Aktualizované november 2026 · zoradené podľa našej miery popularity (vyhľadávanie, návštevy a objednávky pre každou prácu) · 109 dielov umelca Ivan Nikolaevič Kramskoj v našom katalógu
Stručne povedané
Portrét ženy je obrazom umelca Ivan Nikolaevič Kramskoj, ktorý priťahuje najviac pohľadov; originál sa nachádza v múzeu Tretyakov Gallery, Moskva. Potom sa pohľad presunie na Chrystos v púšti a Christ in the Wilderness. Z 109 diel umelca Ivan Nikolaevič Kramskoj v našom katalógu je týchto 100 najznámejších; každá z nich je jedinečným originálom prezentovaným s jeho rokom vzniku, múzeom a dôvodom, prečo pretrváva.
The Portrait of a Woman by Ivan Kramskoi presents a quiet, introspective encounter with a young woman. This work, dated about 1885, captures a singular moment of stillness. The subject gazes out with a sense of internal reflection, her presence filling the space with a heavy, thoughtful energy. It is a study of character and gaze, where the individual's inner life seems to press against the surface of the canvas.
je majstrovské dielo Ivana Nikolaeviča Kramskoya, ktoré zachytáva Ježiša Krista počas jeho čtyřdziestich dní postu v divočine, ako je to opísané v Evanjeliu podľa Matteja (Matteus 4,1-11). Tento hlboký a duchovný obraz bol dokončený v roku 1872 a v súčasnosti sa nachádza v kolekcii Tretyakovovej galérie v Moskve.
The heavy silence of the desert hangs over Christ in the Wilderness, a profound religious painting that captures a moment of profound spiritual isolation. Created by the Russian artist Ivan Kramskoi, the work emerges from the year 1872. It presents a scene of deep contemplation, where the weight of the divine meets the stark reality of the physical world. The figure of Christ sits amidst a desolate landscape, caught in…
The gaze of the sitter in Portrait of a Woman meets the viewer with a quiet, unsettling strength. Painted by the Russian artist Ivan Kramskoi, this work captures a moment of profound stillness. Though the title suggests a specific person, she remains a mystery to history. She is widely recognized as an unknown subject, a woman whose identity remains veiled by time and the artist's own silence. This sense of…
The Empress Maria Feodorovna sits in a quiet, commanding stillness, her figure emerging from a dark, indistinct background that pushes her presence into the immediate space of the viewer. She is draped in a gown of luminous whites and creams, the fabric heavy with the weight of silk and the delicate, intricate textures of fine lace. A deep crimson sash cuts across her torso, providing a sharp, singular contrast to…
In the realm of nineteenth-century Russian Realism, few works capture the delicate intersection of innocence and burgeoning intellect as poignantly as Ivan Nikolaevich Kramskoy’s Portrait of a Girl. Painted in 1870, this masterpiece transcends a mere physical likeness, offering instead a window into a soul caught in the quiet transition of childhood. The subject, presented within an elegant oval frame that evokes the intimacy of a cherished heirloom, sits with…
The oil portrait depicts Yevgeny Lamansky, an elderly man seated in a three-quarter length pose. He is positioned slightly off-center within a room defined by a desk and leather-bound books. The subject possesses prominent white mutton-chop whiskers and a smooth silk waistcoat beneath a heavy, dark suit. His hands are positioned near a desk, holding a pen and papers. The lighting originates from the upper left, casting shadows that define…
The painting titled Somnambula was executed by the artist Ivan Nikolaevich Kramskoy. This work is an oil on canvas created in 1871. The object is a painting that measures 135 cm in height and 86 cm in width.
