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Jump

Explore David Annesley's striking sculpture 'Jump,' capturing dynamic movement and geometric abstraction against textured brick. Discover its symbolism of freedom and timeless elegance.

Explore the vibrant geometric sculptures of David Annesley (1936-present), a British artist influenced by Anthony Caro. Discover bold, colorful works & his legacy in art.

Umetniška dela, prikazana na tej strani, so zaščitena z avtorskimi pravicami, kar pomeni, da po zakonu ne moremo ustvarjati ali prodajati identičnih reprodukcij. Ta zaščita se izvaja v skladu z mednarodnimi sporazumi, kot so Bernska konvencija in po nacionalnih zakonih, vključno s tistimi, ki jih določa Zakon o avtorskih pravicah ZDA – naslov 17.

Kot spoštljiva in zakonita alternativa ponujamo prilagojena, ročno slikana umetniška dela, navzornena na original. Naši sposobni in profesionalni umetniki skrbno preučijo stil, vzdušje in umetniško bistvo originala, da ustvarijo novo, edinstveno delo, ki vzbudi enak občutek – pri čemer ostaja popolnoma nova, samostojna izvirna stvar.

Ta način v celoti upošteva zakonodajo o avtorskih pravicah, saj ne vključuje kopiranja ali podvajanja zaščitena umetniškega dela. Namesto tega gre za kreativno preinterpretacijo – novo sliko, ki je navdihnjen rezultat originala, vendar ni z njim identična.

Ročno izdelana oljna reprodukcija

Ročno slikano olje na platnu v vaši izbiri velikosti in okvirja, izdelano po naročilu naših umetnikov. ( Preklop na tiskanine Preklop na digitalno sliko)

Corner sample of the P118B picture frame: izoblit polistiren, 5 cm wide and 3 cm thick
P118B 10
Corner sample of the P118H picture frame: izoblit polistiren, 5 cm wide and 3 cm thick
P118H 10
Corner sample of the P118W picture frame: izoblit polistiren, 5 cm wide and 3 cm thick
P118W 10
Corner sample of the P438Z picture frame: izoblit polistiren, 5.5 cm wide and 3.5 cm thick
P438Z 10
Corner sample of the P508JH picture frame: izoblit polistiren, 7 cm wide and 3.5 cm thick
P508JH 12
Corner sample of the P508YH picture frame: izoblit polistiren, 7 cm wide and 3.5 cm thick
P508YH 12
Corner sample of the P805H picture frame: izoblit polistiren, 5 cm wide and 3.5 cm thick
P805H 10
Corner sample of the P805Z picture frame: izoblit polistiren, 5 cm wide and 3.5 cm thick
P805Z 10
Corner sample of the P919BZ picture frame: izoblit polistiren, 7 cm wide and 3.5 cm thick
P919BZ 10
Corner sample of the P919G picture frame: izoblit polistiren, 7 cm wide and 3.5 cm thick
P919G 10
Corner sample of the P919XJ picture frame: izoblit polistiren, 7 cm wide and 3.5 cm thick
P919XJ 10
Corner sample of the P959ZH picture frame: izoblit polistiren, 5 cm wide and 3 cm thick
P959ZH 10
Corner sample of the P968JZ picture frame: izoblit polistiren, 6 cm wide and 4 cm thick
P968JZ 12
Corner sample of the W106C picture frame: masivno drevo, 5 cm wide and 3 cm thick
W106C 8
Corner sample of the W218G picture frame: masivno drevo, 5 cm wide and 3 cm thick
W218G 10
Corner sample of the W218JH picture frame: masivno drevo, 5 cm wide and 3 cm thick
W218JH 8
Corner sample of the W218Y picture frame: masivno drevo, 5 cm wide and 3 cm thick
W218Y 10
Corner sample of the W307PJ picture frame: masivno drevo, 6 cm wide and 3 cm thick
W307PJ 10
Corner sample of the W316G picture frame: masivno drevo, 6 cm wide and 3 cm thick
W316G 10
Corner sample of the W316PJ picture frame: masivno drevo, 6 cm wide and 3 cm thick
W316PJ 8
Corner sample of the W316Y picture frame: masivno drevo, 6 cm wide and 3 cm thick
W316Y 10
Corner sample of the W398PJ picture frame: masivno drevo, 5 cm wide and 3 cm thick
W398PJ 8
Corner sample of the W4111J picture frame: masivno drevo, 6.5 cm wide and 3.5 cm thick
W4111J 10
Corner sample of the W500HY picture frame: masivno drevo, 7 cm wide and 5 cm thick
W500HY 15
Corner sample of the W500JH picture frame: masivno drevo, 7 cm wide and 5 cm thick
W500JH 15
Corner sample of the W692G picture frame: masivno drevo, 8 cm wide and 4 cm thick
W692G 12
Corner sample of the W849H picture frame: masivno drevo, 5 cm wide and 3 cm thick
W849H 8
Corner sample of the W940BG picture frame: masivno drevo, 7.5 cm wide and 4.5 cm thick
W940BG 15
Corner sample of the W953PJ picture frame: masivno drevo, 6 cm wide and 3.5 cm thick
W953PJ 8

Standardna velikost
po meri
CM
INCH

Izberite eno od naših vnaprej določenih velikosti, ki ustrezajo prvotnim proporcijam umetničkega dela.

