Aktualizované október 2026 · zoradené podľa našej miery popularity (vyhľadávanie, návštevy a objednávky pre každou prácu) · 56 dielov umelca Sassetta v našom katalógu
Stručne povedané
Madonna of Humility (1432) je obrazom umelca Sassetta, ktorý priťahuje najviac pohľadov; originál sa nachádza v múzeu Staatliche Museen zu Berlin, Berlín. Potom sa pohľad presunie na Virgin with Child and Four Saints (detail) (1435) a Saint Francis and the Poor Knight, and Francis's Vision (1437). Z 56 diel umelca Sassetta v našom katalógu je týchto 54 najznámejších; každá z nich je jedinečným originálom prezentovaným s jeho rokom vzniku, múzeom a dôvodom, prečo pretrváva.
In the quiet sanctity of the early fifteenth century, few images capture the profound intimacy of the divine as gracefully as Sassetta’s Madonna of Humility. Painted around 1432, this masterpiece serves as a breathtaking window into a period where the ethereal meets the earthly. The composition centers on the Virgin Mary, not seated upon a distant, golden throne, but nestled in a posture of profound humility that defines her very…
The panel titled Saint Francis and the Poor Knight, and Francis's Vision emerges from the hand of the artist Sassetta. Created about 1437, this work exists as the first of eight distinct paintings that once formed the back of a large, richly coloured and elaborate altarpiece. It belongs to the larger San Sepolcro Altarpiece, a significant assembly of devotional imagery.
The work is titled The Funeral of Saint Francis and Verification of the Stigmata. It was executed by the artist Sassetta (Stefano Di Giovanni) between 1437 and 1444. This panel functions as the final movement in a larger narrative cycle, serving as the eighth and concluding scene in a series of eight depictions of the life of Saint Francis.
The Agony in the Garden is a poignant and spiritually charged tempera painting from the Early Renaissance period. The composition depicts the biblical scene of Christ's agony in the Garden of Gethsemane, set against a dark, star-studded nocturnal sky and a landscape of rolling hills and a winding path. In the foreground, several apostles are shown in various states of deep sleep, their bodies slumped and heads bowed in a…
The work titled Saint Francis before the Sultan is a creation of the artist Sassetta. It emerged from the studio between 1437 and 1444. This panel was originally conceived as part of the San Sepolcro Altarpiece, a large and complex structure commissioned for the Franciscans of Borgo Sansepolcro, Italy. The piece functioned as part of a double-sided polyptych, a structural arrangement that allowed the sacred narrative to unfold on both…
In Saint John the Evangelist by Sassetta, a single, elongated figure commands the entire vertical space. The saint occupies the center of the panel, his presence exerting a heavy spiritual gravity that anchors the viewer's gaze. He stands upon a small, rocky ground adorned with intricate patterns, a modest stage for such a monumental figure. The saint holds a book and a stylus, the tools of his sacred vocation, which…
The air feels heavy with the scent of woodsmoke and the weight of a gathering crowd. In this 1423 tempera work, a public execution unfolds under a deep blue sky, framed by the soft, rolling hills of the Italian landscape. At the center of the chaos, a figure is bound to a stake, consumed by bright orange flames that lick upward against the dark, charred tones of the victim. The…
