Composition with Figures (David Bomberg, 1913)

Identification of Composition with Figures

Composition with Figures is an oil on panel painting by the artist David Bomberg. The work is dated 1913. It is a piece that belongs to the Cubist Abstraction style, showing clear Cubist and abstract influences in its construction.

The artist, David Bomberg, produced this work during a period of intense experimentation with geometric forms. The piece is characterized by its use of angular, intersecting planes and a focus on the relationship between color and form. It is currently held in a collection that includes works of early 20th-century modernism.

Visual Composition and Subject Matter

The composition is a geometric abstraction defined by a series of overlapping shapes. These forms are primarily rectangular and triangular, arranged in an asymmetrical layout. The lines throughout the work are angular and sharply defined, creating a sense of tension between the intersecting planes. The perspective is deliberately flattened, removing any illusion of spatial recession or depth. Instead, the arrangement of shapes creates a two-dimensional structure where elements appear to occupy the same plane.

The color palette is dominated by warm tones, specifically shades of orange and brown. These colors are set against stark white and black, creating high-contrast boundaries between the various geometric components. The subject matter remains ambiguous, as the interlocking shapes do not depict recognizable objects. The arrangement of these forms suggests the presence of figures or architectural elements, yet they remain abstracted into blocks of color and line.

Artistic Technique and Materiality

The work is executed in oil paint on panel. The surface exhibits a rough, impastoed texture where the paint has been applied in thick layers. These visible brushstrokes create a tactile quality across the composition. The artist utilizes a layering of colors to build up the various geometric forms, establishing a sense of physical presence through the accumulation of pigment.

The application of paint emphasizes the structural edges of the shapes. Through the layering of different hues, the artist creates a sense of density within the overlapping planes. The interplay between the thick impasto and the sharp, angular lines defines the boundaries of the composition. The surface remains uneven, with the physical weight of the oil paint contributing to the overall materiality of the panel.