1988
Untitled (Larry Bell, 1988)
Larry Bell (1939) je izdelal Untitled. Zajema obdobje iz leta 1988. Dimenzije so 305 × 152 cm.
- 1988
- 305 × 152 cm
Untitled, na kratek
- Naslov
- Untitled
- Avtor
- Larry Bell (1939)
- Umetnik, rojen v
- Chicago, United States
- Datum
- 1988
- Dimenzije
- 305 × 152 cm
Visokoresolucijske slike dela Untitled
Zaščitovano z avtorskimi pravicami: ti datoteke so namenjene osebni referenci, ne paovojilu za ponovno objavo.
Larry Bell, Untitled (1988).
Odgovori na vprašanja o Untitled
V letu katerega je bilo ustvarjeno delo "Untitled" avtorja Larry Bell?
Ustvaritev dela "Untitled" avtorja Larry Bell datiramo v 1988.
Kakšne so dimenzije izvornega dela "Untitled" avtorja Larry Bell?
Dimenzije originalnega dela "Untitled" avtorja Larry Bell so 305 x 152 cm.
Ali je delo "Untitled" avtorja Larry Bell v javni lastini?
V zvezi z avtorskimi pravicami je "Untitled" v še vedno pod avtorsko zaščito.
Kdo je ustvaril "Untitled"?
Avtor dela "Untitled" je Larry Bell. Del je katalogiran pod imenom Larry Bell.
Koliko je bil Larry Bell let, ko je nastalo delo "Untitled"?
Larry Bell je bil/a star/a 49 let, ko je ustvaril/a "Untitled" leta 1988. Starost je izračunana na podlagi leta rojstva umetnika, 1939.
O umetniku, Larry Bell
1939, United States
Larry Bell
Larry Bell: Sculpting Perception Larry Bell, a name synonymous with light, space, and the evocative interplay between art and environment, is a pivotal figure in contemporary American sculpture. Born in Chicago in 1939 and currently residing in Taos, New Mexico, and Venice, California, his career spanning over four decades has been marked by an unwavering exploration of perceptual experience – how we see, how we interact with objects, and the subtle shifts in our awareness that occur when confronted with carefully crafted illusions. Bell’s work isn't simply about creating beautiful forms; it’s a deliberate invitation to question the nature of reality itself. From his early studies at the Chouinard Art Institute in Los Angeles during the late 1950s, under the tutelage of luminaries like Robert Irwin and Emerson Woelffer, Bell began to develop a fascination with abstraction and the relationship between form and space.