In the quiet, commanding presence of Ivan Nikolaevich Kramskoy’s Portrait of Princess Catherine Alekseevny Vasilchikova, we encounter more than just a likeness; we enter a moment of frozen dignity from the heart of 1867 Russia. The painting serves as a masterful window into the mid-19th century, capturing the essence of a noblewoman whose very posture speaks of an era defined by rigid social hierarchies and refined elegance. As the viewer…
A dignified and somber realist portrait, this work captures a middle-aged man in a moment of quiet introspection. Positioned in a three-quarter length composition, the subject faces the viewer's right, yet his gaze meets the observer with a steady, penetrating clarity. The lighting is low-key, emerging from a shadowy, indistinct background to illuminate the face and a crisp white collar. This chiaroscuro effect creates a profound sense of three-dimensionality, pulling…
Portrait of Count Frederick Maurice van Heiden1881 · Hermitáž
12
Portrait of Nikolai Ivanovich Kramsky1882 · Tretyakov Gallery
13
Portrait of Sonya Kramskaya, the Artist`s Daughter1870
14
Portrait of Pavel Tretyakov1876 · Tretyakov Gallery
15
Portrait of S.S. Botkin1882 · Tretyakov Gallery
16
Portrait of Adjutant-General Count Alexei Bobrinskiy1872 · Hermitáž
17
Portrait of Vera Nikolayevna Tretyakova1879 · Tretyakov Gallery
18
Portrait of Sofia Sergeyevna Botkina1879 · Tretyakov Gallery
19
Portrait of the Artist Nikolai Dmitrievich Dmitriev-Orenburg1866
20
Portrait of Alexander Dmitrievich Litovchenko1878 · Tretyakov Gallery
21
The Girl's Head1878
22
Portrait of Theodora Saltykova, the Painter`s Mother in Law1875
23
In the country. Siverskaya1883 · Kramskoy Museum of Fine Arts
24
Portrait of Roftopulo O.A.1884 · Perm State Arts Gallery
25
Portrait of Adrian Viktorovich Prakhov1879 · Tretyakov Gallery
26
The Actor A.P.Lensky as Petruchio in Shakespeare's Comedy "The Taming of the Shrew"1883 · Tretyakov Gallery
27
Portrait of the Publisher and Publicist Alexey Suvorin1881 · Štátne ruské múzeum
28
Unknown Woman1883
29
Portrait of V. S. Solovyov1885 · Štátne ruské múzeum
30
Portrait of a Woman1881 · Yekaterinburg Museum of Fine Arts
31
Mina Moiseyev1882 · Štátne ruské múzeum
32
Portrait of I.K. Aivazovsky1881 · Feodosia National Gallery I. K. Aivazovsky
33
Herodias1885 · Tretyakov Gallery
34
Sergey Botkin1881 · Tretyakov Gallery
35
Arkhip Kuindzhi1872 · Tretyakov Gallery
36
Reading. A Portrait of the Artist's Wife1866 · Tretyakov Gallery
37
Portrait of Vera Nikolayevna Tretyakova1876 · Tretyakov Gallery
38
Portrait of Taras Shevchenko1871 · Tretyakov Gallery
39
Portrait of Doctor Karl Rauchfus
40
Portrait of Art Critic Pavel Kovalevsky
41
Sergei kramskoi
42
Portrait of the Artist Ivan ShishkinTretyakov Gallery
43
Portrait of Sophia Kramskaya, the Artist's Daughter
44
Portrait of an Old Peasant (study)Múzeum estonského umenia
45
Portrait of the Empress Maria Feodorovna
46
Portrait of the Artist Konstantin SavitskyKramskoy Museum of Fine Arts
47
Poet Apollon Maikov Fishing
48
Viewing an Old HouseTretyakov Gallery
49
Head of an Old Ukranian Peasant
50
Bouquet of Flowers. Phlox1884 · Tretyakov Gallery
51
SelfPortrait 1
52
Mocking ChristŠtátne ruské múzeum
53
Portrait of a Woman (Detail)
54
Portrait of Sophia Kramskaya the Artist-s Daughter
55
Portrait of a Admiral Login Loginovich Heyden
56
Water Nymphs1871 · Tretyakov Gallery
57
Portrait of a ManNárodné múzeum vo Varšave
58
Portrait of the Singer Elizaveta Lavrovskaya on Stage
59
Forest Path1870 · Tretyakov Gallery
60
Suburb of Paris. The Bois de Boulogne1876 · Kramskoy Museum of Fine Arts
61
The Sculptor M. M. Antokolsky1876
62
Russian Girl in a Blue Shawl
63
Portrait S.I. Kramskoy1880
64
Portrait of the artist Paval Shestakova
65
Portrait of Ivan I. ShishkinŠtátne ruské múzeum
66
Peasant Holding a Bridle
67
Portrait of the Artist Ilya Repin
68
Portrait of E. Vasilchikova
69
Portrait of an Unknown Woman
70
Ivan Kramskoy Working on Portrait of his DaughterTretyakov Gallery
71
Portrait of the Agronomist Vyunnikov
72
Portrait of the Artist Feodor Vasilyev
73
Insulted Jewish Boy
74
Portrait of Piotr ValuyevHermitáž
75
books got herKramskoy Museum of Fine Arts
76
Portrait of the Writer Leo Tolstoy
77
Portrait of Empress Maria Fyodorovna in a Head Dress Decorated with PearlsHermitáž
78
Bois de Boulogne near Paris
79
Village Yard in FranceTretyakov Gallery
80
Portrait of Anatoly Kramskoy the Artist-s Son
81
Pond
82
Girl with Washed Linen on the Yoke
83
Kramskoi village elder
84
Portrait of the Artist Grigory Myasoyedov
85
Portrait of the Cellist S.Ya.Morozov
86
The Portrait of a Peasant
87
In the Grove of Medon near Paris
88
Girl with a TressTretyakov Gallery
89
sophia kramskaya reading
90
Portrait of a Young Woman Dressed in Black Velvet
91
Portrait of Sophia Kramskaya the Artist-s WifeTretyakov Gallery
92
Portrait of the Actor Vasily SamoilovTretyakov Gallery
93
Bunch of Flowers. Phloxes
94
Head of an Old Peasant
95
In the Park. Portrait of the Artist-s Wife and DaughterKramskoy Museum of Fine Arts
96
mermaidsTretyakov Gallery
97
Bee-KeeperTretyakov Gallery
98
Moonlit NightTretyakov Gallery
99
Inconsolable Grief1884 · Tretyakov Gallery
100
WoodsmanTretyakov Gallery
Štyri témy, ktoré sa v týchto origináloch najčastejšie vracajú, každá s jej najvychybenejším príkladom.
