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Self Portrait

Charles Willson Peale's "The Artist in His Museum" (1822) captures the artist’s life, art, and scientific pursuits within his Philadelphia museum. A unique blend of portraiture & natural history.

Charles Willson Peale (1741-1827): Portreti revolucionarnih junakov in ustanovitelj prvega ameriškega muzeja! Odkrijte njegove upodobitve Georgea Washingtona ter neoklasicistični slog.

Ročno izdelana oljna reprodukcija

Ročno slikano olje na platnu v vaši izbiri velikosti in okvirja, izdelano po naročilu naših umetnikov. ( Preklop na tiskanine Preklop na digitalno sliko)

Corner sample of the P118B picture frame: izoblit polistiren, 5 cm wide and 3 cm thick
P118B 10
Corner sample of the P118H picture frame: izoblit polistiren, 5 cm wide and 3 cm thick
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Corner sample of the P118W picture frame: izoblit polistiren, 5 cm wide and 3 cm thick
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Corner sample of the P438Z picture frame: izoblit polistiren, 5.5 cm wide and 3.5 cm thick
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Corner sample of the P508JH picture frame: izoblit polistiren, 7 cm wide and 3.5 cm thick
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Corner sample of the P508YH picture frame: izoblit polistiren, 7 cm wide and 3.5 cm thick
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Corner sample of the P805H picture frame: izoblit polistiren, 5 cm wide and 3.5 cm thick
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Corner sample of the P805Z picture frame: izoblit polistiren, 5 cm wide and 3.5 cm thick
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Corner sample of the P919BZ picture frame: izoblit polistiren, 7 cm wide and 3.5 cm thick
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Corner sample of the P919G picture frame: izoblit polistiren, 7 cm wide and 3.5 cm thick
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Corner sample of the P919XJ picture frame: izoblit polistiren, 7 cm wide and 3.5 cm thick
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Corner sample of the P959ZH picture frame: izoblit polistiren, 5 cm wide and 3 cm thick
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Corner sample of the P968JZ picture frame: izoblit polistiren, 6 cm wide and 4 cm thick
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Corner sample of the W106C picture frame: masivno drevo, 5 cm wide and 3 cm thick
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Corner sample of the W218G picture frame: masivno drevo, 5 cm wide and 3 cm thick
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Corner sample of the W218JH picture frame: masivno drevo, 5 cm wide and 3 cm thick
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Corner sample of the W218Y picture frame: masivno drevo, 5 cm wide and 3 cm thick
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Corner sample of the W307PJ picture frame: masivno drevo, 6 cm wide and 3 cm thick
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Corner sample of the W316G picture frame: masivno drevo, 6 cm wide and 3 cm thick
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Corner sample of the W316PJ picture frame: masivno drevo, 6 cm wide and 3 cm thick
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Corner sample of the W316Y picture frame: masivno drevo, 6 cm wide and 3 cm thick
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Corner sample of the W398PJ picture frame: masivno drevo, 5 cm wide and 3 cm thick
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Corner sample of the W4111J picture frame: masivno drevo, 6.5 cm wide and 3.5 cm thick
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Corner sample of the W500HY picture frame: masivno drevo, 7 cm wide and 5 cm thick
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Corner sample of the W500JH picture frame: masivno drevo, 7 cm wide and 5 cm thick
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Corner sample of the W692G picture frame: masivno drevo, 8 cm wide and 4 cm thick
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Corner sample of the W849H picture frame: masivno drevo, 5 cm wide and 3 cm thick
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Corner sample of the W940BG picture frame: masivno drevo, 7.5 cm wide and 4.5 cm thick
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Corner sample of the W953PJ picture frame: masivno drevo, 6 cm wide and 3.5 cm thick
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Skupna cena

€ 262

Self Portrait

Tehnika reprodukcije

Velikost reprodukcije

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Skupna cena

€ 262

Hitri podatki

  • Movement: Neoclassical
  • Influences: Benjamin West
  • Location: Pennsylvania Academy
  • Subject or theme: Self-portrait, art & science
  • Title: Self Portrait

Charles Willson Peale’s “The Artist in His Museum” – A Window into Early American Identity

Charles Willson Peale's 1822 self-portrait, "The Artist in His Museum," is far more than a simple depiction of an aging painter. It’s a meticulously constructed tableau vivant—a staged scene brimming with symbolism and offering a profound glimpse into the burgeoning identity of early America. Painted during a period of intense national formation, Peale sought to capture not just his own likeness but also the spirit of a nation striving to define itself through art, science, and a celebration of its natural heritage.

