Aktualizované október 2026 · zoradené podľa našej miery popularity (vyhľadávanie, návštevy a objednávky pre každou prácu) · 56 dielov umelca Sassetta v našom katalógu
In short
Madonna of Humility (1432) is the Sassetta painting that draws the most eyes; the original belongs to the Staatliche Museen zu Berlin, Berlín. After it, the eye goes to Virgin with Child and Four Saints (detail) (1435) and Saint Francis and the Poor Knight, and Francis's Vision (1437). Among the 56 works of Sassetta in our catalog, these 56 are the most famous, each a unique original presented with its year, its museum and the reason it endures.
In the quiet sanctity of the early fifteenth century, few images capture the profound intimacy of the divine as gracefully as Sassetta’s Madonna of Humility. Painted around 1432, this masterpiece serves as a breathtaking window into a period where the ethereal meets the earthly. The composition centers on the Virgin Mary, not seated upon a distant, golden throne, but nestled in a posture of profound humility that defines her very…
The panel titled Saint Francis and the Poor Knight, and Francis's Vision emerges from the hand of the artist Sassetta. Created about 1437, this work exists as the first of eight distinct paintings that once formed the back of a large, richly coloured and elaborate altarpiece. It belongs to the larger San Sepolcro Altarpiece, a significant assembly of devotional imagery.
The work is titled The Funeral of Saint Francis and Verification of the Stigmata. It was executed by the artist Sassetta (Stefano Di Giovanni) between 1437 and 1444. This panel functions as the final movement in a larger narrative cycle, serving as the eighth and concluding scene in a series of eight depictions of the life of Saint Francis.
The Agony in the Garden is a poignant and spiritually charged tempera painting from the Early Renaissance period. The composition depicts the biblical scene of Christ's agony in the Garden of Gethsemane, set against a dark, star-studded nocturnal sky and a landscape of rolling hills and a winding path. In the foreground, several apostles are shown in various states of deep sleep, their bodies slumped and heads bowed in a…
The work titled Saint Francis before the Sultan is a creation of the artist Sassetta. It emerged from the studio between 1437 and 1444. This panel was originally conceived as part of the San Sepolcro Altarpiece, a large and complex structure commissioned for the Franciscans of Borgo Sansepolcro, Italy. The piece functioned as part of a double-sided polyptych, a structural arrangement that allowed the sacred narrative to unfold on both…
This tempera on poplar panel, dating to c. 1435, presents a solitary figure of Saint Margaret against a shimmering gold ground. The composition is vertical and centered, emphasizing a sense of stillness and spiritual focus. She is draped in a heavy, dark mantle over a deep crimson tunic, her head tilted with a gentle, serene expression. At her feet, a dark, dragon-like creature is visible, a symbolic representation of her…
In this vertical composition, Sassetta presents Saint Apollonia as a single, centered figure. The saint is positioned against a flat, decorative gold background that emphasizes her presence through a sense of divine stillness. Her expression remains calm and contemplative, a quietude that contrasts with the heavy symbolism of her attributes. She holds the pincers used in her martyrdom, a specific detail that identifies her within the religious tradition. This object,…
St. Nicholas of Bari1430
12
Madonna of the Snow Altarpiece1432
13
St Anthony the Hermit Tortured by the Devils1423
14
The Ecstasy of St Francis (detail)1437 · Villa i Tatti
15
The Procession to Calvary1441 · Detroit Institute of Arts
16
The Betrayal of Christ1437 · Detroit Institute of Arts
17
Madonna of Humility1437 · National Gallery of Art
18
St. Anthony of Padua1450
19
Madonna and Child with Angels1437
20
St Matthew1437 · Collezione Vittorio Cini
21
Assumption of Mary with Angel Choirs1450 · Gemäldegalerie
22
The Wolf of Gubbio1450 · National Gallery
23
Virgin of Humility1440 · Collezione Vittorio Cini
24
St Thomas Inspired by the Dove of the Holy Ghost1423 · Szépművészeti Múzeum
25
Damnation of the Soul of the Miser of Citerna1437 · Louvre
26
The Ecstasy of St Francis1437 · Villa i Tatti
27
St Thomas Inspired by the Dove of the Holy Ghost1423 · Szépművészeti Múzeum
28
St Thomas Inspired by the Dove of the Holy Ghost (detail)1423 · Szépművészeti Múzeum
29
St Thomas Inspired by the Dove of the Holy Ghost (detail)1423 · Szépművészeti Múzeum
30
