Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 50 del v našem katalogu avtorja Louis Gauffier
Kratek opis
Med vsemi originali, ki jih je pustil Louis Gauffier, je najbolj znan A Portrait of Johan Claes Lagersvard ) (1756), ki se nahaja v kolekciji Nationalmuseum, Stockholm. Takoj za njima sta Christ and the Canaanite Woman (1784) in The Canaanite Woman at the Feet of Jesus Christ (1784). Naš katalog vsebuje 50 del umetnika Louis Gauffier; galerija je ohranila 49 del, ki jih svet najbolj oboževa, odlikovanih z datumom nastanka, pripadajočim muzajem in zgodbojo.
A seated gentleman occupies the center of this formal composition, his posture projecting a quiet authority. He is positioned slightly off-center, creating a sense of natural movement within a rigid, structured interior. A table laden with books sits before him, while a bust of a woman rests upon a pedestal to his left, adding layers of depth to the scene. Through a window in the background, an urban landscape is…
The composition centers on a profound encounter between Christ and a Canaanite woman. He is rendered in a blue and white robe, his presence marked by a measured, serene detachment. Below him, the woman kneels in a white garment, her posture one of desperate hope and vulnerability. The interaction is framed by a theatrical grouping of disciples and onlookers, their faces caught in various states of observation and quiet discussion.…
In this oil on canvas, titled The Canaanite Woman at the Feet of Jesus Christ, Louis Gauffier captures a moment of profound supplication. The scene depicts a woman from the region of Tyre and Sidon approaching Jesus to ask for the healing of her daughter. This specific narrative, found in the Gospels of Matthew and Mark, is rendered here with a sense of dramatic weight. The woman is positioned low…
The composition is anchored by two massive fluted Doric columns, creating a shallow, stage-like arena for a moment of profound tension. On the left, a seated woman draped in white and gold holds an infant, her posture suggesting a heavy, grounded sorrow. Beside her, a young boy and a woman in dark robes add to the weight of the scene. To the right, a procession of women approaches, their gestures…
In the oil painting Portrait of a Lady Seated in a Landscape by Louis Gauffier, dated about 1794, the composition is organized asymmetrically. A young woman reclines against the base of a large tree, her figure positioned on the right side of the frame. A massive, textured tree trunk anchors this side of the scene, providing a vertical element that stabilizes the subject. At the lady's feet lies a lyre,…
This oil painting, executed in 1793, presents a family group positioned within an outdoor, pastoral setting. The composition is structured around a central female figure seated prominently, her form defined by the soft folds of her clothing and a yellow shawl. To the right, a male figure, the artist, occupies the edge of the frame, while two children are situated in the lower left. The figures are set against a…
In "Eleven Sample Portraits" by Louis Gauffier, the viewer encounters a composite collection of nine distinct miniature portrait scenes arranged in a precise 3x3 grid. This Neoclassical arrangement invites the eye to wander through various social settings, each populated by figures dressed in the elegant attire of the late 18th century. The color palette shifts with every panel, moving through warm ochres, deep blues, creams, and earthy tones that distinguish…
The portrait depicts a young man positioned in the foreground on the right side of the composition. He is dressed in late 18th-century attire, featuring a white cravat and dark clothing that contrasts with the lighter tones of his skin. His right arm is outstretched toward the viewer, and he holds a sketchbook and a brush, identifying him as a scholar or an artist. The subject is rendered with smooth…
In "Portrait Of An Officer Of The Cisalpine Republic," by Louis Gauffier, a young man commands the viewer's attention through a centered composition. He occupies most of the frame, his presence filling the space with a sense of quiet authority. He wears elaborate 19th-century military attire, an ensemble that speaks clearly of his high status and specific military rank. Every detail of his uniform suggests a life of discipline and…
In the sweeping canvas of Louis Gauffier’s Cleopatra and Octavian, we are transported to a moment of profound historical tension and unparalleled opulence. Painted in 1788, on the precipice of the French Revolution, this masterpiece captures the legendary Queen of the Nile in a gesture of both diplomacy and allure. Cleopatra sits regally upon an ornate couch, her hand outstretched as if offering a silent negotiation or a fateful greeting…
Andre-francois Miot, Envoy Of The French Republic To The Grand Duke Of TuscanyNarodna galerija Viktorije
12
General Jean-joseph Dessole
13
Cliff at Vicovaro1787 · National Gallery