The painting immediately draws the eye with its dramatic lighting—a stark contrast between the deep crimson curtain concealing the museum’s interior and the softer illumination that highlights Peale's face. This theatrical effect wasn’t merely for aesthetic appeal; it served to elevate the artist, positioning him as a central figure within this carefully curated world. The composition is layered, inviting the viewer to explore multiple levels of meaning. In the foreground, we see Peale himself, his silver hair and thoughtful expression suggesting both wisdom and a touch of melancholy. He’s not simply posing; he's actively engaging with his surroundings, as if presenting them to an unseen audience.

A Cabinet of Curiosities: Symbolism and Natural History

Beyond Peale’s portrait lies the meticulously arranged collection within the museum—a veritable cabinet of curiosities that speaks volumes about the era's fascination with both the natural world and the pursuit of knowledge. A dead wild turkey, carefully taxidermied alongside Peale’s tools, represents a connection to American wilderness and a celebration of its bounty. Nearby, a majestic bald eagle, also preserved in meticulous detail, embodies national pride and the ideals of freedom. These specimens aren't merely decorative; they are tangible reminders of America’s unique natural resources and the burgeoning scientific spirit that sought to understand and classify them.

The inclusion of a paddlefish from the Allegheny River—a relatively obscure specimen—demonstrates Peale’s commitment to showcasing both familiar and exotic elements within his collection. Even more striking is the mastodon skeleton, a relic of a prehistoric past, symbolizing America's vastness and its place in the grand sweep of geological time. These objects weren’t simply displayed; they were presented as evidence of American progress—a testament to the nation’s ability to both preserve the past and embrace the future.

Neoclassical Portraiture and a Reflection on Time

Technically, “The Artist in His Museum” is a prime example of Neoclassical portraiture, characterized by its realistic representation and emphasis on capturing likeness. Peale employs smooth brushstrokes and subtle gradations of tone to create a sense of depth and volume, particularly in the rendering of his own face. The muted earth tones of the palette—dominated by browns, reds, and creams—lend the painting a dignified and contemplative mood. The inclusion of a partially visible paintbrush hints at Peale’s profession as a painter, further anchoring the scene within the realm of artistic creation.

However, the painting transcends mere portraiture. It's also a meditation on time and legacy. Peale, nearing eighty years old, is depicted not as a fading figure but as an active participant in his own museum—a guardian of knowledge and a symbol of American ingenuity. The scene suggests that art and science are inextricably linked, both serving to illuminate the human experience and preserve it for posterity.

A Legacy of Innovation and Artistic Vision

Charles Willson Peale’s “The Artist in His Museum” is more than just a painting; it's a microcosm of early America—a testament to the nation’s burgeoning identity, its embrace of scientific inquiry, and its celebration of artistic achievement. Peale’s vision extended beyond simply creating beautiful images; he sought to educate and inspire, establishing the Philadelphia Museum as one of the first American museums and laying the foundation for a new era of cultural exploration. Reproductions of this iconic work offer a captivating window into a pivotal moment in American history—a reminder that art can be both a reflection of our past and a vision of our future.

Vprašanja in odgovori

Zakaj je status avtorske pravice za "Self Portrait" prav takšen, kot je?

Del "Self Portrait" avtorja Charles Willson Peale je v v javni domeni – njegova avtorska pravica je zastarela. Avtorske pravice se izračunajo od smrti umetnika, Charles Willson Peale pa je umrl leta 1827.

Katera postavitev ustreza formatu dela "Self Portrait" avtorja Charles Willson Peale?

Format (Portrait) in priporočena prostor (Living Room) sta dve zapisani podrobnosti glede postavitve za "Self Portrait" avtorja Charles Willson Peale.

Kakšno vzdušje bi v prostor prineslo "Self Portrait"?

Z svojo Nostalgic vzdušnostjo je delo "Self Portrait" primerno za Living Room.


