1955
Paris (Mark Tobey, 1955)
Mark Tobey (1890–1976) je izdelal Paris. Zajema obdobje iz leta 1955. Dimenzije so 45 × 32 cm.
- 1955
- 45 × 32 cm
Paris, na kratek
- Naslov
- Paris
- Avtor
- Mark Tobey (1890–1976)
- Umetnik, rojen v
- Centerville, United States
- Datum
- 1955
- Dimenzije
- 45 × 32 cm
Visokoresolucijske slike dela Paris
Zaščitovano z avtorskimi pravicami: slika je prikazana le v informativne namene.
Druge velikosti, izrezave in citiranje →Mark Tobey, Paris (1955).
Odgovori na vprašanja o Paris
Kateri je datum nastanka dela "Paris" avtorja Mark Tobey?
Ustvaritev dela "Paris" avtorja Mark Tobey datiramo v 1955.
Kakšnih je originalnih dimenzij "Paris"?
Zabeležene dimenzije dela "Paris" avtorja Mark Tobey so 45 x 32 cm. Reprodukcije je mogoče naročiti v drugih velikostih, ob čemer se ohranijo iste proporcije.
Ali je delo "Paris" avtorja Mark Tobey v javni lastini?
V zvezi z avtorskimi pravicami je "Paris" v še vedno pod avtorsko zaščito.
Kdo je ustvaril "Paris"?
Delo "Paris" je ustvaril Mark Tobey. Informacije na tej strani opisujejo izvirno delo umetnika Mark Tobey.
Koliko je bil Mark Tobey star ob ustvarjanju dela "Paris" leta 1955?
Mark Tobey je bil/a star/a 65 let, ko je ustvaril/a "Paris" leta 1955. Starost je izračunana na podlagi leta rojstva umetnika, 1890.
Kaj pojasnjuje status avtorskih pravic za "Paris" avtorja Mark Tobey?
Status avtorske pravice za "Paris" – še vedno pod avtorsko zaščito – izhaja iz smrti umetnika v letu 1976.
O umetniku, Mark Tobey
1890–1976, United States
Mark Tobey
A Life Woven in Light and Calligraphy Mark George Tobey, born in Centerville, Wisconsin, in 1890, was more than just a painter; he was a spiritual seeker whose artistic journey mirrored his lifelong exploration of faith, philosophy, and the delicate balance between Eastern and Western aesthetics. His early life, steeped in the Congregationalist traditions of his parents – George Tobey, a carpenter with a penchant for carving animal figures, and Emma Cleveland Tobey – instilled within him an appreciation for craftsmanship and observation. The family’s move to Chicago in 1893 exposed young Mark to a burgeoning urban landscape and, crucially, to the Art Institute of Chicago, where he received his initial formal training. However, it was a path largely self-directed that truly shaped his artistic vision.