8 múzeá, v ktorých sa nachádza najviac obrazov z tejto stránky.
| Múzeá | Mesto | Diela umelca Ivan Nikolaevič Kramskoj | Obrazy z tohto zoznamu |
|---|---|---|---|
 Tretyakov Gallery |
Moskva | 37 | Portrét ženy, Chrystos v púšti, Portrait of a Woman |
 Hermitáž |
Petrohrad | 6 | Portrait of Empress Maria Feodorovna, Portrait of the Banker Yevgeny Lamansky, Portrait of Count Frederick Maurice van Heiden |
 Kramskoy Museum of Fine Arts |
Voronezh | 5 | In the country. Siverskaya, Portrait of the Artist Konstantin Savitsky, Suburb of Paris. The Bois de Boulogne |
 Štátne ruské múzeum |
Petrohrad | 5 | Portrait of the Publisher and Publicist Alexey Suvorin, Portrait of V. S. Solovyov, Mina Moiseyev |
 Perm State Arts Gallery |
Perm | 2 | Portrait of Princess Catherine Alekseevny Vasilchikova, Portrait of Roftopulo O.A. |
 Yekaterinburg Museum of Fine Arts |
Jekaterinburg | 1 | Portrait of a Woman |
 Feodosia National Gallery I. K. Aivazovsky |
Feodosia | 1 | Portrait of I.K. Aivazovsky |
 Múzeum estonského umenia |
Tallinn | 1 | Portrait of an Old Peasant (study) |
Vyberte si dekádu a pozrite si originál, ktorý ju definuje.
In the quiet, commanding presence of Ivan Nikolaevich Kramskoy’s Portrait of Princess Catherine Alekseevny Vasilchikova, we encounter more than just a likeness; we enter a moment of frozen dignity from the heart of 1867 Russia. The painting serves as a masterful window into the mid-19th century, capturing the essence of a noblewoman whose very posture speaks of an era defined by rigid social hierarchies and refined elegance. As the viewer…
In the realm of nineteenth-century Russian Realism, few works capture the delicate intersection of innocence and burgeoning intellect as poignantly as Ivan Nikolaevich Kramskoy’s Portrait of a Girl. Painted in 1870, this masterpiece transcends a mere physical likeness, offering instead a window into a soul caught in the quiet transition of childhood. The subject, presented within an elegant oval frame that evokes the intimacy of a cherished heirloom, sits with…
The gaze of the sitter in Portrait of a Woman meets the viewer with a quiet, unsettling strength. Painted by the Russian artist Ivan Kramskoi, this work captures a moment of profound stillness. Though the title suggests a specific person, she remains a mystery to history. She is widely recognized as an unknown subject, a woman whose identity remains veiled by time and the artist's own silence. This sense of…
Portrét ženy, Tretyakov Gallery, Moskva. Nasledujú Chrystos v púšti a Christ in the Wilderness.
Portrét ženy, Chrystos v púšti, Christ in the Wilderness, Portrait of a Woman, Portrait of Empress Maria Feodorovna, Portrait of a Girl, Portrait of the Banker Yevgeny Lamansky, Somnambula, Portrait of Princess Catherine Alekseevny Vasilchikova a Portrait of the writer Y.F. Samarin. Vyššie uvedené hodnotenie uvádza rok a múzeu pre každé z nich.
Náš katalóg obsahuje 109 diel od umelca Ivan Nikolaevič Kramskoj z perioda od 1866 do 1886.
Väčšinou v Tretyakov Gallery (Moskva), Hermitáž (Petrohrad) a Kramskoy Museum of Fine Arts (Voronezh). Tabuľka múzeí vyššie ich všetky uvádza.
