Format papirja

Priročnik za študentska dela

The Cinema

Ime in priimek Razred Datum

William Patrick Roberts, The Cinema (1920). Reproducirano v informativne namene; vse pravice so pridržane v rokah upravljavca pravic. Oglejte si to platno pod premikajočo svetlobo: risbe, pravo barvo pod lakom in golo pigmentacijo

Podrobnosti

Umetnik
William Patrick Roberts originaluniqueart.com/sl/artists/william-patrick-roberts/
Datumi rojstva in smrti umetnika
1895 – 1980
Naslikano
1920
Prvotna velikost
91 x 76 cm
Gibanje
Cubism Objects broken apart and shown from several viewpoints at once, all flattened onto one surface.

V kontekstu

The Cinema — William Patrick Roberts

Dimenzije

Prvotne dimenzije so 91 × 76 cm (višina × širina), prikazane tukaj v primerjavi z odraslo osebo povprečne višine.

Kdaj je bilo to naslikano?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960
  9. 1970
  10. 1980

Zgornja vrstica: leta. Spodnja vrstica: starost umetnika na začetku in koncu vsakega obdobja — 0 ob rojstvu, 85 ob smrti.

Naslikano, ko je bil avtor star 25. Umetnik je živel 85. 5 od 46 datiranih del tega umetnika v našem katalogu je nastalo prej.

Osenčeno: življenjsko obdobje William Patrick Roberts (1895–1980) ▲ to delo, 1920 vsaka datirana slika, desetletje za desetletjem

Prva dela: do 1922 Glavni delovni leti: 1922–1935 Pozna dela: od 1935

Ti trije pasovi razdelijo dela v tem katalogu na prvo četrtino, srednjo polovico in zadnjo četrtino. Niso popolna celotina umetnikovega dela: tanjka obdobja je lahko praznina v arhivu, ne le obdobje manj intenzivnega ustvarjanja. Iste leta, v katerih se odtisa življenje umetnika

Primerjajte z

Izberite eno od zgoraj navedenih del: navedite dve stvari, ki sta si z njim skupni, in eno stvar, ki je drugačna.

Več del, ki bi jih postavili ob to: originaluniqueart.com/sl/art/similar/william-patrick-roberts-the-cinema-AQULQK-en/

Barve

Izmerjeno na podlagi slike

    Glavna barva

    Phthalo Green #1a262b

    Shranjena paleta

    • #1A262B
    • #4B3A38
    • #A3A18C
    • #7D574F

    Te barve v celotni umetnikovi paleti Poiščite druge slike po barvi

    Paleta barv
    Earthy Prevladujoča barvna družina na sliki.
    Naziv primarne barve
    Phthalo Green
    Intenzivnost
    Monochromatic Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Gentle V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Discordant Palette Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Zasvetlina
    Deep_shadow Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Subtle Color Kolikograščena in močna so barve, od skoraj sivih do popolnoma živahnih.

    Kje po svetu se gleda ta slika?

    • pod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% in več
    Ta slika sama po sebi nima dovolj zabeleženih obiskovalcev za izdelavo zemljevida, zato plošča prikazuje vsako del avtorja William Patrick Roberts v zadnjih dvanajst mesecih — skupaj 5 držav. Od kod ti podatki prihajajo

    Deset vodilnih držav

    1. 1 Kitajska 53,3%
    2. 2 Združene države Amerike 20,0%
    3. 3 Nemčija 13,3%
    4. 4 Argentina 6,7%
    5. 5 Italija 6,7%

    Na zemljevidu poiščite tri najtemnejše države. Ali se muzej, ki čuva to sliko, nahaja v kateri od njih? Zapišite en razlog, zakaj bi jo lahko gledali ljudje z daljave.

    12 najbolj gledanih del umetnika William Patrick Roberts

    1. 1 Munitions Factory, 1940 18,8%
    2. 2 Les Routiers, 1931 12,5%
    3. 3 The Dentist, 1925 12,5%
    4. 4 The Rhododendron, 1948 6,2%
    5. 5 At the Hippodrome, 1921 6,2%
    6. 6 The Demolition Squad, 1941 6,2%
    7. 7 The Cinema, 1920 ta slika 6,2%
    8. 8 The Ballet, 1932 6,2%
    9. 9 The Control Room, 1941 6,2%
    10. 10 Portrait of a Man Lighting a Pipe, 1948 6,2%
    11. 11 Playground (The Gutter), 1934 6,2%
    12. 12 The Char, 1924 6,2%

    Skupaj ti deli predstavljajo 99,6% vse pozornosti, ki so platna te umetnice dobila v zadnjih dvanajst mesecih. Katalog vsebuje 50 del te umetnice, pri čemer je bilo 12 vsaj enkrat ogledanih. Ta slika zaseda 7 mesto med njimi, s 6,2% takšne pozornosti. Isto velja tudi za vsak posamezen mesec

    Stolpci merijo pozornost, ne kakovost. Izberite del na vrhu in to: navedite eno stvar, ki bi lahko naredila sliko znano, oltre tem, kako je dobro naslikana.

