1992
Versions IV (Robert Ryman, 1992)
Robert Ryman (1930) je izdelal Versions IV. Zajema obdobje iz leta 1992. Dimenzije so 198 × 183 cm.
- 1992
- 198 × 183 cm
Versions IV, na kratek
- Naslov
- Versions IV
- Avtor
- Robert Ryman (1930)
- Umetnik, rojen v
- Nashville, United States of America
- Datum
- 1992
- Dimenzije
- 198 × 183 cm
Kaj prikazuje Versions IV?
Visokoresolucijske slike dela Versions IV
Zaščitovano z avtorskimi pravicami: ti datoteke so namenjene osebni referenci, ne paovojilu za ponovno objavo.
Robert Ryman, Versions IV (1992).
Odgovori na vprašanja o Versions IV
V letu katerega je bilo ustvarjeno delo "Versions IV" avtorja Robert Ryman?
"Versions IV" izvira iz 1992. Ta datum delo situira v okvir Robert Rymanove kariere in obdobja, v katerem je nastalo.
Kakšna je dejanska velikost dela "Versions IV" avtorja Robert Ryman?
Zabeležene dimenzije dela "Versions IV" avtorja Robert Ryman so 198 x 183 cm. Reprodukcije je mogoče naročiti v drugih velikostih, ob čemer se ohranijo iste proporcije.
Ali se lahko slika "Versions IV" avtorja Robert Ryman prosto reproducira?
V zvezi z avtorskimi pravicami je "Versions IV" v še vedno pod avtorsko zaščito.
Kateremu umetniku je "Versions IV" pripisano?
"Versions IV" pripisujemo Robert Ryman.
Pri katerih letih je Robert Ryman ustvaril/a "Versions IV"?
Robert Ryman je bil/a star/a 62 let, ko je ustvaril/a "Versions IV" leta 1992. Starost je izračunana na podlagi leta rojstva umetnika, 1930.
O umetniku, Robert Ryman
1930, United States of America
Robert Ryman
A Life Dedicated to the Essence of Painting Robert Ryman, born in Nashville, Tennessee, in 1930 and passing away in 2019, wasn’t interested in depicting the world; he was captivated by painting itself. His journey began not with a formal artistic education geared towards representation, but with studies at the Tennessee Polytechnic Institute and George Peabody College for Teachers – foundations that would later inform his disciplined approach. A stint in the United States Army from 1950 to 1952 instilled a sense of structure, perhaps subtly influencing the rigorous self-examination that characterized his artistic practice. However, it was his relocation to New York City in 1952 that proved pivotal.