V období 1880s: 20 z 100 diel na tejto stránke bolo vytvorených vtedy, pričom Portrait of a Woman z nich.
Na tejto stránke je najstaršie dielo z Portrait of the Artist Nikolai Dmitrievich Dmitriev-Orenburg (1866) a najnovšie z Portrait of the Banker Yevgeny Lamansky (1886).
Portrait (34), Man (22) a Woman (17), v rámci 100 diel na tejto stránke.
Oil On Canvas, pre 54 z 100 diel na tejto stránke.
Realizmus, podľa originálov na tejto stránke.
Portrét ženy, Chrystos v púšti a Portrait of a Woman: múzeá Tretyakov Gallery, Moskva uchovávajú 34 z diel na tejto stránke.
Ivan Nikolaevič Kramskoj, narodený 27. mája 1837 v tichom mestečku Ostrogozhsk, predstavuje monumentálnu postać v rámci ruskej umeleckej histórie. Jeho život charakterizoval intelektuálny žiar a neochvakiteľná oddanosť umeleckým princípom zakoreneným v sociálnom realizme, čo zanechalo nezmazateľnú stopu nielen u jeho súčasníkov, ale aj u nasledujúcich generácií. Vychovávaný v Vornežskej oblasti boli Kramskojove rané roky formované výchovou hlboko ponorenou do intelektuálnej zvedavosti a intenzívneho zapojenia do rastúcich myšlienok ruskej revolučnej demokracie. Pod vplyvom radikálnych mysliteľov svojej éry, ako boli Černyschevskij a Herzen, prijal presvedčenie, že umenie nesie morálnu povinnosť – povinnosť pravdivo odzračovať spoločnosť a zastupovať jej zlepšovanie.
Toto hlboko zakorenené presvedčenie o transformatívnej sile umenia ho viedlo k Petrohradskej akadémii krás
avšak práve tam sa jeho revoltujúci duch skutočne rozhorede. Kramskoj viedol slávny „Revolt štrnástich“, historické studentské povstanie proti obmedzujúcim a zastaraným umeleckým štandardom akadémie. Tento akt neposlušnosti viedol k jeho vylučeniu, no namiesto toho, aby potlačil jeho talent, posilnil jeho záväzok k nezávislej vyjadrivosti. Pod vedením mentorov ako Michail Borisovič Tulinov, ktorý rozpoznal jeho rodzący sa genius, začal Kramskoj budovať cestu, ktorá ho nakoniec priviedla k tomu, aby sa stal jedným z pilierov hnutia Peredvizhniki, známeho aj ako hnutie Blúdzivcov.
Vznik hnutia Peredvizhniki predstavoval rozhodujúci bod v Kramskojovej umeleckej trajetória. Spolu s luminármi ako Ilja Repin sa snažil odmietnuť oficiálnu patronáž a didaktizmus Cisárskej akadémie v prospech demokratickejšieho a sociálne uvedomelého prístupu k malbytstvu. Jeho tvorba sa stala nástrojom sociálnej kritiky, zachytávajúcou psychologickú hĺbku ruského ľudu a surovú realitu ich existencie. Kramskoj nebol len maliarom, ale aj hlbokým umeleckým kritikom a lídrom, ktorý formoval estetický diskurz svojej doby schopnosťou spojiť technickú majsterstvo s intenzívnou emocionálnou rezonanciou.
Jeho repertoár je charakterizovaný pozoruhateľnou všestrannosťou, ktorá sa pohybuje od hlboko introspektívnych až po symbolicky grandiózne motívy:
Kramskojov prínos pre umenie presahuje daleko za rámec plátna. Ako organizátor a kritik poskytol intelektuálnu štruktúru, na ktorej bol vybudovaný ruský realizmus. Veril, že umelec musí byť svedkom svojej doby, čo plnil s bezprecedentnou integritou. Jeho schopnosť navigovať v zložitostiach politických nepokoja pri zachovaní sústredenia na ľudskú kondíciu umožnila jeho dielu prekonať okamžitú politiku 19. storočia.
Odkaz Ivana Nikolaeviča Kramskoya je súčasťou samotnej tkaniny ruskej identity. Obhajovaním pravdy o spoločnom osude a vyzvedávaním sa elitizmu akademických inštitúcií pomohol demokratizovať umenie a urobiť z neho nástroj národného sebapoznávania. Dnes jeho diela naďalej očarujú publikum po celom svete a ponúkajú okno do obdobia intenzívnej duchovnej a sociálnej transformácie. Jeho život zostáva dôkazom myšlienky, že umenie, keď sa s ním pracuje s odvahou a pravdou, môže slúžiť ako mocný katalyzátor zmeny.
