Posodobljeno oktober 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 27 del v našem katalogu avtorja Gaspare Diziani
Kratek opis
Med vsemi originali, ki jih je pustil Gaspare Diziani, je najbolj znan Dawn (1738), ki se nahaja v kolekciji Metropolitanski muzej umetnosti, New York. Takoj za njima sta Laying Venus (1714) in The Family of Darius before Alexander the Great (1728). Naš katalog vsebuje 27 del umetnika Gaspare Diziani; galerija je ohranila 27 del, ki jih svet najbolj oboževa, odlikovanih z datumom nastanka, pripadajočim muzajem in zgodbojo.
Gaspare Diziani’s Dawn is an oil on canvas ceiling decoration created in 1738. The work functions as an allegorical representation of the morning, designed to crown the interior of a room. In this composition, the central figure of Dawn is surrounded by several cherubic putti. To the left, three putti engage in playful activities, including the carrying of a basket overflowing with flowers and foliage. On the right, a single…
Christ before Pilate1757 · Gemäldegalerie
12
The Assumption of the Virgin1737 · Los Angeles County Museum of Art
13
Adoration of the Magi1718 · Muzej lepih umetnosti
14
The arming of Erminia1738 · Narodni muzej za umetnost, arhitekturo in dizajn
15
Adoration of the Shepherds1755
16
Adoration of the Magi1755 · Muzej lepih umetnosti
17
The Adoration of the Lamb. StudyNationalmuseum
18
Allegory with Apollo, Chronos and four ContinentsNarodna galerija v Pragi
19
Girl holding flowersCa' Rezzonico – Museum of the 18th Century Venice
20
DanaéMusée de Grenoble
21
The martyrdom of sts felix and fortunatus
22
Interior with MonkeysJohn and Mable Ringling Museum of Art
23
Finding of Moses
24
The Family of Darius before Alexander the Great
25
Abraham and Three AngelsNarodni muzej v Krakovu
26
The Adoration of the MagiRijksmuseum
27
Olympus (plafond)1750 · Ermitaž
Četiri teme, ki se v teh originalih najpogosteje ponavljajo, vsaka z svojim vrhunskim primerom.
8 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Gaspare Diziani | Slike iz tega seznama |
|---|---|---|---|
 Bavarske državne slikopisne zbirke |
München | 3 | The Family of Darius before Alexander the Great, Joseph Is Sold by His Brothers, Joseph Interprets the Dreams of Pharaoh |
 Statens Museum For Kunst |
Kopenhagen | 2 | Monk, Praying Monk |
 Nationalmuseum |
Stockholm | 2 | The Family of Darius Pleading to Alexander, The Adoration of the Lamb. Study |
 Muzej lepih umetnosti |
Budimpešta | 2 | Adoration of the Magi, Adoration of the Magi |
 Metropolitanski muzej umetnosti |
New York | 1 | Dawn |
 Narodni muzej v Varšavi |
Varšava | 1 | Moses trampling on the Pharaoh’s crown |
 Gemäldegalerie |
Berlin | 1 | Christ before Pilate |
 Los Angeles County Museum of Art |
Los Angeles | 1 | The Assumption of the Virgin |
Izberite desetletje, da si ogledate original, ki ga opredeljuje.
Gaspare Diziani’s Dawn is an oil on canvas ceiling decoration created in 1738. The work functions as an allegorical representation of the morning, designed to crown the interior of a room. In this composition, the central figure of Dawn is surrounded by several cherubic putti. To the left, three putti engage in playful activities, including the carrying of a basket overflowing with flowers and foliage. On the right, a single…
Dawn (1738), Metropolitanski muzej umetnosti, New York. Zatem sledeta Laying Venus (1714) in The Family of Darius before Alexander the Great (1728).
49 let: delo Dawn iz leta 1738, Gaspare Diziani pa je bil/a rojen/a leta 1689.
Dawn, Laying Venus, The Family of Darius before Alexander the Great, Monk, Praying Monk, Moses trampling on the Pharaoh’s crown, Joseph Is Sold by His Brothers, Joseph Interprets the Dreams of Pharaoh, The Family of Darius Pleading to Alexander in sketch for a plafond - painting. Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.
Naš katalog vsebuje 27 del avtorja Gaspare Diziani, datiranih od 1714 do 1757.
Večini v Bavarske državne slikopisne zbirke (München), Statens Museum For Kunst (Kopenhagen) in Nationalmuseum (Stockholm). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
V obdobju 1750s: 7 od 27 del na tej strani je bilo izdelovanih takrat, med njimi pa Joseph Is Sold by His Brothers.
Na tej strani je najstarejše delo iz Laying Venus (1714) in najstarejše iz Christ before Pilate (1757).
Religious (4), Woman (2) in Clouds (2), na 27 delih na tej strani.
Oil, za 2 od 27 del na tej strani.
The Family of Darius before Alexander the Great, Joseph Is Sold by His Brothers in Joseph Interprets the Dreams of Pharaoh: v muzeju Bavarske državne slikopisne zbirke, München se nahaja 3 del z te strani.
In the luminous era of the late Baroque and the burgeoning Rococo, Gaspare Diziani emerged as a painter of profound technical assurance and dramatic flair. Born in the serene town of Belluno, Italy, his artistic journey began under the guidance of Antonio Lazzarini, a foundation that would eventually lead him to the heart of the Venetian art world. As he moved toward Venice, Diziani immersed himself in the prestigious studios of Gregorio Lazzarini and the influential Sebastiano Ricci. These early mentors provided him with the tools to master the sweeping movements and emotional depth characteristic of his era, allowing him to develop a style that resonated with both religious fervor and aristocratic elegance.
Diziani’s career was marked by a remarkable ability to navigate the shifting tides of 18th-century aesthetics. While his work shared the stage with contemporaries like Giambattista Tiepolo, Diziani carved out a unique space through his versatility and command over both canvas and fresco. His early period, spanning roughly between 1710 and 1720, saw him contributing significant works to sacred spaces, such as the Mary Magdalene for the church of Santo Stefano in Belluno and the Entry into Jerusalem for San Teodoro in Venice. These religious commissions allowed him to explore the interplay of light and shadow, a hallmark of the late Baroque that would later soften into the more delicate, ornamental textures of the Rococo.
The breadth of Diziani’s influence extended far beyond the borders of the Republic of Venice. His reputation for excellence carried him to the courts of Dresden and Munich, demonstrating a reach that transcended local boundaries and touched the great cultural centers of Europe. This international presence is perhaps best exemplified by the sheer scale of his ambition; one of his most monumental achievements remains the largest painting housed within the Hermitage Museum in St. Petersburg, a testament to his ability to command vast, immersive spaces.
Beyond his grand canvases, Diziani’s artistry was deeply rooted in the decorative traditions of his time. His skill in fresco painting is evident in his work on the Life of Saint Helena at the Scuola del Vin, where he transformed architectural surfaces into narrative windows of spiritual intensity. Whether working on a small-scale preparatory sketch or a massive ceiling piece, his hand was characterized by a certain celerity and technical confidence that captured the very essence of the Rococo spirit—a blend of grace, movement, and light.
The enduring significance of Gaspare Diziani lies in his role as a bridge between eras. He successfully synthesized the dramatic tension of the Baroque with the airy, ornamental beauty of the Rococo, leaving behind a body of work that continues to fascinate scholars and art lovers alike. Through his mastery of color and composition, he helped define the visual language of an age of splendor.