širina
višina

Vnesite širino in višino, ki jih potrebujete, da se slika prilega vašemu okviru ali steni. Ker je delo ročno slikano, lahko umetnik pri različnih oblikih slik pri robovih doda malo več barve ali pa jih malo odreže — izberite sami. Pred začetkom slikanja vam pošljemo digitalni predogled za potrditev. Slika, prikazana na tej strani, ni končni rezultat — le predogled prikazuje dejansko podobo.

Primeri možnih sprememb: Zamenjava obraza s fotografijo stranke; Dodajanje hišnega ljubljenčka (npr. zamenjava mačke s psom); Vključitev skritega sporočila v ozadje; Sprememba pokrajine ali elementov v ozadju.
Po oddaji naročila bo ekipa OriginalUniqueArt.com stranki po e-pošti poslala navodila in predogled digitalnega predogleda.

Mednarodna dostava () v 3/4 tednih namesto običajnih 5 tednov. (18 oktober). Brez kompromisov pri kakovosti.

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Skupna cena

€ 261

Jump

Tehnika reprodukcije

Velikost reprodukcije

-

Skupna cena

€ 261

Hitri podatki

  • Title: Jump
  • Year: 1965
  • Notable elements or techniques: Geometric Forms; Dynamic Composition
  • Movement: Abstract Expressionism
  • Medium: Metal Sculpture

Kviz o umetnosti

Pri vsakem vprašanju je na voljo le eden pravilen odgovor.

Vprašanje 1:
What is the sculpture titled “Jump” by David Annesley primarily known for?
Vprašanje 2:
Which artist significantly influenced David Annesley’s sculptural style?
Vprašanje 3:
What material is the sculpture “Jump” predominantly constructed from?
Vprašanje 4:
Where was David Annesley educated in art?
Vprašanje 5:
What stylistic element characterizes the photograph of “Jump”, contributing to its overall impression?

David Annesley’s “Jump”: A Sculpture of Motion and Timeless Elegance

The sculpture "Jump" by David Annesley, created in 1965, stands as a testament to the bold geometric forms that defined British sculpture during the mid-century modern movement. Produced during a period characterized by experimentation with materials and conceptual approaches to art, this piece embodies Annesley’s signature style—a masterful blend of simplicity and dynamism—capturing an enduring fascination with human movement and overcoming obstacles.

Form and Composition: Embracing Fluidity Through Geometric Precision

At first glance, “Jump” presents a striking visual paradox. The sculpture comprises three interconnected metal forms – X-Act Swing, Low Loquat, Godroon, Big Ring, Big Yellow Circle, Narrow Blue Circle, Untitled, 3/4/5, and The Window Lock – which appear to defy gravity as they leap over one another. However, these curves aren’t haphazard; rather, they are meticulously crafted using geometric principles that lend the sculpture a surprising sense of stability and balance. Sir Anthony Caro, Annesley's mentor at St Martin’s School of Art, instilled in him the conviction that art should embrace spontaneity while rejecting representational conventions—a philosophy that profoundly shaped Annesley’s artistic vision. The central form dominates the composition, anchoring the other two shapes and creating a visual rhythm that conveys movement without sacrificing structural integrity.

Materiality and Technique: Exploring Texture and Light

Annesley skillfully employs polished metal – primarily stainless steel – to achieve remarkable tonal contrast and detail. The surface of each form is treated to accentuate its texture, highlighting the subtle variations in sheen created by directional lighting. This technique—a deliberate departure from traditional sculptural methods—emphasizes materiality as a core element of artistic expression. Furthermore, Annesley’s meticulous attention to scale contributes to the sculpture's impact; it commands attention and invites contemplation on its monumental presence against the backdrop of a textured brick wall.

Historical Context: The Legacy of Caro and Mid-Century Modern Aesthetics

“Jump” emerged from a broader artistic landscape influenced by Sir Anthony Caro, whose groundbreaking sculptures championed abstraction and challenged conventional notions of form and space. Caro’s belief that art should prioritize materiality and conceptual exploration resonated deeply with Annesley, propelling him to forge his own distinctive path within the movement. The sculpture reflects the aesthetic sensibilities of mid-century modernism—characterized by clean lines, geometric shapes, and a restrained color palette—representing an optimistic embrace of innovation and a desire to communicate profound ideas through visual language.

Symbolic Resonance: Movement Beyond Representation

The title "Jump," coupled with the sculpture’s dynamic forms, speaks to themes of liberation, perseverance, and overcoming adversity. The leaping shapes symbolize aspiration and transcendence, mirroring the human impulse to push boundaries and embrace new possibilities. Simultaneously, the monochromatic palette—primarily shades of gray—contributes to a sense of timelessness, elevating the artwork beyond mere visual spectacle and inviting viewers to engage in introspection on its enduring significance.