14
Vue sur la vallée de l'Arno à Florence1795 · Musée Fabre
15
Cleopatra And Octavian,1788
16
View of Falls at Vallombrosa1797 · Fine Arts Museums of San Francisco
17
The Salucci family
18
Portrait Of Prince Augustus FrederickStaatliche Kunsthalle Karlsruhe
19
Convent in Civita CastellanaMusée Bonnat-Helleu
20
The Valley Of The Arno
21
Cornelia Presenting Her Two Young Sons
22
A Woman Of Three-quarter With A Sleeve
23
Portrait of Elizabeth, Lady Webster, later Lady
24
Portrait Of An Officer Of The Cisalpine Republic
25
Portrait Of Victor Leopold Berthier
26
Portrait Of Sir Godfrey Webster, 4th Baronet
27
View Of Vallombrosa, Near Florence_2
28
Pygmalion And GalateaManchester Art Gallery
29
Nine Sample PortraitsBowes Museum
30
A Woman, Three-quarter-length, With A Muff
31
Retrato Do Poeta Thomas Penrose
32
Portrait De Philippe-henri Coclers
33
Arno ValleyPhiladelphia Museum of Art
34
Jacob With The Daughters Of LabanMusée Sainte-Croix
35
L'ensevelissement Du Christ
36
Portrait Of A Young Man, Full-length, With Mount Vesuvius Beyond
37
The Adoration Of The Shepherds
38
Portrait Of A Lady With Two Children And A Dog On A Terrace, An Extensive River Landscape Beyond
39
The Arno Valley -Musée Fabre
40
La Vallee De L'arno -
41
For An Italian Village In A Landscape With The Dome Of Church In The Background
42
Cleopatra And Octavian
43
Odysseus Recognises Achilles Amongst The Daughters Of LycomedesNationalmuseum
44
Unknown Man, Formerly Known As Henry Richard Vassall Fox, 3rd Baron HollandNational Portrait Gallery
45
Portrait Of Count Gustaf Mauritz Armfelt In FlorenceNationalmuseum
46
Portrait Of Elizabeth Holland With His Son
47
La Générosité des dames romaines1790 · Musée Sainte-Croix
48
Ulysse and Nausicaa1798 · Musée Sainte-Croix
49
Rest Of The Holy Family On The Flight Into EgyptMusée Sainte-Croix
Četiri teme, ki se v teh originalih najpogosteje ponavljajo, vsaka z svojim vrhunskim primerom.
8 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Louis Gauffier | Slike iz tega seznama |
|---|---|---|---|
 Musée Sainte-Croix |
Poitiers | 5 | Christ and the Canaanite Woman, Jacob With The Daughters Of Laban, La Générosité des dames romaines |
 Nationalmuseum |
Stockholm | 3 | A Portrait of Johan Claes Lagersvard ), Odysseus Recognises Achilles Amongst The Daughters Of Lycomedes, Portrait Of Count Gustaf Mauritz Armfelt In Florence |
 Musée Fabre |
Montpellier | 3 | Eleven Sample Portraits, Vue sur la vallée de l'Arno à Florence, The Arno Valley - |
 Wadsworth Atheneum |
Hartford | 1 | Portrait of a Lady Seated in a Landscape |
 Minneapolis Institute of Art |
Minneapolis | 1 | Portrait of Dr. Thomas Penrose |
 Scottish National Gallery |
Edinburgh | 1 | Cleopatra and Octavian |
 Narodna galerija Viktorije |
Melbourne | 1 | Andre-francois Miot, Envoy Of The French Republic To The Grand Duke Of Tuscany |
 National Gallery |
London | 1 | Cliff at Vicovaro |
Izberite desetletje, da si ogledate original, ki ga opredeljuje.
The composition centers on a profound encounter between Christ and a Canaanite woman. He is rendered in a blue and white robe, his presence marked by a measured, serene detachment. Below him, the woman kneels in a white garment, her posture one of desperate hope and vulnerability. The interaction is framed by a theatrical grouping of disciples and onlookers, their faces caught in various states of observation and quiet discussion.…
The composition is anchored by two massive fluted Doric columns, creating a shallow, stage-like arena for a moment of profound tension. On the left, a seated woman draped in white and gold holds an infant, her posture suggesting a heavy, grounded sorrow. Beside her, a young boy and a woman in dark robes add to the weight of the scene. To the right, a procession of women approaches, their gestures…
In "Portrait Of An Officer Of The Cisalpine Republic," by Louis Gauffier, a young man commands the viewer's attention through a centered composition. He occupies most of the frame, his presence filling the space with a sense of quiet authority. He wears elaborate 19th-century military attire, an ensemble that speaks clearly of his high status and specific military rank. Every detail of his uniform suggests a life of discipline and…
A Portrait of Johan Claes Lagersvard ) (1756), Nationalmuseum, Stockholm. Zatem sledeta Christ and the Canaanite Woman (1784) in The Canaanite Woman at the Feet of Jesus Christ (1784).
A Portrait of Johan Claes Lagersvard ), Christ and the Canaanite Woman, The Canaanite Woman at the Feet of Jesus Christ, Roman Ladies Supplicating the Family of Coriolanus, Portrait of a Lady Seated in a Landscape, Self-portrait by Louis Gauffier with his wife and his two children, Eleven Sample Portraits, Portrait of Dr. Thomas Penrose, Portrait Of An Officer Of The Cisalpine Republic, in Cleopatra and Octavian. Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.
Naš katalog vsebuje 50 del avtorja Louis Gauffier, datiranih od 1784 do 1801.
