Altarpiece (central section)
Giclée tisk / Umetniški tisk
Giclée ali platnati odtis muzejske kakovosti z hitro proizvodnjo in prilagodljivimi možnostmi končne obdelave.
Izberite eno od naših vnaprej določenih velikosti, ki ustrezajo prvotnim proporcijam umetničkega dela.
Svoje dimenzije lahko vnesete sami, da bodo ustrezne za določen okvir ali prostor. Če izbrana velikost ne bo skladna z razmerji izvirne slike, bomo umetniško delo orezali ali podaljšali s pomočjo ogledalnega odraza ali barvno polnega roba. Pred začetkom proizvodnje vam bomo poslali digitalni predogled za potrditev.
Upoštevajte, da predogled na zaslonu ne prikazuje dejanskega orezovanja ali podaljševanja. Le digitalni predogled bo natančno prikazal končno kompozicijo.
Čeprav so na voljo prilagojene velikosti, priporočamo izbiro dimenzije s predhodno določenega seznama, da ohranite prvotna razmerja.
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Altarpiece (central section)
Giclée tisk / Umetniški tisk
Velikost reprodukcije
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Biografija umetnika
Michael Erhart (1469–1522): A Pioneer of Ulm’s Late Gothic Legacy
Michael Erhart, born around 1460 in Ulm, stands as a pivotal figure within the artistic landscape of Renaissance Germany. While often overshadowed by contemporaries like Albrecht Dürer and Matthias Grünewald, Erhart's contribution to Ulm’s burgeoning artistic scene cemented his place as one of the era’s most innovative sculptors—a testament to the enduring power of regional craftsmanship amidst broader stylistic shifts.
Erhart’s formative years were spent honing his skills under the tutelage of Jörg Syrlin the Elder, a renowned sculptor whose workshop served as a crucible for artistic experimentation. This mentorship instilled in Erhart a deep understanding of Gothic techniques—particularly the intricate carving and polychromy characteristic of Ulm Cathedral—which would inform his subsequent stylistic choices.
His output spanned approximately 1469–1522, during which he produced numerous sculptures primarily focused on religious iconography. Notably, Erhart’s involvement in the decoration of Ulm Cathedral involved crafting monumental figures for the choir stalls and altar—a project that exemplifies his mastery of sculptural form and color. These works are considered masterpieces of late Gothic art, showcasing a remarkable blend of stylistic influences from Nikolaus Gerhaert and demonstrating Erhart's ability to synthesize tradition with emerging humanist ideals.
Beyond cathedral commissions, Erhart’s workshop fostered a vibrant artistic community, attracting apprentices who further disseminated his distinctive style throughout Bavaria. His sculptures are characterized by their expressive dynamism—a departure from the more static conventions of earlier Gothic sculpture—and imbued with a palpable sense of emotion and spiritual contemplation.
Erhart's legacy extends beyond individual artworks; he represents a crucial link between the Gothic tradition and the burgeoning Renaissance aesthetic. His sculptures serve as tangible reminders of Ulm’s artistic flourishing during this transitional period, solidifying his reputation as a sculptor who skillfully navigated the complexities of stylistic change while upholding the highest standards of craftsmanship.
michael erhart
1442 - 1522
Hitri podatki
- Artistic Movement Or Style: Late Gothic
- Artists Who Influenced This Artist: ['Nikolaus Gerhaert']
- Date Of Death: After 1522
- Full Name: Michael Erhart
- Nationality: German
- Notable Artworks: ['Saint Mary']
- Place Of Birth: Ulm




Možnost stekla je na voljo le za velikosti pod 110 cm