This tempera on poplar panel, dating to c. 1435, presents a solitary figure of Saint Margaret against a shimmering gold ground. The composition is vertical and centered, emphasizing a sense of stillness and spiritual focus. She is draped in a heavy, dark mantle over a deep crimson tunic, her head tilted with a gentle, serene expression. At her feet, a dark, dragon-like creature is visible, a symbolic representation of her…
In this vertical composition, Sassetta presents Saint Apollonia as a single, centered figure. The saint is positioned against a flat, decorative gold background that emphasizes her presence through a sense of divine stillness. Her expression remains calm and contemplative, a quietude that contrasts with the heavy symbolism of her attributes. She holds the pincers used in her martyrdom, a specific detail that identifies her within the religious tradition. This object,…
St. Nicholas of Bari1430
12
Madonna of the Snow Altarpiece1432
13
The Ecstasy of St Francis (detail)1437 · Villa i Tatti
14
The Procession to Calvary1441 · Detroit Institute of Arts
15
The Betrayal of Christ1437 · Detroit Institute of Arts
16
Madonna of Humility1437 · National Gallery of Art
17
St. Anthony of Padua1450
18
Madonna and Child with Angels1437
19
St Matthew1437 · Collezione Vittorio Cini
20
Assumption of Mary with Angel Choirs1450 · Gemäldegalerie
21
The Wolf of Gubbio1450 · National Gallery
22
Virgin of Humility1440 · Collezione Vittorio Cini
23
St Thomas Inspired by the Dove of the Holy Ghost1423 · Szépművészeti Múzeum
24
Damnation of the Soul of the Miser of Citerna1437 · Louvre
25
The Ecstasy of St Francis1437 · Villa i Tatti
26
St Thomas Inspired by the Dove of the Holy Ghost (detail)1423 · Szépművészeti Múzeum
27
St Thomas Inspired by the Dove of the Holy Ghost (detail)1423 · Szépművészeti Múzeum
28
Miracle of the Eucharist1423 · Bowes Museum
29
Death of the Heretic on the Bonfire1423 · National Gallery of Victoria
30
St Jerome (detail)1423 · Pinacoteca Nazionale
31
Founding of Santa Maria Maggiore1430
32
The mystical marriage of Saint Francis of Assisi1444
33
The Annunciation "1435 · Metropolitné múzeum umenia
34
Virgin with Child and Four Saints (detail)1435 · Museo Diocesano
35
The Stigmatisation of St Francis1437 · National Gallery
36
The Blessed Ranieri Frees the Poor from a Prison in Florence1437 · Louvre
37
Virgin with Child and Four Saints (detail)1435 · Museo Diocesano
38
Virgin and Child with Saints1437 · Louvre
39
The Blessed Ranieri Frees the Poor from a Jail in Florence1444 · Louvre
40
St Thomas Before the Cross1423 · Vatikánska Pinacoteca
41
The Blessed Raniero of Borgo San Sepolcro Appearing to a Cardinal in a Dream1444 · Staatliche Museen zu Berlin
42
St. Francis Kneeling before Christ on the CrossCleveland Museum of Art
43
The Last Supper1423 · Pinacoteca Nazionale
44
St Anthony the Hermit Tortured by the Devils1423 · Pinacoteca Nazionale
45
St Thomas Inspired by the Dove of the Holy Ghost (detail)1423 · Szépművészeti Múzeum
46
Madonna and Child with AngelsMetropolitné múzeum umenia
47
The Annunciation
48
The Meeting of St. Anthony and St. PaulNational Gallery of Art
49
The Journey of the Magi1435 · Metropolitné múzeum umenia
50
Marriage of St Francis to Lady Poverty1437 · Musée Condé
51
Saint Francis renounces his Earthly Father1437 · National Gallery
52
St. Anthony Beaten by Devils1423 · Pinacoteca Nazionale
53
Madonna of Humility with Four Saints1435 · Museo Diocesano
54
The Virgin and Child with Saints1430 · Galleria degli Uffizi
Štyri témy, ktoré sa v týchto origináloch najčastejšie vracajú, každá s jej najvychybenejším príkladom.
8 múzeá, v ktorých sa nachádza najviac obrazov z tejto stránky.