    Umetnik in muzej

    Umetnik

    William Patrick Roberts

    The Architect of Fragmented Reality: The Life of William Patrick Roberts

    In the turbulent landscape of early twentieth-century British art, few figures navigated the tension between tradition and the avant-garde as uniquely as William Patrick Roberts. Born in London in 1895, Roberts emerged during a period of profound aesthetic upheaval, where the stability of Victorian realism was being dismantled by the rapid pulse of modernity. As an artist often categorized as an English Cubist, he did not merely adopt a style; he forged a visual language that captured the fractured, energetic essence of a world in transition. His journey was one of constant movement, reflecting the very dynamism he sought to portray on canvas.

    Roberts’ formative years were deeply shaped by his time at the Slade School of Fine Art, an institution that provided him with a rigorous foundation even as he began to push against academic constraints. It was here that he encountered the burgeoning influences of Vorticism and Futurism—movements characterized by their obsession with machine-age energy, geometric precision, and the violent beauty of motion. Through his association with the Vorticist circle, particularly under the influence of figures like Wyndham Lewis, Roberts learned to utilize sharp angles and interlocking planes to deconstruct his subjects, transforming ordinary scenes into rhythmic, structural compositions.

    A Vision of Modernity and War

    The evolution of Roberts’ work is inextricably linked to the historical tremors of his era. The experience of war left an indelible mark on his psyche and his palette, leading him to document the industrial grit and human endurance of the period. His paintings often serve as windows into the mechanical heart of the twentieth century, where the boundaries between man and machine begin to blur. In works such as Munitions Factory, one can witness his mastery of the Cubist technique applied to the heavy, rhythmic atmosphere of wartime production, using geometric forms to convey the relentless momentum of industry.

    Beyond the industrial, Roberts possessed a profound ability to find poetic resonance in the everyday. His explorations of human connection and social landscapes are marked by an unflinching honesty. Whether depicting the quiet intimacy of a portrait, such as Sarah, or the bustling, structured chaos of street scenes like Les Routiers, he maintained a commitment to emotional depth. He utilized color not just for descriptive accuracy, but as a symbolic tool to evoke the psychological weight of his subjects, often bathing his compositions in a light that felt both modern and strangely primordial.

    Legacy and Artistic Significance

    The significance of William Patrick Roberts lies in his ability to synthesize the radical abstractions of Continental Europe with a distinctly British sensibility. While he embraced the fractured perspectives of Cubism, he never abandoned the figurative essence that allowed him to communicate the human condition. His work stands as a bridge between the classical traditions of the past and the experimental fervor of the modern age.

    Throughout his long career, which spanned until 1980, Roberts earned prestigious recognition, including frequent exhibitions at the Royal Academy. His ability to capture the "vortex" of modern life ensured that his work remained relevant even as art movements shifted toward total abstraction. Today, he is remembered not just as a follower of a movement, but as a pioneer who helped define the visual identity of a generation caught between the old world and the new.

    Preberite več

    Preverite na spletu

    QR koda za dostop do strani za prenos The Cinema

    originaluniqueart.com/sl/art/download/william-patrick-roberts-the-cinema-AQULQK-en/

    Navodila za citiranje umetniškega dela

    MLA
    Roberts, William Patrick. The Cinema. 1920, https://originaluniqueart.com/sl/art/william-patrick-roberts-the-cinema-AQULQK-en/
    APA
    Roberts, William Patrick (1920). The Cinema [Painting]. https://originaluniqueart.com/sl/art/william-patrick-roberts-the-cinema-AQULQK-en/
    Chicago
    William Patrick Roberts. The Cinema. 1920. https://originaluniqueart.com/sl/art/william-patrick-roberts-the-cinema-AQULQK-en/
    Harvard
    Roberts, William Patrick (1920) The Cinema. Available at: https://originaluniqueart.com/sl/art/william-patrick-roberts-the-cinema-AQULQK-en/

    Poglejte bližje

    The Cinema — William Patrick Roberts

    Poglejte rafinirano

    Odgovorite z lastnimi besedami. Tukaj ni napačnih odgovorov — so le odgovori, ki jih lahko razložite.

    1. Kaj vas najprej pritegne in zakaj?
    2. Katere barve ali oblike ustvarjajo vzdušje — in kakšno je to vzdušje?
    3. Koliko obrazov lahko najdete? ____ (v našem katalogu jih je število 3 — se strinjate?)
    4. Naš katalog to delo uvršča pod: theater, crowd, modernity. Se strinjate? Bi kaj dodali ali odvzeli?
    5. Oglejte si Munitions Factory (1940), ki ste ga že videli v prejšnjih delih tega priročnika. Navedite dve stvari, ki jih deli z tem delom, in eno, ki ga loči od njega.

    Vaš odgovor

    Zapišite kratek odstavek o tem umetniškem delu. Uporabite dejstva iz prejšnjih delov tega priročnika in svoje odgovore zgoraj.

    Vprašanja in odgovori

    V letu katerega je bilo ustvarjeno delo "The Cinema" avtorja William Patrick Roberts?

    "The Cinema" avtorja William Patrick Roberts je nastalo leta 1920.

    Katera barva najbolj izstopa v delu "The Cinema"?

    Prevladujoča barva dela "The Cinema" avtorja William Patrick Roberts je Phthalo Green (#1a262b).

    Katere barve prevladujejo v delu "The Cinema" avtorja William Patrick Roberts?

    Barvna identiteta dela "The Cinema" avtorja William Patrick Roberts: paleta Earthy, ki prevladuje z barvo Phthalo Green (#1a262b).