Miracle of the Eucharist1423 · Bowes Museum
31
Death of the Heretic on the Bonfire1423 · National Gallery of Victoria
32
St Jerome (detail)1423 · Pinacoteca Nazionale
33
Founding of Santa Maria Maggiore1430
34
The mystical marriage of Saint Francis of Assisi1444
35
The Annunciation "1435 · Metropolitné múzeum umenia
36
Virgin with Child and Four Saints (detail)1435 · Museo Diocesano
37
The Stigmatisation of St Francis1437 · National Gallery
38
The Blessed Ranieri Frees the Poor from a Prison in Florence1437 · Louvre
39
Virgin with Child and Four Saints (detail)1435 · Museo Diocesano
40
Virgin and Child with Saints1437 · Louvre
41
The Blessed Ranieri Frees the Poor from a Jail in Florence1444 · Louvre
42
St Thomas Before the Cross1423 · Vatikánska Pinacoteca
43
The Blessed Raniero of Borgo San Sepolcro Appearing to a Cardinal in a Dream1444 · Staatliche Museen zu Berlin
44
St. Francis Kneeling before Christ on the CrossCleveland Museum of Art
45
The Last Supper1423 · Pinacoteca Nazionale
46
St Anthony the Hermit Tortured by the Devils1423 · Pinacoteca Nazionale
47
St Thomas Inspired by the Dove of the Holy Ghost (detail)1423 · Szépművészeti Múzeum
48
Madonna and Child with AngelsMetropolitné múzeum umenia
49
The Annunciation
50
The Meeting of St. Anthony and St. PaulNational Gallery of Art
51
The Journey of the Magi1435 · Metropolitné múzeum umenia
52
Marriage of St Francis to Lady Poverty1437 · Musée Condé
53
Saint Francis renounces his Earthly Father1437 · National Gallery
54
St. Anthony Beaten by Devils1423 · Pinacoteca Nazionale
55
Madonna of Humility with Four Saints1435 · Museo Diocesano
56
The Virgin and Child with Saints1430 · Galleria degli Uffizi
The four subjects that come back most often in these originals, each with its finest example.
8 múzeá, v ktorých sa nachádza najviac obrazov z tejto stránky.
| Múzeá | Mesto | Diela umelca Sassetta | Obrazy z tohto zoznamu |
|---|---|---|---|
 National Gallery |
Londýn | 6 | Saint Francis and the Poor Knight, and Francis's Vision, The Funeral of Saint Francis, Saint Francis before the Sultan |
 Szépművészeti Múzeum |
Budapešť | 5 | St Thomas Inspired by the Dove of the Holy Ghost, St Thomas Inspired by the Dove of the Holy Ghost, St Thomas Inspired by the Dove of the Holy Ghost (detail) |
 Museo Diocesano |
Cortona | 4 | Virgin with Child and Four Saints (detail), Virgin with Child and Four Saints (detail), Virgin with Child and Four Saints (detail) |
 National Gallery of Art |
Washington | 4 | Saint Margaret, Saint Apollonia, Madonna of Humility |
 Louvre |
Paríž | 4 | Damnation of the Soul of the Miser of Citerna, The Blessed Ranieri Frees the Poor from a Prison in Florence, Virgin and Child with Saints |
 Pinacoteca Nazionale |
Siena | 4 | St Jerome (detail), The Last Supper, St Anthony the Hermit Tortured by the Devils |
 Detroit Institute of Arts |
Detroit | 3 | The Agony in the Garden, The Procession to Calvary, The Betrayal of Christ |
 Metropolitné múzeum umenia |
New York | 3 | The Annunciation ", Madonna and Child with Angels, The Journey of the Magi |
Pick a decade to see the original that defines it.
In the quiet sanctity of the early fifteenth century, few images capture the profound intimacy of the divine as gracefully as Sassetta’s Madonna of Humility. Painted around 1432, this masterpiece serves as a breathtaking window into a period where the ethereal meets the earthly. The composition centers on the Virgin Mary, not seated upon a distant, golden throne, but nestled in a posture of profound humility that defines her very…
The work is titled The Funeral of Saint Francis and Verification of the Stigmata. It was executed by the artist Sassetta (Stefano Di Giovanni) between 1437 and 1444. This panel functions as the final movement in a larger narrative cycle, serving as the eighth and concluding scene in a series of eight depictions of the life of Saint Francis.
The work titled Saint Francis before the Sultan is a creation of the artist Sassetta. It emerged from the studio between 1437 and 1444. This panel was originally conceived as part of the San Sepolcro Altarpiece, a large and complex structure commissioned for the Franciscans of Borgo Sansepolcro, Italy. The piece functioned as part of a double-sided polyptych, a structural arrangement that allowed the sacred narrative to unfold on both…
Madonna of Humility (1432), Staatliche Museen zu Berlin, Berlín. Virgin with Child and Four Saints (detail) (1435) and Saint Francis and the Poor Knight, and Francis's Vision (1437) come next.
40 years old: Madonna of Humility dates from 1432, and Sassetta was born in 1392.
