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A Rake’s Progress, Plate III

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Vilijam Hogart, A Rake’s Progress, Plate III. Javna lastnina. Oglejte si to platno pod premikajočo svetlobo: risbe, pravo barvo pod lakom in golo pigmentacijo

Dejavnice

Umetnik
Vilijam Hogart originaluniqueart.com/sl/artists/vilijam-hogart_sl/
Datumi rojstva in smrti umetnika
1697 – 1764
Prvotna velikost
61 x 45 cm
Gibanje
Baroque Satire
Artistic style
Neoclassical
Influences
Jonathan Richardson
Notable elements or techniques
Detailed observation of human behavior; satirical commentary.
Subject or theme
Social satire; moral critique

V kontekstu

A Rake’s Progress, Plate III — Vilijam Hogart

Kakšna je velikost?

Prvotne dimenzije so 61 × 45 cm (višina × širina), prikazane tukaj v primerjavi z odraslo osebo povprečne višine.

Kdaj bi bilo to lahko slikano?

  1. 1690
  2. 1700
  3. 1710
  4. 1720
  5. 1730
  6. 1740
  7. 1750
  8. 1760

Zgornja vrstica: leta. Spodnja vrstica: starost umetnika na začetku in koncu vsakega obdobja — 0 ob rojstvu, 67 ob smrti.

Osenčeno: življenjsko obdobje Vilijam Hogart (1697–1764) vsaka datirana slika, desetletje za desetletjem

Prva dela: do 1735 Glavni delovni leti: 1735–1750 Pozna dela: od 1750

Ti trije pasovi razdelijo dela v tem katalogu, za katera imamo datum, na prvo četrtino, srednjo polovico in zadnjo četrtino. Ne predstavljajo umetnikove popolne produkcije: tanjka obdobja lahko pomeni luknjo v arhivu in ne le obdobje manj intenzivnega ustvarjanja. Iste leta, ki spremljajo življenjsko pot umetnika

Za ta posnetek ni v evidenci natančne leta — glede na življenjsko dobo umetnika in slog dela, za katero desetletje bi ugledali?

Primerjajte z

Izberite eno od zgoraj navedenih del: navedite dve stvari, ki sta si z njim skupni, in eno stvar, ki je drugačna.

Več podobnih del za kombiniranje z tem: originaluniqueart.com/sl/art/similar/william-hogarth-a-rakes-progress-plate-iii-D3V56Q-en/

Barvna paleta

Izmerjeno na podlagi slike

    Glavna barva

    Putty #e8d1ae

    Katalogirana paleta

    • #E8D1AE
    • #74634F
    • #A69377
    • #4A3D30

    Te barve v celotni umetnikovi paleti Poiščite druge slike po barvi

    Paleta barv
    Earthy Prevladujoča barvna družina na sliki.
    Ime glavne barve
    Putty
    Intenzivnost
    Balanced Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Statement V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Unified Palette Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Svetlina
    Bright Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Subtle Color Barve so izjemno čiste in močne, od skoraj sivih do popolnoma živahnih.

    Kje po svetu se gleda ta slika?

    • pod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% in več
    Ta slika sama po sebi nima dovolj zabeleženih obiskovalcev za izdelavo zemljevida, zato plošča prikazuje vsako del avtorja Vilijam Hogart v zadnjih dvanajst mesecih — skupaj 37 držav. Vir podatkov

    Deset vodilnih držav

    1. 1 Kitajska 48,1%19.400 visits
    2. 2 Romunija 9,2%3.700 visits
    3. 3 Združene države Amerike 8,4%3.400 visits
    4. 4 Singapur 4,5%1.800 visits
    5. 5 Francija 3,5%1.400 visits
    6. 6 Hong Kong 3,5%1.400 visits
    7. 7 Italija 3,5%1.400 visits
    8. 8 Argentina 2,0%800 visits
    9. 9 Kolumbija 2,0%800 visits
    10. 10 Španija 1,5%600 visits
    11. · 27 drugih držav 13,8%5.600 visits

    Na zemljevidu poiščite tri najtemnejše države. Ali se muzej, ki čuva to sliko, nahaja v kateri izmed njih? Zapišite en razlog, zakaj bi jo lahko obiskovali ljudje z daljave.

