Portrét Mary Bealová

Obrazy umelca Mary Bealová: 64 najznámejších výtvarných diel prostretých pohľadom galérie

Aktualizované november 2026 · zoradené podľa našej miery popularity (vyhľadávanie, návštevy a objednávky pre každou prácu) · 65 dielov umelca Mary Bealová v našom katalógu

Stručne povedané

Z hľadiska galérie je najznámejším obrazom umelca Mary Bealová dielo King Charles II (1675), ktorého originál visí v National Portrait Gallery v meste Londýn. Bartholomew Beale (1663) a Portrait of a lady (1680) dopĺňajú trojicu, ktorú pozná každé oko. Z 65 diel umelca Mary Bealová v našom katalógu prezentuje galéria nižšie 64 najznámejších, z ktorých je každá originál s uvedeným rokom vzniku, múzeom a unikátnosťou.

1633 – 1699, Suffolk Baroque Najviac diel: National Portrait Gallery

Top 10 obrazov umelca Mary Bealová v galérii

1
King Charles II (1675) od Mary Bealová

King Charles II

1675 · Oil On Canvas · National Portrait Gallery, Londýn

The monarch emerges from a deep, shadowy void, his presence commanding the space within an oval frame. King Charles II gazes outward with a somber, regal expression that suggests the heavy weight of sovereignty. Light sweeps in from the upper left, catching the high ridge of his cheekbone and the delicate, intricate folds of a white lace cravat. This directional glow carves his features out of the darkness, creating a…

2
Bartholomew Beale (1663) od Mary Bealová

Bartholomew Beale

1663 · Oil On Paper · Yale Center for British Art, New Haven

A young boy gazes out from the canvas, his eyes wide and filled with a quiet, thoughtful intensity. He sits slightly off-center, his small form bathed in a soft, directional light that spills from the upper left, casting gentle shadows across the right side of his face. This light creates a sense of three-dimensional volume, making his youthful features feel tangible and present. His hair, a halo of light brown…

3
Portrait of a lady (1680) od Mary Bealová

Portrait of a lady

1680 · Oil On Canvas · National Gallery of Victoria, Melbourne

Mary Beale produced this oil on canvas, titled Portrait of a lady, around 1680. The work measures 76.5 × 63.7 cm. It represents a significant example of the artist's professional output during the late seventeenth century.

4
Viscountess Frances Hatton (1664) od Mary Bealová

Viscountess Frances Hatton

1664 · Oil On Canvas · Smithsonian American Art Museum, Washington, D.C.

In this close-up portrait of Viscountess Frances Hatton by Mary Beale, the subject is positioned in a three-quarter view. The figure is contained within a painted trompe l'oeil oval frame that sits against a background of deep, dark umber and black. This dark backdrop creates a sharp contrast with the subject, focusing the viewer's attention on the sitter. The color palette is dominated by warm, muted tones, specifically ochre, gold,…

6
Bartholomew Beale, in Profile (1660) od Mary Bealová

Bartholomew Beale, in Profile

1660 · Oil On Paper · Tate Britain, Londýn

In this intimate Baroque oil on paper painting, titled Bartholomew Beale, in Profile, the artist Mary Beale turns her gaze toward a young boy. The work emerges from the year 1660, capturing a fleeting moment of childhood through a side view that emphasizes the soft contours of a small face. This portrait offers a quiet glimpse into the artist's private sphere, as the subject is her own son.

7
An Unknown Man, called John Milton (1608-1674) (1660) od Mary Bealová

An Unknown Man, called John Milton (1608-1674)

1660 · Oil · Nostell Priory, Wakefield

In this 1660 portrait, we encounter a man captured in a moment of profound contemplation. The subject is presented in a three-quarter view, framed by an illusionistic painted oval that lends a sense of depth to the composition. There is a certain gravity to his presence, an intellectual weight that seems to emanate from his calm expression. The lighting is deliberate, employing a chiaroscuro technique that pulls the face and…

8
Portrait of a woman with a black hood (1660) od Mary Bealová

Portrait of a woman with a black hood

1660 · Oil On Canvas · National Museum of Women in the Arts, Washington, D.C.