Biografija umetnika

Charles Willson Peale: Življenje, umetnost in duh revolucije

Charles Willson Peale (1741-1827) je bil več kot le slikar; bil je vizionar, znanstvenik, izumitelj in strasten patriot svoje dobe. Njegovo življenje je bilo prepleteno z burnimi dogodki Ameriške revolucije, ki so močno vplivali na njegovo umetniško ustvarjanje in ga usmerjali k pomembnemu prispevku k oblikovanju nove ameriške identitete. Peale se je rodil v Chesterju, Maryland, v družini, ki se je soočala s finančnimi težavami po smrti očeta. Po opravljeni vajniški praksi pri izdelovalcu sedel je začutil močno privlačnost do umetnosti in se odločil za slikarstvo. Njegovo zgodnje izobraževanje vključuje študij pri Johnu Hesseliusu in kratek čas z Johnom Singletonom Copleyem, kjer je pokazal nadarjenost za portretiranje. Ključno obdobje njegovega razvoja pa je bilo študij pod Benjaminom Westom v Londonu (1767-1770), ki ga je izpostavil evropskim umetnostnim trendom in oblikoval njegov stil.

Umetniška pot in pomembna dela

Peale je najbolj znan po svojih portretih prominentnih osebnosti Ameriške revolucije, med njimi pa izstopajo številne upodobitve Georgea Washingtona – kar šestdeset! Ti portreti niso le dragoceni zgodovinski dokumenti, temveč tudi umetniški mojstrovini. Njegov slog se je sčasoma razvijal, sprva pod vplivom Westovega neoklasicističnega pristopa, kasneje pa je vanj vključil elemente realizma in željo po natančnem ujemanju videza portretiranih oseb. Njegova dela odražajo globoko spoštovanje do posameznikov, ki so se borili za neodvisnost Amerike. Med pomembnejša dela spadajo: *George Washington (1772)*, ki je zaznamovalo začetek dolgega sodelovanja s prvim ameriškim predsednikom, in *The Staircase Group (okoli 1795)* – izjemen primer trompe l'oeil tehnike, kjer sta njegova sinova Raphael in Titian upodobljena tako, kot da bi bila del arhitekturne zasnove. Ta slika je fascinantna iluzija, ki prestopa meje tradicionalnega portretiranja.

Znanstveni interesi in Pealev Ameriški muzej

Peale ni bil le slikar; bil je tudi strasten naravoslovec in znanstvenik, ki je organiziral ekspedicije za proučevanje naravne zgodovine. Leta 1784 je ustanovil Pealev Ameriški muzej v Philadelphiji, eden prvih muzejev v Združenih državah. Muzej je gostil botanične, biološke in arheološke eksponate ter igral pomembno vlogo pri popularizaciji znanosti in izobraževanja v Ameriki. Posebej znan je bil po razstavah okostij mastodona, ki jih je pridobil na ekspediciji leta 1801. Peale se je sam naučil taksidermije, da bi ohranil primere za muzej, kar dokazuje njegovo vsestranskost in predanost znanstvenim prizadevanjem. Njegov muzej ni bil le zbirališče eksponatov, temveč tudi center za učenje in raziskovanje, ki je navdihnil številne generacije Američanov.

Dediščina in zgodovinski pomen

Pealeovo delo presega meje umetnosti in znanosti ter odraža duh razsvetljenstva v njegovem času. Njegovi portreti predstavljajo dragoceno vizualno dokumentacijo ključnih osebnosti ameriške zgodovine, njegov muzej pa je postavil temelje za razvoj muzejskih institucij v Združenih državah. Ustanovitev Pealevega Ameriškeega muzeja je bila pionirsko prizadevanje, ki je pomagalo uveljaviti muzej kot pomembno ustanovo za izobraževanje in znanstveno raziskovanje. Njegova družinska dediščina se je nadaljevala prek njegovih sinov, med njimi James Peale in Rubens Peale, ki sta postala uspešni umetniki in prispevali k muzejski zbirki. Charles Willson Peale je pustil neizbrisen pečat na ameriški kulturi, navdihnila pa ga je naslednja generacija umetnikov in znanstvenikov. Njegova dela še danes burijo domišljijo in nas spominjajo na pomembne vrednote revolucije – neodvisnost, izobraževanje in strast do odkrivanja.
Charles Willson Peale

Charles Willson Peale

1741 - 1827 , Združene države Amerike

Ključne informacije

  • Datum Rojstva: 15. april 1741
  • Datum Smrti: 22. februar 1827
  • Državljanstvo: Ameriški
  • Kraj Rojstva: Chester, Združene države
  • Polno Ime: Charles Willson Peale
  • Pomembna Dela:
    • Staircase Group
    • Portreti Washingtona
  • Umetniški Smer: Neoklasicizem
  • Vplivi Umetnikov:
    • John Hesselius
    • Benjamin West