Old Tramp (Isabel Codrington)
Isabel Codrington (1874–1943) je izdelal Old Tramp. Dimenzije so 151 × 100 cm.
- 151 × 100 cm
Predogled v realnem okolju
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Vprašanja in odgovori
StatistikaOld Tramp, na kratek
- Naslov
- Old Tramp
- Avtor
- Isabel Codrington (1874–1943)
- Umetnik, rojen v
- Swimbridge, United Kingdom
- Dimenzije
- 151 × 100 cm
Visokoresolucijske slike dela Old Tramp
Javna lastnina: umetnik je umrl leta 1943.
Isabel Codrington, Old Tramp. Javna lastnina
Odgovori na vprašanja o Old Tramp
Kakšnih je originalnih dimenzij "Old Tramp"?
Zabeležene dimenzije dela "Old Tramp" avtorja Isabel Codrington so 151 x 100 cm. Reprodukcije je mogoče naročiti v drugih velikostih, ob čemer se ohranijo iste proporcije.
Ali je delo "Old Tramp" avtorja Isabel Codrington v javni lastini?
Status avtorskih pravic za "Old Tramp" avtorja Isabel Codrington: del je v javni domeni – avtorska pravica je zastarela. To določa, ali se lahko reprodukcije slike izdelujejo prosto.
Kdo je ustvaril "Old Tramp"?
Delo "Old Tramp" je ustvaril Isabel Codrington. Informacije na tej strani opisujejo izvirno delo umetnika Isabel Codrington.
Zakaj je status avtorske pravice za "Old Tramp" prav takšen, kot je?
Status avtorske pravice za "Old Tramp" – v javni domeni – avtorska pravica je zastarela – izhaja iz smrti umetnika v letu 1943.
O umetniku, Isabel Codrington
1874–1943, United Kingdom
Isabel Codrington
A Legacy of Light and Line: The Life of Isabel Codrington In the vibrant, shifting landscape of early twentieth-century London, few artists possessed the quiet, enduring grace of Isabel Codrington. Born in 1874 in the picturesque village of Bydown, near Barnstaple, Devon, her life was an intricate tapestry woven from threads of literary depth and visual splendor. Raised by a father who embraced the theatricality of amateur playwriting and a mother who was herself a painter and writer, Codrington was immersed in a world where the boundaries between the written word and the painted image were perpetually blurred. This dual heritage of storytelling and observation would become the cornerstone of her creative identity, allowing her to infuse her works with a narrative soul that transcended mere representation.
The Beggars Are Coming to Town
Cantine Franco Britannique, Vitry le François1919
Still Life, Vegetables1923
The Kitchen1927