Večini v Musée Sainte-Croix (Poitiers), Nationalmuseum (Stockholm) in Musée Fabre (Montpellier). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
V obdobju 1790s: 9 od 49 del na tej strani je bilo izdelovanih takrat, med njimi pa Roman Ladies Supplicating the Family of Coriolanus.
Na tej strani je najstarejše delo iz Christ and the Canaanite Woman (1784) in najstarejše iz Portrait Of An Officer Of The Cisalpine Republic, (1801).
Portraits (10), Man (6) in Woman (6), na 49 delih na tej strani.
Oil, za 5 od 49 del na tej strani.
Neoclassicism, glede na originala na tej strani.
Christ and the Canaanite Woman, Jacob With The Daughters Of Laban in La Générosité des dames romaines: v muzeju Musée Sainte-Croix, Poitiers se nahaja 5 del z te strani.
Louis Gauffierovo življenje je bilo ganjivo tapiserijo, utkano iz niti klasične veličastnosti in turbulentnih realij kontinente v prevratu. Rodjen leta 1762 v mirnem francoskem mestu Poitiers, so njegove zgodnje leta opredelila vztrajna težnja po odličnosti pod budno oko cenjenega zgodovinskega slikarja Huguesa Taravala. Ta temeljita izobrazba v Parizu je v njem vzpostavila globoko spoštovanje do klasične kompozicije in natančno opazovanje detajlov – vrlin, ki mu bodo kasneje omogočile zajeti tako epsko razmera bibličnih pripovestij kot tudi intimne nuanse človeškega obraza. Njegov vzpon je bil hiter; s zmagovanjem na prestižnem Prix de Rome leta 1779 z njegovim odmevnim delom, Krist in žene iz Kanaana, je Gauffier zagotovil svojo pot v Italijo, kar bi nezastrljivo spremenilo pot njegove duše in njegove črte.
Ko se je uštiril v živahno umetniško vzdušje Rima, se je Gauffier znašel na stičišču antike in modernosti. Vpliv osebnosti, kot je Thomas Hope, z immensely širokim okusom zbiratelja, je razširil njegove umetniške horizonte dlje od same imitacije preteklosti. Skozi takšne srečanja je Gaufforestovo delo začelo absorbirati teksture antične dekoracije in eleganco klasičnih motivov. Vendar pa so vetrovi francijske revolucije prinesli ledeno nestabilnost. Izvršitev Ludvika XVI. in poslednji politični treslci so Gauffierja prisilili v življenje v izlasku. Bežeč pred eskalacijami napetosti v Parizu, sta on in njegova žena, talentirana slikarica Pauline Chatillon, poiskala zatočišče v Florenci. Ta obdobje izselitve, čeprav polno osebne negotovosti, je postalo krpel, v katerem se je utripil njegov najbolj trajen slog.
V sončnimi krajah Toskane je Gauffier našel zatočišče, ki ga politične moteže niso lahko prizadle. Zaradi oznake kraljovca mu je bila onemogočena tradicionalna francoska patronska skrb, zato se je od velikostne, pogosto zahtevne scene zgodovinskega slikarstva premaknil k spokojnemu in trajnemu čaru naravnega sveta. Ta prehod ni bil le taktik preživetja, temve vsem umetniška evolucija. Začel je ustvarjati pejzaže, ki so globoko odmevali v občutkih angleških turistov, ki so prehajali kontinent, saj je zajemal eterično svetlobo in pastoralno mirnost italijanske podeželja. Njegova platna so postala okna v svet miru, zaznamovan z mojstrovskim vladanjem barv in svetlobnostjo, ki spominja na velikega Claudea Lorraina.
Njegove pozne leta v Italiji so prikazala fascinantno slogsko dvojnost. Medtem ko so njegovi pejzaži ponujali oddih od kaosa napoleonske dobe, je prihod francoskih vojsk v Florenci leta 1799 spodbudil vrnitev k človeški figuri skozi portretiranje. Postal je iskan slikar častnikov, ki je zajemal vojaško eleganco in subtilno psihološko globino tistih, postavljenih v Italijo. To obdobje njegovega dela prikazuje izjemno vsestranost:
Čeprav je bilo njegovo življenje skrajšano leta 1801 v Livornu, je Louis Gauffier za seboj pustil dediščino, ki presega zgolj dokumentacijo turbulentne dobe. Ostaja vitalna vez v verigi neoklasične umetnosti, ki predstavlja most med formalnimi akademskimi tradicijami konca 18. stoletja v Franciji in romantičnimi, svetlobo prepojenimi pejzaži italijanske tradicije. Njegova sposobnost, da najde lepoto sredi izselitve – da potrebo po izlasku spremeni v priložnost za slogski ponovni roj – služi kot dokaz odpornosti ustvarjalnega duha. Danes njegova dela stoji kot tihi priča izginjega sveta in vabi sodobne gledalce, da doživijo isti občutek čudenosti in miru, ki je nekoč vodil njegovo čreto skozi toskanske ravni.
