Portrét Edward Steichen

47 najznámejších obrazov od Edward Steichen, výber z galérie

Aktualizované október 2026 · zoradené podľa našej miery popularity (vyhľadávanie, návštevy a objednávky pre každou prácu) · 47 dielov umelca Edward Steichen v našom katalógu

Stručne povedané

Z všetkých originálov, ktoré Edward Steichen zanechal, je najznámejší Le Tournesol (The Sunflower) (1920), ktorý sa nachádza v zbierkach National Gallery of Art v meste Washington. Hneď za ním nasledujú Behind-the-scenes photograph, Paying the Piper (1921) a Portrait, Osgood Perkins (1923). Náš katalóg obsahuje 47 diel od Edward Steichen; galéria si zachovala tých 47, ktoré obdivuje celý svet, pričom každý z nich je prezentovaný spolu s jeho dátumom, múzeou a príbehom.

1900 – 1973, Bivange Pictorialism Najviac diel: Museum of the Moving Image

Top 10 obrazov umelca Edward Steichen: výber galérie

1
Le Tournesol (The Sunflower) (1920) od Edward Steichen

Le Tournesol (The Sunflower)

1920 · Oil On Canvas · National Gallery of Art, Washington

The eye meets a sudden, bright collision of color where a stylized sunflower rests against a fractured sky. A large, yellow disk dominates the center, its hue shifting from a pale canary to a deep, warm goldenrod as it moves toward a dark honey outline. At the very heart of this bloom, a pine-green circle sits nestled within a ring of celery green. The flower head appears propped over the…

2
Behind-the-scenes photograph, Paying the Piper (1921) od Edward Steichen

Behind-the-scenes photograph, Paying the Piper

1921 · Black and White Photography · Museum of the Moving Image, Astoria

To stand before this monochromatic document from 1921 is to step directly onto the dusty, exhilarating threshold of cinematic history. This photograph, capturing a behind-the-scenes moment from the production of 'Paying the Piper,' is far more than a mere record; it is an artifact imbued with the palpable energy of creation. One can almost hear the clatter of equipment and the hushed direction calls echoing across the makeshift set. The…

3
Portrait, Osgood Perkins (1923) od Edward Steichen

Portrait, Osgood Perkins

1923 · Black and White Photography · Museum of the Moving Image, Astoria

Edward Steichen’s 1923 photograph, "Portrait, Osgood Perkins," is not merely a picture; it is an immersion into the velvet depths of theatrical fantasy. This striking black and white studio portrait captures a moment suspended between life and myth. The subject, dramatically costumed as a vampire, stands in profile, his posture radiating an almost predatory elegance. Steichen masterfully uses the stark contrast inherent to early 20th-century photography to sculpt this figure…

4
Portrait of Clarence White (1905) od Edward Steichen

Portrait of Clarence White

1905 · Acrylic On Canvas · Denver Art Museum, Denver

To stand before Edward Steichen's Portrait of Clarence White is to step into a hushed moment suspended in time. This photograph is far more than a mere likeness; it is an immersion into the delicate landscape of introspection. The composition draws the viewer immediately into the intimate space shared between the artist and his subject. Clad in the soft, enveloping tones of monochrome, the portrait captures a man whose gaze…

5
Preview slide, The Kid (1921) od Edward Steichen

Preview slide, The Kid

1921 · Acrylic On Canvas · Museum of the Moving Image, Astoria

Edward Steichen's "The Kid," produced in 1921 for the film starring Charles Chaplin and Jackie Coogan, stands as a quintessential example of Art Deco poster design—a bold declaration of cinematic excitement frozen in time. More than just an advertisement, it’s a meticulously crafted visual narrative that captures the spirit of its era.

6
Fan magazine, Motion Picture Magazine, vol. 9, no. 6 (1915) od Edward Steichen

Fan magazine, Motion Picture Magazine, vol. 9, no. 6

1915 · Illustration · Museum of the Moving Image, Astoria

In this captivating artifact from July 1915, we are transported back to the dawn of the silver screen, an era where the magic of motion pictures began to weave itself into the very fabric of global culture. The cover of Motion Picture Magazine, volume 9, number 6, serves as more than just a periodical; it is a vibrant time capsule of early twentieth-century celebrity worship and artistic caricature. At its…

7
Herald, The Ten Commandments (1925) od Edward Steichen

Herald, The Ten Commandments

1925 · Print · Museum of the Moving Image, Astoria

This evocative piece captures not merely an event, but a monumental moment in human mythology—the parting of the Red Sea. The composition immediately plunges the viewer into a scene of overwhelming drama and divine intervention. One can almost hear the roar of the receding waters and feel the tension gripping the figures on the shore. It is a visual narrative rendered with epic scope, designed to transport the observer across…