Emotional Impact: A Sculpture That Inspires Reflection

Ultimately, “Jump” transcends its formal qualities to evoke an emotional response rooted in contemplation and wonder. Its striking simplicity compels us to confront fundamental questions about movement, balance, and the pursuit of excellence—leaving a lasting impression on those who experience its sculptural presence. It serves as a powerful reminder that art can communicate profound ideas through visual language, fostering dialogue and enriching our understanding of human experience.

Vprašanja in odgovori

Koliko svetlobe se zdi, da odražajo barve dela "Jump"?

Luminanca, zabeležena za "Jump" avtorja David Annesley, je Soft Shadow.

Kako se srečata umetniška smer in dobo v delu "Jump" avtorja David Annesley?

"Jump" pripada slogu Mid Century Modern, njegov ustvarjalec pa je deloval v obdobju Modern."

S kakšno tehniko je izdelano "Jump" in v katerem slogu?

"Jump" je izdelano z uporabo Acrylic On Canvas v slogu Mid Century Modern.


Biografija umetnika

The Sculptural Vision of David Annesley

David Annesley stands as a luminous figure within the pantheon of British sculpture, a master of form whose work captures the rhythmic pulse of the mid-century modern era. Born in London in 1936, Annesley’s artistic identity was forged through a global odyssey that saw him traverse the landscapes of Zimbabwe and Australia before returning to the heart of the English art scene. This diverse exposure to different environments and textures provided a rich, foundational layer to his aesthetic sensibility, allowing him to approach the concept of space with a unique, international perspective. His journey is not merely one of geographical movement, but an evolutionary process of refining how metal, color, and gravity interact to create a sense of living motion.

The trajectory of Annesley’s career was profoundly shaped by his formative years at St Martin's School of Art in London. It was here that he encountered the monumental influence of Sir Anthony Caro, a mentor whose radical approach to sculpture would leave an indelible mark on Annesley’s soul. Under Caro’s guidance, Annesley learned to reject the heavy, representational traditions of the past in favor of a more spontaneous, abstract language. This period of study encouraged him to view sculpture not as a static object of commemoration, but as an active participant in its environment—a way to manipulate the very air around a form through the use of welded metal and bold, structural lines.

Geometric Precision and the Language of Color

To encounter an Annesley sculpture is to witness a dance between industrial strength and visual lightness. His technique is characterized by a masterful command over welded metal, which he shapes into striking geometric configurations that often rest directly upon the ground. By eschewing traditional pedestals, Annesley allows his works to inhabit the same physical plane as the viewer, fostering an intimate and visceral engagement with the art. These pieces, such as the captivating Godroon (196 and Big Ring (1965), demonstrate a profound understanding of how weight can be visually defied through clever construction and strategic placement.

Beyond the structural integrity of his work lies a vibrant, emotive use of color. Annesley’s palette is famously bold, frequently utilizing saturated reds and brilliant yellows to breathe life into his metallic compositions. This infusion of pigment serves a dual purpose: it provides a striking contrast to the raw, industrial nature of the metal while simultaneously injecting a sense of kinetic energy into the static forms. Through this interplay of color and geometry, Annesley explores the delicate relationship between material perception and physical reality, creating works that feel as though they are vibrating with an internal light.

Legacy and Artistic Significance

The enduring significance of David Annesley’s oeuvre lies in his ability to translate the complexities of movement into the permanence of metal. His works, such as the dynamic Jump, serve as meditations on freedom and the elegance of abstraction, capturing a sense of upward momentum that transcends the physical limitations of the medium. As a key voice in the development of contemporary British sculpture, Annesley helped bridge the gap between the heavy traditions of early modernism and the more fluid, experimental approaches of late 20th-century art.

Throughout his career, Annesley has remained dedicated to the pursuit of a pure, abstract language. His contributions to the art world are marked by several key achievements:

  • Mastery of Materiality: The seamless integration of welded metal with high-intensity color palettes.
  • Spatial Innovation: Redefining the relationship between sculpture and the viewer by removing traditional sculptural bases.
  • Historical Continuity: Carrying forward the revolutionary spirit of the St Martin's school and the influence of Anthony Caro into a new era of geometric abstraction.

Today, Annesley’s legacy continues to resonate within the halls of contemporary art, offering a timeless testament to the power of bold form and the infinite possibilities of the abstract imagination.

David Annesley

David Annesley

1936 - , United Kingdom

Ključne informacije

  • Artistic Movement Or Style: Geometric Sculpture
  • Artists Or Movements Influenced By This Artist: Mid-Century Modern Art
  • Artists Who Influenced This Artist: Anthony Caro
  • Date Of Birth: 1936
  • Full Name: David Annesley
  • Nationality: British
  • Notable Artworks:
    • Big Ring
    • Godroon
    • Big Yellow Circle
  • Place Of Birth: London, United Kingdom