Madonna of Humility, Virgin with Child and Four Saints (detail), Saint Francis and the Poor Knight, and Francis's Vision, The Funeral of Saint Francis, The Agony in the Garden, Saint Francis before the Sultan, Saint John the Evangelist, The burning of a heretic, Saint Margaret a Saint Apollonia. The ranking above gives each one's year and museum.
Our catalog holds 56 works by Sassetta, dated from 1412 to 1450.
Mostly in National Gallery (Londýn), Szépművészeti Múzeum (Budapešť) a Museo Diocesano (Cortona). The museum table above lists them all.
In 1430s: 27 of the 56 works on this page were made then, Madonna of Humility among them.
On this page, the earliest is Saint John the Evangelist (1412) and the latest Saint Francis before the Sultan (1450).
People (7), Saints (6) a Religious scene (6), across the 56 works on this page.
Tempera On Panel, for 16 of the 56 works on this page.
Early renaissance, judging by the originals on this page.
Saint Francis and the Poor Knight, and Francis's Vision, The Funeral of Saint Francis a Saint Francis before the Sultan: the National Gallery, Londýn holds 6 of the works on this page.
Yes, as a reproduction: the original stays in its museum, but any painting on this page can be painted by hand for you, made to order one at a time, from the painting's own page.
V svetlom ére talianskeho Quattrocenta vyvoláva len málo mien tak dojímavú predstavu jemného prechodu od stredoveku k modernému svetu, ako je Stefano di Giovanni, históriou známy pod krajším menom Sassetta. Ako kľúčová postava sienskej školy jeho umenie predstavuje hlboký most medzi dekoratívnou eleganciou neskorogotickej éry a rodiacim sa realizmom renesancie. Hoci presné počiatky jeho života zostávajú skryté v hmle času – pričom učenci stále debatujú, či sa narodil v Siene alebo možno v Cortone – jeho prítomnosť v toskánskej krajine je nepoprchateľná. Jeho dielo nesie rytmickú, lyrickú dušu Sieny, no zároveň dýcha novou, pozorovavou vitalitou, ktorá naznačuje umelca hlboko zapojeného do meniaceich sa vĺn jeho doby.
Sassettova tvorivá cesta bola cestou sofistikovanej syntézy. Ovládal vzácnu schopnosť ctiť tradičný siensky štýl – charakterizovaný zložitými detailmi a duchovnou hĺbkou – a zároveň vstrebávať revolučné inovácie prichádzajúce z Florencie. Vplyv majstrov ako Masaccio, Masolino a Gentile da Fabriano je cítiť v jeho postupujúcom ovládnutí priestorových vzťahov a využívaní svetla. Tieto nové techniky nekopíroval jednoducho; skôr ich integroval, aby svojim postavám dodal naturalistický žiar, čo umožnilo svetlu presvedčivo formovať ich tvary a vytvárať pocit jednotného, dýchajúceho priestoru v rámci jeho kompozícií.
Sassettovo dielo je svedectvom o jeho majstrovstve v naratívnej maľbe, kde každý ťah štetcom slúži vyššiemu duchovnému účelu. Jeho práce často fungujú ako okná do božského, pričom využívajú sofistikovanú paletu farieb a rytmické kompozície na vedenie diváka skrze sväté histórie. V majstrovských dielach, akým je Večera Pána, demonštruje mimoriadne nadanie v zachytávaní komplexných emocionálnych stavov, pričom využíva zemité tóny a starostlivú perspektívu na to, aby hlboký náboženský príbeh zakotvil do uchopiteľnej, vážnej reality. Jeho schopnosť vyvážiť ornamentálnu krásu gotickej tradície s rodiacim sa pocitom ľudského dramatu robí jeho tabule jedinečne pútavými.
Okrem intímneho rozsahu jeho menších panelov dosiahol Sassetta veľkú slávu aj prostredníctvom významných oltárov a polyptychov, ktoré definovali náboženskú krajinu svojej doby. Medzi jeho najvýznamnejšie umelecké úspechy patria:
Historický význam Sassetty spočíva v jeho úlohe strážcu aj inovátora. Zaisťil, aby jedinečná identita sienskej školy nezmizla pred tvárou florentínskej dominance, ale namiesto toho sa vyvinula a zahrnula nový jazyk realismu a hĺbky. Jeho maľby nie sú len relikviami uplynutej éry; sú to živé dialógy medzi starým svetom a novým. Prostredníctvom jemného spracovania svetla, majstrovstva v symbolickej ikonografii a hlbokej empatie k svojim predmetom zanechal Sassetta nezmazateľnú stopu v histórii talianskeho umenia a zabezpečil si svoje miesto ako jedného z najdôležitejších predstaviteľov sienskej renesancie.
