki o izvoru

Matthias Stom, The Annunciation (1631), Kunsthistorisches Museum. Javna lastnina

Odgovori na vprašanja o The Annunciation

V katerem muzeju se nahaja original dela "The Annunciation"?

Originalno delo "The Annunciation" lahko vidite v muzeju Kunsthistorisches Museum, Dunaj, Avstrija.

Kateri je datum nastanka dela "The Annunciation" avtorja Matthias Stom?

"The Annunciation" avtorja Matthias Stom je nastalo leta 1631.

S katero tehniko je bila izdelana skladba "The Annunciation" avtorja Matthias Stom?

"The Annunciation" je izdelano z uporabo tehnike Oil On Canvas.

Kakšne so dimenzije izvornega dela "The Annunciation" avtorja Matthias Stom?

Zabeležene dimenzije dela "The Annunciation" avtorja Matthias Stom so 117.0 x 171.5cm. Reprodukcije je mogoče naročiti v drugih velikostih, ob čemer se ohranijo iste proporcije.

Kaj prikazuje "The Annunciation" avtorja Matthias Stom?

Motivi dela "The Annunciation" so woman, angel, lily, red cloak, blue drapery, wings, hands.

Ali je delo "The Annunciation" avtorja Matthias Stom v javni lastini?

V zvezi z avtorskimi pravicami je "The Annunciation" v v javni domeni – avtorska pravica je zastarela.

Kdo je ustvaril "The Annunciation"?

V kateri umetniški smer pripadajo "The Annunciation" avtorja Matthias Stom?

Umetnostni smer, ki jo zastopa "The Annunciation" avtorja Matthias Stom, je Baroque. Ta klasifikacija delo uvršča med sorodne umetnike in umetniška dela.

V katero obdobje kariere Matthias Stom pripada delo "The Annunciation"?

"The Annunciation" predstavlja Italian Period umetnika Matthias Stom.

O umetniku, Matthias Stom

Matthias Stom

1600–1650, Netherlands

Matthias Stom

Stomer Mathias: A Caravaggist’s Journey Through Italy The name Stomer Mathias, a figure shrouded in the mists of 17th-century art history, represents a fascinating convergence of Dutch artistic training and Italian Caravaggesque influence. Born around 1600, likely in Amersfoort, Netherlands – though definitive proof remains elusive – Mathias’s life was one dedicated to mastering and adapting the dramatic style pioneered by Michelangelo Merisi da Caravaggio. He wasn't a household name during his lifetime, often overshadowed by more prominent contemporaries, yet his output of approximately 200 paintings offers a compelling glimpse into a pivotal period in European art. Early accounts suggest Mathias received his initial artistic education within the Utrecht Mannerist tradition, possibly under the tutelage of Abraham Bloemaert and Joachim Wtewael – artists known for their meticulous detail and refined compositions.

Tudi dela avtorja Matthias Stom

Eseji o delu The Annunciation