The gaze of a single female figure meets the viewer in Portrait of a woman with a black hood, an oil work created by Mary Beale in 1660. This portrait captures a moment of quietude, presenting the subject in a bust-length view that feels immediate and personal. The woman appears framed within an oval-shaped trompe l'oeil effect, a visual device that creates the illusion of a window into her private…

9
Sir Courtenay Pole, 2nd Bt, MP (1618/19–1695) (1670) od Mary Bealová

Sir Courtenay Pole, 2nd Bt, MP (1618/19–1695)

1670 · Oil On Canvas · Antony House

This portrait depicts Sir Courtenay Pole, 2nd Bt, MP (1618/19–1695). The subject is rendered in a bust-length composition, presented within an illusionistic painted oval frame that creates a trompe l'oeil effect. The sitter is shown in military attire, specifically wearing a polished steel cuirass and a white cravat. The work is an oil on canvas painting executed by the artist Mary Beale.

10
Self-Portrait Holding a Palette (1670) od Mary Bealová

Self-Portrait Holding a Palette

1670 · Oil On Canvas

Mary Beale's Self-Portrait Holding a Palette, executed about 1670, presents a formal and dignified three-quarter length portrait. The subject is a woman, identified as the artist herself, seated and turned slightly toward the viewer. She holds an artist's palette in one hand and a fine brush in the other, establishing her professional identity through these symbolic attributes.