    20 najbolj gledanih del umetnika Vilijam Hogart

    1. 1 Plakat ena iz Rakeove proge 6,2%3.400 visits
    2. 2 The Marriage Contract, 1745 3,6%2.000 visits
    3. 3 Plate šest iz Časovnika Škorcova napredovanja 3,3%1.800 visits
    4. 4 Poroka po modi - 6, Smrt gospe 3,3%1.800 visits
    5. 5 Plošča dva iz Rakeove uspešnosti 2,4%1.300 visits
    6. 6 The Death of the Earl 2,0%1.100 visits
    7. 7 Poroka po modi, 1743 1,8%1.000 visits
    8. 8 Marriage à la Mode, 1743 1,8%1.000 visits
    9. 9 Satan, greh in smrt (Scena iz Miltona), 1735 1,6%900 visits
    10. 10 The Banquet, 1755 1,6%900 visits
    11. 11 Night, plate four from The Four Times of the Day 1,6%900 visits
    12. 12 William Hogarth, Portret kapitana Thomasa Corama, 1740 © Coram v skrbi Muzeja za sirotince (Foundling Museum), 1740 1,5%800 visits
    13. 13 The Marriage of Stephen Beckingham and Mary Cox, 1729 1,5%800 visits
    14. 14 Marriage A-la-Mode - 2, The Tête à Tête 1,5%800 visits
    15. 15 The Madhouse, 1735 1,5%800 visits
    16. 16 The Suicide of the Countess 1,5%800 visits
    17. 17 The Countess's Morning Levee, 1745 1,3%700 visits
    18. 18 Canvassing for Votes 1,3%700 visits
    19. 19 Samoportret, 1757 1,1%600 visits
    20. 112 A Rake’s Progress, Plate III ta slika 0,2%100 visits

    Skupaj ti deli predstavljajo 40,6% vse pozornosti, ki so platna te umetnice dobila v zadnjih dvanajst mesecih. Katalog vsebuje 241 del te umetnice, pri čemer je bilo 167 vsaj enkrat ogledanih. This painting ranks 112 of them, with 0,2% of that attention (100 visits). Isto velja tudi za posamezne mesece

    Stolpci merijo pozornost, ne kakovost. Izberite del na vrhu in ta: navedite eno stvar, ki bi lahko naredila sliko znano poleg tega, kako je dobro naslikana.

    O tem umetniškem delu

    A Rake’s Progress, Plate III — Vilijam Hogart

    A Rake’s Progress, Plate III: A Window into Eighteenth Century Moral Decay

    William Hogarth's “A Rake’s Progress, Plate III,” created in 1732-33, stands as a cornerstone of British satirical art and a chilling depiction of societal hypocrisy during the Enlightenment. More than just a visual record of a tavern scene—as documented by scholars at Sir John Soane’s Museum—it's a meticulously crafted commentary on virtue versus vice, ambition versus moral responsibility, presented with an unflinching gaze that continues to resonate centuries later.

    Subject Matter: The painting portrays a gathering of men in a tavern interior. At the center sits a wealthy rake, surrounded by admirers and indulging in copious amounts of wine. Alongside him are several other figures – a gentleman attempting to persuade his companion to join the revelry, and a waiter diligently serving drinks.

    Style & Technique: Hogarth employed etching and engraving—a technique he pioneered—to achieve remarkable detail and tonal gradation. The artist’s masterful use of chiaroscuro (the dramatic interplay of light and shadow) amplifies the psychological tension within the scene, highlighting the moral contrasts at play. Each line etched onto the plate contributes to a textured surface that captures the atmosphere of the tavern with astonishing accuracy.

    The historical context is crucial to understanding “A Rake’s Progress.” Hogarth lived during a period marked by rapid social change—the rise of mercantilism, the expansion of colonial ambitions, and an increasing preoccupation with moral philosophy. He deliberately confronted these trends head-on, exposing the decadent lifestyles of the aristocracy and questioning their justifications for indulging in immoral behavior.

