1949
Vase And Table (Joseph Solman, 1949)
Joseph Solman (1909–2008) je izdelal Vase And Table. Zajema obdobje iz leta 1949. Dimenzije so 61 × 41 cm.
- 1949
- 61 × 41 cm
Vase And Table, na kratek
- Naslov
- Vase And Table
- Avtor
- Joseph Solman (1909–2008)
- Umetnik, rojen v
- Vitebsk, Belarus
- Datum
- 1949
- Dimenzije
- 61 × 41 cm
Visokoresolucijske slike dela Vase And Table
Protected by copyright: these files are for personal reference, not a licence to republish.
Joseph Solman, Vase And Table (1949).
Odgovori na vprašanja o Vase And Table
Kateri je datum nastanka dela "Vase And Table" avtorja Joseph Solman?
Ustvaritev dela "Vase And Table" avtorja Joseph Solman datiramo v 1949.
Kakšne so dimenzije izvornega dela "Vase And Table" avtorja Joseph Solman?
Dimenzije originalnega dela "Vase And Table" avtorja Joseph Solman so 61 x 41 cm.
Ali se lahko slika "Vase And Table" avtorja Joseph Solman prosto reproducira?
Status avtorskih pravic za "Vase And Table" avtorja Joseph Solman: del je še vedno pod avtorsko zaščito. To določa, ali se lahko reprodukcije slike izdelujejo prosto.
Kdo je ustvaril "Vase And Table"?
Delo "Vase And Table" je ustvaril Joseph Solman. Informacije na tej strani opisujejo izvirno delo umetnika Joseph Solman.
Pri katerih letih je Joseph Solman ustvaril/a "Vase And Table"?
Ko je bilo delo "Vase And Table" ustvarjeno leta 1949, je bil Joseph Solman – rojen leta 1909 – star 40 let.
Zakaj je status avtorske pravice za "Vase And Table" prav takšen, kot je?
Del "Vase And Table" avtorja Joseph Solman je še vedno pod avtorsko zaščito. Avtorske pravice se izračunajo od smrti umetnika, pri čemer je Joseph Solman umrl leta 2008.
O umetniku, Joseph Solman
1909–2008, Belarus
Joseph Solman
The Soul of the Urban Canvas: The Life and Legacy of Joseph Solman Born amidst the shifting tides of the Russian Empire in Vitebsk on January 25, 1909, Joseph Solman’s journey to becoming a cornerstone of American Expressionism was one defined by movement and profound observation. His early years were marked by the upheaval of fleeing the Cossacks, a transition that eventually brought his family to the shores of America. This sense of displacement and the subsequent immersion into the vibrant, chaotic energy of New York City would later become the lifeblood of his art. Even as a young adolescent, Solman possessed an unwavering clarity regarding his vocation, recognizing that his true purpose lay in the meticulous study of the human condition through the tip of a brush.