Obrazy umelca Mary Bealová, usporiadané od 11 do 64

11Jan Baptist Van Helmont (not Robert Hooke) (1674) od Mary BealováJan Baptist Van Helmont (not Robert Hooke)1674 12Lady Sadleir (1687) od Mary BealováLady Sadleir1687 · Sutton House 13Sir Edwyn Sadleir, 2nd Baronet of Temple Dinsey (1656-1719) (1687) od Mary BealováSir Edwyn Sadleir, 2nd Baronet of Temple Dinsey (1656-1719)1687 · Sutton House 14Lady Elizabeth Percy, Countess of Ogle, later Duchess of Somerset (1667-1722) and Algernon, later 7th Duke of Somerset (1684 - 1750) as 'Madonna and Child' (after Van Dyck) (1685) od Mary BealováLady Elizabeth Percy, Countess of Ogle, later Duchess of Somerset (1667-1722) and Algernon, later 7th Duke of Somerset (1684 - 1750) as 'Madonna and Child' (after Van Dyck)1685 · Petworth House 15An Unknown Man (1676) od Mary BealováAn Unknown Man1676 · Dunster Castle 16Possibly Mary Morice, Lady Carew  (d. 1698) (1687) od Mary BealováPossibly Mary Morice, Lady Carew (d. 1698)1687 · Antony House 17Rachel Carew, Mrs Ambrose Manaton (1669–1705) (1684) od Mary BealováRachel Carew, Mrs Ambrose Manaton (1669–1705)1684 · Antony House 18Portrait of a Young Girl (1681) od Mary BealováPortrait of a Young Girl1681 19Charles Beale the Younger (1680) od Mary BealováCharles Beale the Younger1680 20Self-Portrait (1675) od Mary BealováSelf-Portrait1675 21Portrait of Nell Gwyl (1697) od Mary BealováPortrait of Nell Gwyl1697 22The Reverend William Cremer (1663/4-1736) (1692) od Mary BealováThe Reverend William Cremer (1663/4-1736)1692 · Felbrigg Hall 23Untitled 2 od Mary BealováUntitled 2 24Portrait of a Physician od Mary BealováPortrait of a PhysicianDulwich Picture Gallery 25Portrait of a Mathematician od Mary BealováPortrait of a Mathematician 26Mary Wither of Andwell (1670) od Mary BealováMary Wither of Andwell1670 · Art Gallery of South Australia 27Anna Maria, Countess of Shrewsbury (1642–1702) (1659) od Mary BealováAnna Maria, Countess of Shrewsbury (1642–1702)1659 28Master Child, one of the Sons of Sir Francis Child the Elder (1642-1713) (1687) od Mary BealováMaster Child, one of the Sons of Sir Francis Child the Elder (1642-1713)1687 · Osterley Park And House 29Master Child, one of the Sons of Sir Francis Child the Elder (1642-1713) (1687) od Mary BealováMaster Child, one of the Sons of Sir Francis Child the Elder (1642-1713)1687 · Osterley Park And House 30An Unknown Gentleman (believed to be a Member of the Williams Family) od Mary BealováAn Unknown Gentleman (believed to be a Member of the Williams Family)Penmaenmawr Museum 31An Unknown Lady (believed to be a Member of the Williams Family) od Mary BealováAn Unknown Lady (believed to be a Member of the Williams Family)Penmaenmawr Museum 32Lady Leake (1657-1709) od Mary BealováLady Leake (1657-1709)National Maritime Museum 33Unknown woman od Mary BealováUnknown womanNárodné múzeum 34Sir Nicholas Stuart, Bart od Mary BealováSir Nicholas Stuart, BartAuckland Art Gallery Toi o Tāmaki 35Aphra Behn, (Engraving) od Mary BealováAphra Behn, (Engraving) 36Head of a man od Mary BealováHead of a man 37Portrait of a Lady as St Agnes od Mary BealováPortrait of a Lady as St Agnes 38Half-length seated figure of a leather worker od Mary BealováHalf-length seated figure of a leather worker 39Charles II (1630–1685) od Mary BealováCharles II (1630–1685) 40Figure studies od Mary BealováFigure studies 41John Wilkins od Mary BealováJohn Wilkins 42Portrait of a Baby od Mary BealováPortrait of a Baby 43Edward Stillingfleet od Mary BealováEdward Stillingfleet 44Aphra Behn od Mary BealováAphra Behn 45Portrait of a Youth od Mary BealováPortrait of a YouthDulwich Picture Gallery 46Thomas Sydenham od Mary BealováThomas SydenhamNational Portrait Gallery 47Charles Beale the Elder od Mary BealováCharles Beale the ElderNational Portrait Gallery 48Mary Beale od Mary BealováMary BealeNational Portrait Gallery 49portrait of the King's mistress, the actress Moll Davis od Mary Bealováportrait of the King's mistress, the actress Moll Davis 50Portrait of a young girl od Mary BealováPortrait of a young girl 51John Lake od Mary BealováJohn Lake 52Unknown man od Mary BealováUnknown manNational Portrait Gallery 53Mary Beale with her family od Mary BealováMary Beale with her family 54George Savile, 1st Marquess of Halifax od Mary BealováGeorge Savile, 1st Marquess of HalifaxNational Portrait Gallery 55Portrait of a young boy od Mary BealováPortrait of a young boy 56self portrait od Mary Bealováself portrait 57Francis Turner od Mary BealováFrancis Turner 58William Pierrepont od Mary BealováWilliam Pierrepont 59Portrait of an unknown young boy od Mary BealováPortrait of an unknown young boy 60Portrait of a Young Child od Mary BealováPortrait of a Young Child 61Portrait of Zachary Cradock od Mary BealováPortrait of Zachary Cradock 62Portrait of a Gentleman od Mary BealováPortrait of a Gentleman 63Portrait of Charles Beale in a Black Hat od Mary BealováPortrait of Charles Beale in a Black Hat 64Portrait of Sir Thomas Isham od Mary BealováPortrait of Sir Thomas Isham

Motívy, ktoré zaujali Mary Bealová

Štyri témy, ktoré sa v týchto origináloch najčastejšie vracajú, každá s jej najvychybenejším príkladom.

Múzeá, ktoré uchovávajú originály umelca Mary Bealová

8 múzeá, v ktorých sa nachádza najviac obrazov z tejto stránky.