    Symbolism: The composition is laden with symbolic elements. The wine glasses represent excess and indulgence, while the clock symbolizes wasted time—a stark reminder that life passes by unnoticed when consumed by frivolous pursuits. The rake’s gaze directs attention to his companions, suggesting a manipulative desire for influence and control.

    Emotional Impact: Hogarth's intention wasn't merely to depict what he saw; he aimed to provoke emotion. The painting evokes feelings of discomfort, judgment, and perhaps even pity for those caught in the trap of moral compromise. It serves as a powerful indictment of societal values and a timeless exploration of human psychology.

    “A Rake’s Progress, Plate III” remains an enduring masterpiece not only for its technical brilliance but also for its profound engagement with the anxieties of its time. Its meticulous detail and unsettling portrayal of human behavior continue to inspire artists and captivate audiences today—a testament to Hogarth's unparalleled ability to transform observation into searing social critique.

    Umetnik in muzej

    Umetnik

    Vilijam Hogart

    Rojen v London, Združeno kraljestvo Velike Britanije in Irsko

    A London Life in Ink and Paint: The World of William Hogarth

    William Hogarth, born into the bustling heart of 18th-century London in 1697, was more than just an artist; he was a visual historian, a keen observer of human nature, and a satirical commentator on the societal currents of his age. His life story is inextricably linked to the very fabric of England during a period of significant transformation – its burgeoning ambitions, underlying anxieties, and pervasive hypocrisies all finding potent expression in his remarkably detailed and often biting works. The son of a struggling Latin schoolmaster, Hogarth’s early experiences instilled within him both a love for learning and a sharp awareness of social inequalities, a foundation that would prove crucial to shaping his artistic vision. Initially apprenticed to an engraver, he quickly demonstrated a talent extending beyond mere technical skill; he possessed an innate ability to observe the nuances of human behavior and translate them into compelling visual narratives. However, he chafed against the constraints of traditional engraving, seeking a more expressive outlet for his burgeoning creativity. This led him to studies at both St Martin’s Lane Academy and under Sir James Thornhill, where he honed his skills in painting and composition, absorbing influences that would later inform his unique style.

    The Birth of Modern Moral Subjects

    Hogarth's true innovation lay not simply what he painted, but how. He pioneered what he termed “modern moral subjects” – series of pictures designed to tell a story, often imbued with a strong satirical edge. These weren’t isolated portraits or landscapes; they were visual novels unfolding before the viewer’s eyes, offering pointed commentary on contemporary society. A Harlot's Progress, created in 1742, stands as perhaps his most famous example. This series of six paintings meticulously follows the tragic downfall of Mary, a young woman arriving in London full of hope but quickly succumbing to the temptations and dangers of city life. Each scene is rendered with painstaking detail, filled with symbolic elements that reveal the moral decay surrounding her. The meticulous depiction of every step of Mary’s descent into prostitution served as an unflinching indictment of societal attitudes towards women and morality. Similarly, A Rake's Progress, begun in 1733, charts the reckless decline of Tom Rakewell, a man who squanders his inheritance on gambling, debauchery, and ultimately, madness. These weren’t merely cautionary tales; they were unflinching portraits of a society grappling with issues of class, morality, and social mobility. Hogarth's genius resided in his ability to elevate everyday scenes – the bustling streets of London, the opulent interiors of the wealthy, the squalid lives of the poor – into works of art that resonated deeply with his audience. He didn’t shy away from depicting the harsh realities of life, presenting them with a blend of humor and pathos that forced viewers to confront uncomfortable truths about themselves and their society.

