Portret Karel Emmanuel Biset

3 najbolj znanih slik umetnika Karel Emmanuel Biset, galerijska izbira

Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 3 del v našem katalogu avtorja Karel Emmanuel Biset

Kratek opis

Med vsemi originali, ki jih je pustil Karel Emmanuel Biset, je najbolj znan Portrait of a Musician (1650), ki se nahaja v kolekciji Ermitaž, Sankt Peterburg. Takoj za njima sta The fall of the damned in hell (1670) in Trictrac Players (1679). Naš katalog vsebuje 3 del umetnika Karel Emmanuel Biset; galerija je ohranila 3 del, ki jih svet najbolj oboževa, odlikovanih z datumom nastanka, pripadajočim muzajem in zgodbojo.

1633 – 1707, Mechelen Največ del: Ermitaž

10 najboljših slik umetnika Karel Emmanuel Biset: izbira galerije

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Portrait of a Musician (1650) avtorja Karel Emmanuel Biset

Portrait of a Musician

1650 · Oil On Canvas · Ermitaž, Sankt Peterburg

The artwork titled Portrait of a Musician is an oil on canvas painting by the Flemish artist Karel Emmanuel Biset. This work originated in Flanders and is dated to between 1648 and 1693. The piece is currently held within the collection of the Hermitage Museum in St. Petersburg.

Muzeji, ki hranijo originala umetnika Karel Emmanuel Biset

3 muzejev, ki vsebujo največ slik na tej strani.

Muzej Mesto Sloga Karel Emmanuel Biset Slike iz tega seznama
Ermitaž, Sankt PeterburgErmitaž Sankt Peterburg 1 Portrait of a Musician
Musée des Beaux-Arts de Quimper, QuimperMusée des Beaux-Arts de Quimper Quimper 1 The fall of the damned in hell
Statens Museum For Kunst, KopenhagenStatens Museum For Kunst Kopenhagen 1 Trictrac Players

Karel Emmanuel Biset leta za letom: originali, ki definira vsako obdobje

Od 1650 do 1679 je Karel Emmanuel Biset delal 30 let: izborka sledi tej dolgi karieri leta za letom, skozi njegova najlepša originalna dela.

Delo po letih

Izberite leto in oglej originale.

Vprašanja zbirateljev o slikah umetnika Karel Emmanuel Biset

Za katero delo je Karel Emmanuel Biset najbolj znan/a?Razkriti odgovor

Portrait of a Musician (1650), Ermitaž, Sankt Peterburg. Zatem sledeta The fall of the damned in hell (1670) in Trictrac Players (1679).

Koliko je bil Karel Emmanuel Biset let, ko je nastalo delo Portrait of a Musician?Razkriti odgovor

17 let: delo Portrait of a Musician iz leta 1650, Karel Emmanuel Biset pa je bil/a rojen/a leta 1633.

Koliko slik je pustil Karel Emmanuel Biset?Razkriti odgovor

Naš katalog vsebuje 3 del avtorja Karel Emmanuel Biset, datiranih od 1650 do 1679.

V katerih muzejih so razložena remek dela umetnika Karel Emmanuel Biset?Razkriti odgovor

Večini v Ermitaž (Sankt Peterburg), Musée des Beaux-Arts de Quimper (Quimper) in Statens Museum For Kunst (Kopenhagen). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.

Kakšna sta prva in zadnja znana originala umetnika Karel Emmanuel Biset?Razkriti odgovor

Na tej strani je najstarejše delo iz Portrait of a Musician (1650) in najstarejše iz Trictrac Players (1679).

Karel Emmanuel Biset: življenje in delo

The Life and Career of Karel Emmanuel Biset

Born in Mechelen, Belgium, Karel Emmanuel Biset was a versatile Flemish painter whose career spanned several major cities. Following his training, likely under his father, Joris Biset, he worked in Mechelen before moving to Paris, where he is presumed to have worked for the court. His professional journey continued through Brussels and Antwerp, where he became a master in the Guild of Saint Luke in 1662. During his time in Antwerp, he served as a lieutenant in the local civil militia and held the position of dean of the guild and director of the academy. His later years saw him settling in Breda, where he remained until his death.

Artistic Range and Collaborations

Biset was a highly diverse artist, producing works across many genres including:

In the tradition of Antwerp, Biset frequently collaborated with other specialists. He worked alongside landscape painters such as Philips Augustijn Immenraet and Cornelis Huysmans, and the architecture painter Wilhelm Schubert van Ehrenberg. His works were highly regarded in his time, earning him recognition in the biographies of Cornelis de Bie and Jacob Campo Weyerman.