Múzeá Mesto Diela umelca Mary Bealová Obrazy z tohto zoznamu
National Portrait Gallery, LondýnNational Portrait Gallery Londýn 6 King Charles II, Thomas Sydenham, Charles Beale the Elder
Antony HouseAntony House 3 Sir Courtenay Pole, 2nd Bt, MP (1618/19–1695), Possibly Mary Morice, Lady Carew (d. 1698), Rachel Carew, Mrs Ambrose Manaton (1669–1705)
Sutton HouseSutton House 2 Lady Sadleir, Sir Edwyn Sadleir, 2nd Baronet of Temple Dinsey (1656-1719)
Dulwich Picture Gallery, LondýnDulwich Picture Gallery Londýn 2 Portrait of a Physician, Portrait of a Youth
Osterley Park And House, LondýnOsterley Park And House Londýn 2 Master Child, one of the Sons of Sir Francis Child the Elder (1642-1713), Master Child, one of the Sons of Sir Francis Child the Elder (1642-1713)
Penmaenmawr Museum 2 An Unknown Gentleman (believed to be a Member of the Williams Family), An Unknown Lady (believed to be a Member of the Williams Family)
Yale Center for British Art, New HavenYale Center for British Art New Haven 1 Bartholomew Beale
National Gallery of Victoria, MelbourneNational Gallery of Victoria Melbourne 1 Portrait of a lady

Mary Bealová, jeden ikonický obraz na každé desaťročie

Diela podľa dekád

Vyberte si dekádu a pozrite si originál, ktorý ju definuje.

Obrazy umelca Mary Bealová: odpovede galérie

Ktorý obraz od Mary Bealová je najznámejší zo všetkých?Odhaľte odpoveď

King Charles II (1675), National Portrait Gallery, Londýn. Nasledujú Bartholomew Beale (1663) a Portrait of a lady (1680).

Koľko rokov mal/a Mary Bealová pri dokončeni diela King Charles II?Odhaľte odpoveď

42 rokov: King Charles II vzniklo v roku 1675 a Mary Bealová sa narodil/a v roku 1633.

Ktorých 10 najlepších obrazov má Mary Bealová?Odhaľte odpoveď

King Charles II, Bartholomew Beale, Portrait of a lady, Viscountess Frances Hatton, Lady Elizabeth Cavendish, Countess of Bridgewater (c.1627-1663), Bartholomew Beale, in Profile, An Unknown Man, called John Milton (1608-1674), Portrait of a woman with a black hood, Sir Courtenay Pole, 2nd Bt, MP (1618/19–1695) a Self-Portrait Holding a Palette. Vyššie uvedené hodnotenie uvádza rok a múzeu pre každé z nich.

Koľko diel vytvoril/a Mary Bealová?Odhaľte odpoveď

Náš katalóg obsahuje 65 diel od umelca Mary Bealová z perioda od 1659 do 1697.

Kde visia najznámejšie originály umelca Mary Bealová?Odhaľte odpoveď

Väčšinou v National Portrait Gallery (Londýn), Antony House a Sutton House. Tabuľka múzeí vyššie ich všetky uvádza.

Kedy vytvoril/a Mary Bealová svoje najznámejšie obrazy?Odhaľte odpoveď

V období 1680s: 10 z 64 diel na tejto stránke bolo vytvorených vtedy, pričom Portrait of a lady z nich.

Aké sú najskoršie a najneskoršie známe diela umelca Mary Bealová?Odhaľte odpoveď

Na tejto stránke je najstaršie dielo z Anna Maria, Countess of Shrewsbury (1642–1702) (1659) a najnovšie z Portrait of Nell Gwyl (1697).

K akým témamam sa Mary Bealová najčastejšie vracia?Odhaľte odpoveď

Woman (13), Portraits (11) a Portrait (10), v rámci 64 diel na tejto stránke.

V akom médiu tvoril/a Mary Bealová najčastejšie?Odhaľte odpoveď

Oil On Canvas, pre 21 z 64 diel na tejto stránke.

S ktorým smerom je spojený/á umenec Mary Bealová?Odhaľte odpoveď

Baroque, podľa originálov na tejto stránke.

Aké originály umelca Mary Bealová má v zbierkach National Portrait Gallery?Odhaľte odpoveď

King Charles II, Thomas Sydenham a Charles Beale the Elder: múzeá National Portrait Gallery, Londýn uchovávajú 6 z diel na tejto stránke.

