1969
White World (Mark Tobey, 1969)
Mark Tobey (1890–1976) je izdelal White World. Zajema obdobje iz leta 1969. Dimenzije so 153 × 91 cm.
- 1969
- 153 × 91 cm
White World, na kratek
- Naslov
- White World
- Avtor
- Mark Tobey (1890–1976)
- Umetnik, rojen v
- Centerville, United States
- Datum
- 1969
- Dimenzije
- 153 × 91 cm
Visokoresolucijske slike dela White World
Zaščitovano z avtorskimi pravicami: ti datoteke so namenjene osebni referenci, ne paovojilu za ponovno objavo.
Mark Tobey, White World (1969).
Odgovori na vprašanja o White World
Kdaj je bilo ustvarjeno "White World"?
"White World" avtorja Mark Tobey je nastalo leta 1969.
Kakšne so dimenzije izvornega dela "White World" avtorja Mark Tobey?
Originalne dimenzije dela "White World" znašajo 153 x 91 cm. Prvotne mere so koristna referenca pri izbiri velikosti reprodukcije.
Ali se lahko slika "White World" avtorja Mark Tobey prosto reproducira?
"White World" avtorja Mark Tobey je v javni domeni (še vedno pod avtorsko zaščito). Ta status določa način, kako se lahko slika dela reproducira.
Kdo je ustvaril "White World"?
Avtor dela "White World" je Mark Tobey. Del je katalogiran pod imenom Mark Tobey.
Koliko je bil Mark Tobey star ob ustvarjanju dela "White World" leta 1969?
Mark Tobey je delo "White World" ustvaril v starostih 79 let. Umetnik se je rodil leta 1890, delo pa je datirano v leto 1969.
Kaj pojasnjuje status avtorskih pravic za "White World" avtorja Mark Tobey?
Del "White World" avtorja Mark Tobey je še vedno pod avtorsko zaščito. Avtorske pravice se izračunajo od smrti umetnika, pri čemer je Mark Tobey umrl leta 1976.
O umetniku, Mark Tobey
1890–1976, United States
Mark Tobey
A Life Woven in Light and Calligraphy Mark George Tobey, born in Centerville, Wisconsin, in 1890, was more than just a painter; he was a spiritual seeker whose artistic journey mirrored his lifelong exploration of faith, philosophy, and the delicate balance between Eastern and Western aesthetics. His early life, steeped in the Congregationalist traditions of his parents – George Tobey, a carpenter with a penchant for carving animal figures, and Emma Cleveland Tobey – instilled within him an appreciation for craftsmanship and observation. The family’s move to Chicago in 1893 exposed young Mark to a burgeoning urban landscape and, crucially, to the Art Institute of Chicago, where he received his initial formal training. However, it was a path largely self-directed that truly shaped his artistic vision.