1950
Studio Interior With Statue (Joseph Solman, 1950)
Joseph Solman (1909–2008) je izdelal Studio Interior With Statue. Zajema obdobje iz leta 1950. Dimenzije so 41 × 61 cm.
- 1950
- 41 × 61 cm
Studio Interior With Statue, na kratek
- Naslov
- Studio Interior With Statue
- Avtor
- Joseph Solman (1909–2008)
- Umetnik, rojen v
- Vitebsk, Belarus
- Datum
- 1950
- Dimenzije
- 41 × 61 cm
Visokoresolucijske slike dela Studio Interior With Statue
Protected by copyright: these files are for personal reference, not a licence to republish.
Joseph Solman, Studio Interior With Statue (1950).
Odgovori na vprašanja o Studio Interior With Statue
Kateri je datum nastanka dela "Studio Interior With Statue" avtorja Joseph Solman?
Ustvaritev dela "Studio Interior With Statue" avtorja Joseph Solman datiramo v 1950.
Kakšna je dejanska velikost dela "Studio Interior With Statue" avtorja Joseph Solman?
Zabeležene dimenzije dela "Studio Interior With Statue" avtorja Joseph Solman so 41 x 61 cm. Reprodukcije je mogoče naročiti v drugih velikostih, ob čemer se ohranijo iste proporcije.
Ali je "Studio Interior With Statue" v javni domeni?
"Studio Interior With Statue" avtorja Joseph Solman je v javni domeni (še vedno pod avtorsko zaščito). Ta status določa način, kako se lahko slika dela reproducira.
Kdo je ustvaril "Studio Interior With Statue"?
Delo "Studio Interior With Statue" je ustvaril Joseph Solman. Informacije na tej strani opisujejo izvirno delo umetnika Joseph Solman.
Pri katerih letih je Joseph Solman ustvaril/a "Studio Interior With Statue"?
Ko je bilo delo "Studio Interior With Statue" ustvarjeno leta 1950, je bil Joseph Solman – rojen leta 1909 – star 41 let.
Ali je delo "Studio Interior With Statue" avtorja Joseph Solman v javni lastini in zakaj?
Status avtorske pravice za "Studio Interior With Statue" – še vedno pod avtorsko zaščito – izhaja iz smrti umetnika v letu 2008.
O umetniku, Joseph Solman
1909–2008, Belarus
Joseph Solman
The Soul of the Urban Canvas: The Life and Legacy of Joseph Solman Born amidst the shifting tides of the Russian Empire in Vitebsk on January 25, 1909, Joseph Solman’s journey to becoming a cornerstone of American Expressionism was one defined by movement and profound observation. His early years were marked by the upheaval of fleeing the Cossacks, a transition that eventually brought his family to the shores of America. This sense of displacement and the subsequent immersion into the vibrant, chaotic energy of New York City would later become the lifeblood of his art. Even as a young adolescent, Solman possessed an unwavering clarity regarding his vocation, recognizing that his true purpose lay in the meticulous study of the human condition through the tip of a brush.