Mary Bealová: umelec

A Life Illuminated: The World of Mary Beale

Born in the quiet Suffolk rectory of Barrow in late March 1633, Mary Cradock entered a world where artistic inclination was considered an acceptable pastime, but a profession for a woman remained largely uncharted. Her father, John Cradock, a rector with a painter’s hand himself, provided her initial grounding in the arts—a fortunate circumstance that would shape her destiny. Growing up near Bury St Edmunds, young Mary likely encountered established artists like Peter Lely and Matthew Snelling, absorbing influences that would later blossom into her own distinctive style. This early exposure to the burgeoning London art scene planted a seed of ambition within her, even as societal expectations sought to confine her talents to the domestic sphere. The loss of her mother at age ten brought hardship, but also a strengthened bond with her father and an increased focus on artistic pursuits as a source of solace and expression.

Navigating Convention: Portraiture and Family Life

In 1652, Mary married Charles Beale, a civil servant who would become not only her husband but also her indispensable partner in navigating the complexities of a professional life. Theirs was an unusual collaboration for the era—a true partnership built on mutual respect and shared ambition. The Beales established a home and family, welcoming two sons, Bartholomew and Charles Jr., while simultaneously building Mary’s artistic career. Initially working from their residences in Covent Garden and later Albrook, Hampshire, she began to accept commissions, slowly gaining recognition for her skill. Charles played a pivotal role, managing the practicalities of her studio—preparing materials, handling finances, meticulously recording every detail of her work in his now-famous notebooks. These records offer an invaluable glimpse into 17th-century artistic practice and provide compelling evidence of Mary’s burgeoning success. Her portraits weren't merely likenesses; they were intimate studies of character, capturing the essence of her sitters with a remarkable degree of realism and sensitivity. She specialized in depicting members of her family, friends, local gentry, nobility, and clergy—a diverse clientele that speaks to her growing reputation.

A Baroque Sensibility: Style and Technique

Mary Beale’s artistic style was deeply rooted in the Baroque period, characterized by dramatic lighting, rich colors, and a keen attention to detail. However, she wasn't simply an imitator of prevailing trends. She developed a distinctive approach that set her apart from contemporaries like Lely, infusing her portraits with a warmth and psychological depth that resonated with her sitters. Her technique involved careful observation and meticulous rendering, but also a willingness to experiment with materials and methods. Charles Beale’s notes reveal her innovative exploration of cheaper supports for paintings—such as onion bags and bed-ticking—demonstrating both resourcefulness and a commitment to accessibility. She was particularly adept at capturing the textures of fabrics and the nuances of human expression, creating portraits that felt remarkably alive. Her 1663 manuscript on painting techniques, specifically focusing on apricot hues, stands as the earliest known instructional text by a female painter in English—a testament to her knowledge, skill, and willingness to share her expertise.

Breaking Barriers: Legacy and Historical Significance

Mary Beale’s career was not without its challenges. As a woman artist in 17th-century England, she faced societal constraints that limited opportunities for professional advancement. Yet, she persevered, establishing a thriving practice while simultaneously fulfilling her roles as wife and mother—a remarkable feat in an era when women were largely excluded from public life. Her financial independence, achieved through her art, was particularly noteworthy, challenging conventional expectations and demonstrating her business acumen. She received praise from prominent artists like Sir Peter Lely and recognition in contemporary writings about British art, solidifying her position within the artistic community. Beale’s legacy extends beyond her individual achievements; she paved the way for future generations of women artists, proving that talent knew no gender. In recent decades, her work has experienced a well-deserved rediscovery, with increased scholarly attention and exhibitions showcasing her remarkable contributions to English portraiture. The detailed records kept by Charles Beale provide invaluable insights into the art world, social customs, and daily life of 17th-century England, ensuring that Mary Beale’s story—and her artistry—continues to inspire and captivate audiences today. Her work is preserved on platforms like OriginalUniqueArt, OriginalUniqueArt, and others, guaranteeing her enduring presence in the cultural landscape.

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