| Múzeá | Mesto | Diela umelca Sassetta | Obrazy z tohto zoznamu |
|---|---|---|---|
 National Gallery |
Londýn | 6 | Saint Francis and the Poor Knight, and Francis's Vision, The Funeral of Saint Francis, Saint Francis before the Sultan |
 Museo Diocesano |
Cortona | 4 | Virgin with Child and Four Saints (detail), Virgin with Child and Four Saints (detail), Virgin with Child and Four Saints (detail) |
 National Gallery of Art |
Washington | 4 | Saint Margaret, Saint Apollonia, Madonna of Humility |
 Szépművészeti Múzeum |
Budapešť | 4 | St Thomas Inspired by the Dove of the Holy Ghost, St Thomas Inspired by the Dove of the Holy Ghost (detail), St Thomas Inspired by the Dove of the Holy Ghost (detail) |
 Louvre |
Paríž | 4 | Damnation of the Soul of the Miser of Citerna, The Blessed Ranieri Frees the Poor from a Prison in Florence, Virgin and Child with Saints |
 Pinacoteca Nazionale |
Siena | 4 | St Jerome (detail), The Last Supper, St Anthony the Hermit Tortured by the Devils |
 Detroit Institute of Arts |
Detroit | 3 | The Agony in the Garden, The Procession to Calvary, The Betrayal of Christ |
 Metropolitné múzeum umenia |
New York | 3 | The Annunciation ", Madonna and Child with Angels, The Journey of the Magi |
Vyberte si dekádu a pozrite si originál, ktorý ju definuje.
In Saint John the Evangelist by Sassetta, a single, elongated figure commands the entire vertical space. The saint occupies the center of the panel, his presence exerting a heavy spiritual gravity that anchors the viewer's gaze. He stands upon a small, rocky ground adorned with intricate patterns, a modest stage for such a monumental figure. The saint holds a book and a stylus, the tools of his sacred vocation, which…
The air feels heavy with the scent of woodsmoke and the weight of a gathering crowd. In this 1423 tempera work, a public execution unfolds under a deep blue sky, framed by the soft, rolling hills of the Italian landscape. At the center of the chaos, a figure is bound to a stake, consumed by bright orange flames that lick upward against the dark, charred tones of the victim. The…
In the quiet sanctity of the early fifteenth century, few images capture the profound intimacy of the divine as gracefully as Sassetta’s Madonna of Humility. Painted around 1432, this masterpiece serves as a breathtaking window into a period where the ethereal meets the earthly. The composition centers on the Virgin Mary, not seated upon a distant, golden throne, but nestled in a posture of profound humility that defines her very…
The work is titled The Funeral of Saint Francis and Verification of the Stigmata. It was executed by the artist Sassetta (Stefano Di Giovanni) between 1437 and 1444. This panel functions as the final movement in a larger narrative cycle, serving as the eighth and concluding scene in a series of eight depictions of the life of Saint Francis.
The work titled Saint Francis before the Sultan is a creation of the artist Sassetta. It emerged from the studio between 1437 and 1444. This panel was originally conceived as part of the San Sepolcro Altarpiece, a large and complex structure commissioned for the Franciscans of Borgo Sansepolcro, Italy. The piece functioned as part of a double-sided polyptych, a structural arrangement that allowed the sacred narrative to unfold on both…
Madonna of Humility (1432), Staatliche Museen zu Berlin, Berlín. Nasledujú Virgin with Child and Four Saints (detail) (1435) a Saint Francis and the Poor Knight, and Francis's Vision (1437).
40 rokov: Madonna of Humility vzniklo v roku 1432 a Sassetta sa narodil/a v roku 1392.
Madonna of Humility, Virgin with Child and Four Saints (detail), Saint Francis and the Poor Knight, and Francis's Vision, The Funeral of Saint Francis, The Agony in the Garden, Saint Francis before the Sultan, Saint John the Evangelist, The burning of a heretic, Saint Margaret a Saint Apollonia. Vyššie uvedené hodnotenie uvádza rok a múzeu pre každé z nich.
Náš katalóg obsahuje 56 diel od umelca Sassetta z perioda od 1412 do 1450.
Väčšinou v National Gallery (Londýn), Museo Diocesano (Cortona) a National Gallery of Art (Washington). Tabuľka múzeí vyššie ich všetky uvádza.
V období 1430s: 27 z 54 diel na tejto stránke bolo vytvorených vtedy, pričom Madonna of Humility z nich.
