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No Borders Exist in Nature

Explore the art of Jae-Eun Choi, a Korean artist known for immersive installations & time-based projects like 'World Underground.' Themes: life, nature, DMZ restoration. Contemporary art with ecological significance.

Giclée tisk / Umetniški tisk

Giclée ali platnati odtis muzejske kakovosti z hitro proizvodnjo in prilagodljivimi možnostmi končne obdelave. (Kupi ročno naslikano sliko Kupi ročno naslikano slikoKupi digitalno sliko Kupi digitalno sliko)

Standardna velikost
prilagojeno
CM
INCH

Izberite eno od naših vnaprej določenih velikosti, ki ustrezajo prvotnim proporcijam umetničkega dela.

širina
višina

Svoje dimenzije lahko vnesete sami, da bodo ustrezne za določen okvir ali prostor. Če izbrana velikost ne bo skladna z razmerji izvirne slike, bomo umetniško delo orezali ali podaljšali s pomočjo ogledalnega odraza ali barvno polnega roba. Pred začetkom proizvodnje vam bomo poslali digitalni predogled za potrditev.
Upoštevajte, da predogled na zaslonu ne prikazuje dejanskega orezovanja ali podaljševanja. Le digitalni predogled bo natančno prikazal končno kompozicijo.
Čeprav so na voljo prilagojene velikosti, priporočamo izbiro dimenzije s predhodno določenega seznama, da ohranite prvotna razmerja.

Globalna dostava () v 2 tednih namesto standardnih 4/5 tednov. (27 avgust)

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Skupna cena

$ 80

reproduction

No Borders Exist in Nature

Giclée tisk / Umetniški tisk

Velikost reprodukcije

-

Skupna končna cena

$ 80


Biografija umetnika

Jaeeun Choi: Sculptor of Time and Place

Jae-Eun Choi, born in Seoul, South Korea in 1953, is a Korean artist whose distinctive approach to sculpture and installation art centers on exploring the interplay between time, space, and ecological considerations. Her artistic journey began with formative studies at Sogetsu School in Tokyo, where she honed her understanding of Ikebana—the Japanese art of flower arrangement—and its profound connection to spatial harmony and natural rhythms. This foundational training profoundly influenced her subsequent explorations into architectural scale and the manipulation of materials to convey complex narratives about existence.
  • Early Influences: Choi’s artistic vision was shaped by encounters with luminaries like Hiroshi Teshigahara, whose cinematic explorations mirrored Choi's preoccupation with capturing fleeting moments and conveying unspoken emotions.
  • Notable Projects: Her groundbreaking “World Underground Project,” initiated in 1986, involved burying paper sculptures in seven countries across the globe—a symbolic gesture intended to document time’s passage and foster dialogue about environmental stewardship.
  • The Dreaming Earth Project: Recognizing the urgent need for ecological restoration, Choi spearheaded "Dreaming of Earth," a ambitious undertaking focused on revitalizing a devastated forest near the Demilitarized Zone (DMZ) in Korea—a project that exemplifies her commitment to artistic engagement with pressing social and environmental issues.

Sculptural Exploration & Material Innovation

Choi’s sculptural practice distinguishes itself through meticulous attention to detail and a willingness to experiment with unconventional materials—often incorporating elements of recycled or repurposed substances into her artworks. This approach reflects not only an aesthetic sensibility but also a deep concern for sustainability and resource conservation, aligning seamlessly with the overarching themes of her oeuvre. Her installations frequently utilize monumental scale to create immersive environments that invite contemplation on the relationship between humanity and nature.
  • Architectural Scale: Choi’s sculptures are designed to occupy expansive spaces, prompting viewers to consider the grandeur of natural landscapes alongside human intervention.
  • Material Alchemy: She skillfully transforms discarded materials—such as wood scraps and metal fragments—into evocative forms that convey both fragility and resilience.

Recognition & Exhibitions

Choi’s artistic achievements have garnered international acclaim, culminating in solo exhibitions at prestigious institutions including Leeum, Samsung Museum of Art (Seoul), National Gallery in Prague (Czech Republic) and Kukje Gallery (Seoul). Her participation in landmark events like the Venice Biennale—both Architecture Biennale 2016 and Biennale Arte 2019—solidified her position as a leading voice within contemporary art. These exhibitions underscore her dedication to pushing artistic boundaries while addressing critical questions about our place within the broader ecosystem of existence.
  • Venice Biennale Appearances: Choi’s contributions to the Venice Biennale have consistently championed innovative approaches to artistic expression and underscored her commitment to tackling complex societal challenges.

Ongoing Artistic Pursuit & Future Vision

Currently residing in Tokyo and Berlin, Jae-Eun Choi continues to refine her artistic vision—driven by a steadfast belief in the transformative power of art to inspire dialogue and foster ecological awareness. Her ongoing projects—including “World Underground Project” and “Dreaming of Earth”—represent an unwavering dedication to exploring the enduring connections between time, place, and human responsibility toward safeguarding our planet’s biodiversity. Choi's work serves as a poignant reminder that artistic creativity can contribute meaningfully to addressing pressing global concerns while simultaneously elevating aesthetic experience.
jae eun choi

jae eun choi

1953 - , South Korea

Hitri podatki

  • Artistic Movement Or Style: Contemporary Art
  • Artists Or Movements Influenced By This Artist: ['Sogetsu School']
  • Artists Who Influenced This Artist: ['Hiroshi Teshigahara']
  • Date Of Birth: 1953 Seoul South Korea
  • Full Name: Jae Eun Choi
  • Nationality: Korean
  • Notable Artworks:
    • No Borders Exist in Nature
    • DMZ Vault of Life and Knowledge
  • Place Of Birth: Seoul South Korea