    Technique and Influences: A Synthesis of Styles

    Hogarth's artistic style was a unique amalgamation of diverse influences. He greatly admired the realism and narrative detail found in the works of Dutch genre painters like Pieter de Hooch, evident in his meticulous depictions of interiors and everyday life. The influence of Rembrandt’s masterful use of chiaroscuro – dramatic contrasts between light and shadow – can also be discerned in Hogarth's paintings. Furthermore, Hogarth was profoundly affected by the satirical prints produced in France during the Enlightenment, particularly those of Jean-Baptiste Simeon Chardin and François Boucher. He absorbed stylistic elements from these artists, adapting them to his own distinctive vision. However, Hogarth wasn’t simply imitating these sources; he was synthesizing them into something entirely new and distinctly his own. His technique was characterized by a masterful use of line and shading, particularly evident in his engravings. He employed a distinctive cross-hatching technique that created depth and texture, bringing his scenes to life with remarkable clarity. This painstaking process ensured that every detail—from the folds of fabric to the expressions on faces—was rendered with precision and conviction. He also possessed an exceptional eye for composition, arranging figures and objects within the frame to create dynamic and engaging narratives. Like many artists of his time, Hogarth studied under Sir James Thornhill, honing his skills in painting and mastering the conventions of theatrical illusionism – a technique that would later contribute to the grandeur of his monumental canvases.

    Major Achievements: Shaping English Art History

    William Hogarth’s contribution to English art history is undeniable. He established a distinctly British artistic identity, rejecting continental stylistic trends in favor of a style rooted in observation and moral reflection. His series of paintings—including A Harlot's Progress, Marriage A-la-Mode, and Gin Lane—became iconic representations of the social landscape of his era, capturing both its beauty and its ugliness with uncompromising honesty. These works challenged viewers to confront uncomfortable truths about themselves and their society, sparking debate and inspiring artists for generations to come. Moreover, Hogarth’s engravings achieved unprecedented popularity, disseminating his satirical commentary throughout England and beyond. His prints served as a powerful tool for social critique, exposing corruption and hypocrisy while simultaneously celebrating virtue and compassion. He is considered one of the fathers of political cartooning and comic strips, paving the way for visual storytelling in popular culture—a legacy that continues to endure today.

    Historical Significance: A Voice for Change

    Hogarth’s artistic vision was driven by a deep concern for social justice and moral responsibility. He believed that art should not merely be aesthetically pleasing but should also serve a purpose beyond mere decoration—namely, to provoke thought and inspire action. His unflinching depictions of poverty, prostitution, and gambling served as a catalyst for reform movements, prompting discussions about societal ills and advocating for compassionate solutions. By confronting viewers with uncomfortable realities, Hogarth compelled them to examine their own values and behaviors, urging them to strive for a more humane and equitable world. He remains a pivotal figure in the history of English art, celebrated not only for his artistic brilliance but also for his unwavering commitment to social reform—a testament to the enduring power of art as a force for change.

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    Citiranje umetniškega dela

    MLA
    Hogart, Vilijam. A Rake’s Progress, Plate III. n.d., https://originaluniqueart.com/sl/art/william-hogarth-a-rakes-progress-plate-iii-D3V56Q-en/
    APA
    Hogart, Vilijam (n.d.). A Rake’s Progress, Plate III [Painting]. https://originaluniqueart.com/sl/art/william-hogarth-a-rakes-progress-plate-iii-D3V56Q-en/
    Chicago
    Vilijam Hogart. A Rake’s Progress, Plate III. n.d. https://originaluniqueart.com/sl/art/william-hogarth-a-rakes-progress-plate-iii-D3V56Q-en/
    Harvard
    Hogart, Vilijam (n.d.) A Rake’s Progress, Plate III. Available at: https://originaluniqueart.com/sl/art/william-hogarth-a-rakes-progress-plate-iii-D3V56Q-en/

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    A Rake’s Progress, Plate III — Vilijam Hogart

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    1. Kaj vas najprej pritegne in zakaj?
    2. Katere barve ali oblike ustvarjajo vzdušje — in kakšno je to vzdušje?
    3. Naš katalog to delo uvršča pod: social commentary, moral critique, london society. Se strinjate? Bi kaj dodali ali odvzeli?
    4. Poglejte nazaj na Plakat ena iz Rakeove proge, ki ste ga prej videli v tem priročniku. Navedite dve stvari, ki jih deli z tem delom, in eno, ki je drugačnja.
    5. Motivi, ki se ponavljajo v delih umetnika Vilijam Hogart: moral allegory & observation, social critique baroque style, psychological depth hogarth vision. Kateri izmed njih opazite tukaj?

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    Vprašanja in odgovori

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