Dress
Umetniška dela, prikazana na tej strani, so zaščitena z avtorskimi pravicami, kar pomeni, da po zakonu ne moremo ustvarjati ali prodajati identičnih reprodukcij. Ta zaščita se izvaja v skladu z mednarodnimi sporazumi, kot so Bernska konvencija in po nacionalnih zakonih, vključno s tistimi, ki jih določa Zakon o avtorskih pravicah ZDA – naslov 17.
Ta način v celoti upošteva zakonodajo o avtorskih pravicah, saj ne vključuje kopiranja ali podvajanja zaščitenga umetniškega dela. Namesto tega gre za kreativno preinterpretacijo – novo sliko, ki je navdihnjen rezultat originala, vendar ni z njim identična.
Giclée tisk / Umetniški tisk
Giclée ali platnati odtis muzejske kakovosti z hitro proizvodnjo in prilagodljivimi možnostmi končne obdelave. ( Kupite ročno slikano delo
Preklop na digitalno sliko)
Izberite eno od naših vnaprej določenih velikosti, ki ustrezajo prvotnim proporcijam umetničkega dela.
Vnesite širino in višino, ki jih potrebujete za svoj okvir ali steno. Tiskanje se lahko le odreže, vendar ga ni mogoče narediti večjega od slike, zato format z drugačno obliko pomeni izgubo dela slike. Pred tiskanjem vam pošljemo digitalni predogled za potrditev. Slika, prikazana na tej strani, ne prikazuje dejanskega izrezka — le predogled to omogoča.
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Popust pri večjem naročilu
Dress
Giclée tisk / Umetniški tisk
Velikost reprodukcije
-
Skupna cena
€ 71
Vprašanja in odgovori
Ali avtorske pravice za "Dress" avtorja Sandra Buckland dovoljujejo reprodukcijo?
Status avtorske pravice za "Dress" avtorja Sandra Buckland je jasen: del pripada še vedno pod avtorsko zaščito. Njegova prisotnost v muzeju Röhsska Museum ta status ne spreminja.
Ali je "Dress" v celotnosti bolj svetel ali bolj temen?
Zabeležene vrednosti za "Dress" avtorja Sandra Buckland so: svetlina brilliant, luminanca Luminous.
Hram kateri barvni ton se nagiba "Dress"?
"Dress" nagnjeno k Amber to Saffron tonu.
Biografija umetnika
A Sculptural Language in Knit: The World of Sandra Backlund
Sandra Backlund, a Swedish fashion designer born in Stockholm in 1975, doesn’t merely *create* clothing; she sculpts wearable art. Her work transcends the ephemeral nature of trends, establishing itself as a compelling dialogue between textile artistry and three-dimensional form. Backlund's journey began with formal training at Beckmans College of Design in Stockholm, graduating in 2004. However, her artistic impulse wasn’t simply about mastering technique—it was about challenging the very definition of what fashion could be. From the outset, she eschewed conventional approaches, choosing instead to explore the possibilities inherent in handcrafted knitwear, viewing each garment as a potential canvas for sculptural expression. This early dedication to tactile materiality and innovative construction would become the defining characteristic of her oeuvre.Early Influences & The Rise of a Unique Aesthetic
Backlund’s formative years were steeped in Scandinavian design principles—a reverence for functionality, simplicity, and natural materials. Yet, she quickly diverged from this established aesthetic, drawn instead to the expressive potential of texture and volume. Her work isn't rooted in minimalism but rather in a deliberate layering and manipulation of knit structures. The human form itself serves as a primary inspiration, with Backlund often referencing anatomical shapes and exploring how fabric can both conceal and reveal. A pivotal moment in her career came in 2007 when she was awarded a prize at the International Festival of Fashion and Photography in Hyères. This recognition wasn’t just for technical skill but for a strikingly original vision—a collection inspired by the Rorschach inkblot test, where ambiguous shapes invited interpretation and psychological resonance. This early success signaled the arrival of a designer who wasn't afraid to push boundaries and engage with deeper conceptual themes. The collaboration with Louis Vuitton on their A/W 07 knitwear further cemented her position within the industry, bringing her unique aesthetic to a wider audience.Technique & Artistic Process: Handcraft as Rebellion
In an era dominated by mass production, Backlund’s unwavering commitment to handcraft is a powerful statement. She doesn't view machine knitting as a shortcut but rather as a tool—a means of realizing complex sculptural forms that would be impossible through traditional methods. Each piece is meticulously constructed, often involving hours of painstaking work and a deep understanding of yarn properties and stitch patterns. Her process isn’t about following pre-determined designs; it's an iterative exploration where the fabric itself guides the evolution of the garment. Backlund frequently employs unconventional materials and techniques, experimenting with different weights, textures, and densities to create garments that are both visually striking and tactilely engaging. The resulting pieces often defy categorization—they’re neither strictly clothing nor sculpture but exist in a compelling space between the two.Major Achievements & Contemporary Relevance
Backlund's influence extends beyond her own label. Her work has been exhibited at prestigious institutions like the Gothenburg Museum of Art, demonstrating its recognition as a significant contribution to contemporary art and design. She’s garnered attention from leading fashion publications such as *Vogue* and *Contributor Magazine*, solidifying her status as an avant-garde voice in the industry. Her ability to transform a traditional craft into a medium for radical expression has inspired a new generation of designers. Backlund's pieces are not simply worn; they’re experienced—they challenge perceptions of beauty, form, and the relationship between the body and clothing. She represents a shift away from fast fashion towards a more considered, artistic approach to design.Historical Significance & A Lasting Legacy
Sandra Backlund's work occupies a unique position within the history of fashion. She’s part of a broader movement that seeks to elevate clothing beyond its functional purpose—to imbue it with meaning, emotion, and intellectual depth. Her emphasis on handcrafted techniques and sculptural form resonates with historical precedents in textile art and avant-garde sculpture. However, Backlund's contribution lies in her ability to synthesize these influences into a distinctly contemporary aesthetic.- She challenges the conventional boundaries between fashion, art, and craft.
- Her work promotes sustainability through its emphasis on quality materials and enduring design.
- Backlund’s pieces encourage viewers to reconsider their relationship with clothing—to appreciate it not just as a commodity but as an expression of artistic vision.
Sandra Buckland
1975 - , Sweden
Hitri podatki
- Full Name: Sandra Buckland
- Nationality: Swedish
- Date Of Birth: 1975
- Place Of Birth: Stockholm, Sweden
- Notable Artworks:
- Dress
- Bolero
- Artistic Movement Or Style: Sculptural knitwear

Možnost stekla je na voljo le za velikosti pod 110 cm