Na tejto stránke je najstaršie dielo z Saint John the Evangelist (1412) a najnovšie z Saint Francis before the Sultan (1450).
People (10), Gold background (9) a Woman (7), v rámci 54 diel na tejto stránke.
Tempera On Panel, pre 27 z 54 diel na tejto stránke.
Early renaissance, podľa originálov na tejto stránke.
Saint Francis and the Poor Knight, and Francis's Vision, The Funeral of Saint Francis a Saint Francis before the Sultan: múzeá National Gallery, Londýn uchovávajú 6 z diel na tejto stránke.
V svetlom ére talianskeho Quattrocenta vyvoláva len málo mien tak dojímavú predstavu jemného prechodu od stredoveku k modernému svetu, ako je Stefano di Giovanni, históriou známy pod krajším menom Sassetta. Ako kľúčová postava sienskej školy jeho umenie predstavuje hlboký most medzi dekoratívnou eleganciou neskorogotickej éry a rodiacim sa realizmom renesancie. Hoci presné počiatky jeho života zostávajú skryté v hmle času – pričom učenci stále debatujú, či sa narodil v Siene alebo možno v Cortone – jeho prítomnosť v toskánskej krajine je nepoprchateľná. Jeho dielo nesie rytmickú, lyrickú dušu Sieny, no zároveň dýcha novou, pozorovavou vitalitou, ktorá naznačuje umelca hlboko zapojeného do meniaceich sa vĺn jeho doby.
Sassettova tvorivá cesta bola cestou sofistikovanej syntézy. Ovládal vzácnu schopnosť ctiť tradičný siensky štýl – charakterizovaný zložitými detailmi a duchovnou hĺbkou – a zároveň vstrebávať revolučné inovácie prichádzajúce z Florencie. Vplyv majstrov ako Masaccio, Masolino a Gentile da Fabriano je cítiť v jeho postupujúcom ovládnutí priestorových vzťahov a využívaní svetla. Tieto nové techniky nekopíroval jednoducho; skôr ich integroval, aby svojim postavám dodal naturalistický žiar, čo umožnilo svetlu presvedčivo formovať ich tvary a vytvárať pocit jednotného, dýchajúceho priestoru v rámci jeho kompozícií.
Sassettovo dielo je svedectvom o jeho majstrovstve v naratívnej maľbe, kde každý ťah štetcom slúži vyššiemu duchovnému účelu. Jeho práce často fungujú ako okná do božského, pričom využívajú sofistikovanú paletu farieb a rytmické kompozície na vedenie diváka skrze sväté histórie. V majstrovských dielach, akým je Večera Pána, demonštruje mimoriadne nadanie v zachytávaní komplexných emocionálnych stavov, pričom využíva zemité tóny a starostlivú perspektívu na to, aby hlboký náboženský príbeh zakotvil do uchopiteľnej, vážnej reality. Jeho schopnosť vyvážiť ornamentálnu krásu gotickej tradície s rodiacim sa pocitom ľudského dramatu robí jeho tabule jedinečne pútavými.
Okrem intímneho rozsahu jeho menších panelov dosiahol Sassetta veľkú slávu aj prostredníctvom významných oltárov a polyptychov, ktoré definovali náboženskú krajinu svojej doby. Medzi jeho najvýznamnejšie umelecké úspechy patria:
Historický význam Sassetty spočíva v jeho úlohe strážcu aj inovátora. Zaisťil, aby jedinečná identita sienskej školy nezmizla pred tvárou florentínskej dominance, ale namiesto toho sa vyvinula a zahrnula nový jazyk realismu a hĺbky. Jeho maľby nie sú len relikviami uplynutej éry; sú to živé dialógy medzi starým svetom a novým. Prostredníctvom jemného spracovania svetla, majstrovstva v symbolickej ikonografii a hlbokej empatie k svojim predmetom zanechal Sassetta nezmazateľnú stopu v histórii talianskeho umenia a zabezpečil si svoje miesto ako jedného z najdôležitejších predstaviteľov sienskej renesancie.