8
Lobby card, Blood and Sand (1922) od Edward Steichen

Lobby card, Blood and Sand

1922 · Illustration · Museum of the Moving Image, Astoria

This evocative lobby card for "Blood and Sand," dating back to 1922, transports the viewer directly into the passionate, sun-drenched melodrama of early cinema. It is more than just a promotional piece; it is a carefully constructed tableau vivant, capturing the very essence of cinematic yearning. The composition immediately draws the eye to the central figure—a man embodying the romantic archetype, dressed in attire suggestive of Spanish passion and drama.…

9
Lobby card, Blood and Sand (1922) od Edward Steichen

Lobby card, Blood and Sand

1922 · Photography · Museum of the Moving Image, Astoria

To gaze upon this lobby card for "Blood and Sand" is to step directly onto the vibrant, dramatic set of early cinema history. This piece is not merely a promotional artifact; it is a carefully constructed tableau vivant, capturing the raw energy and intoxicating allure that defined the silent film era. The composition immediately arrests the viewer with its bold chromatic choices—the passionate reds, the electric yellows, and the deep,…

10
Preview slide, The Immigrant (1919) od Edward Steichen

Preview slide, The Immigrant

1919 · Illustration · Museum of the Moving Image, Astoria

In the realm of vintage visual culture, few images capture the whimsical essence of early cinema as effectively as this Preview slide for The Immigrant. This evocative piece serves as a window into a bygone era, presenting a delightful caricature of the legendary Charlie Chaplin in his most iconic role as the Tramp. The central figure is rendered with a charmingly exaggerated physicality; his oversized shoes, hat, and suit create…

Výber umelcov Edward Steichen pokračuje, od 11 do 47

11Paul Robeson od Edward SteichenPaul RobesonGeorge Eastmanova fotografia a filmová galéria 12Lobby karta, The Love Special (1921) od Edward SteichenLobby karta, The Love Special1921 · Museum of the Moving Image 13In Memoriam (1906) od Edward SteichenIn Memoriam1906 · Denver Art Museum 14Lobby karta: Severné srdce (1921) od Edward SteichenLobby karta: Severné srdce1921 · Museum of the Moving Image 15Studio site photograph, Famous Players-Lasky, Hollywood, CA (1922) od Edward SteichenStudio site photograph, Famous Players-Lasky, Hollywood, CA1922 · Museum of the Moving Image 16Sunflower (1920) od Edward SteichenSunflower1920 · George Eastmanova fotografia a filmová galéria 17Preview slide, Hunting Big Game in Africa (1922) od Edward SteichenPreview slide, Hunting Big Game in Africa1922 · Museum of the Moving Image 18Isadora Duncan in the Parthenon, Athens (1921) od Edward SteichenIsadora Duncan in the Parthenon, Athens1921 · Toledo Museum of Art 19Lobby card, The Green Temptation (1922) od Edward SteichenLobby card, The Green Temptation1922 · Museum of the Moving Image 20Film still, Footlights (1921) od Edward SteichenFilm still, Footlights1921 · Museum of the Moving Image 21Nocturne, Temple d'Amour (1910) od Edward SteichenNocturne, Temple d'Amour1910 22Film still, Experience (1921) od Edward SteichenFilm still, Experience1921 · Museum of the Moving Image 23Brequet Photographic Plane Brought Down in Flames, World War I (1918) od Edward SteichenBrequet Photographic Plane Brought Down in Flames, World War I1918 24Lobby card, Java Head (1923) od Edward SteichenLobby card, Java Head1923 · Museum of the Moving Image 25Advertising slide, Paramount Pictures (1915) od Edward SteichenAdvertising slide, Paramount Pictures1915 · Museum of the Moving Image 26Herald, The Kid Brother (1927) od Edward SteichenHerald, The Kid Brother1927 · Museum of the Moving Image 27Lobby card, The Blue Fox, Episode 10 (1921) od Edward SteichenLobby card, The Blue Fox, Episode 101921 · Museum of the Moving Image 28Special message slide, (1915) od Edward SteichenSpecial message slide,1915 · Museum of the Moving Image 29Lobby card, The Man from Lost River (1921) od Edward SteichenLobby card, The Man from Lost River1921 · Museum of the Moving Image 30The Lotus Screen, S.S.S (1909) od Edward SteichenThe Lotus Screen, S.S.S1909 31Studio site photograph, Thomas H. Ince Studios, Culver City, CA (1922) od Edward SteichenStudio site photograph, Thomas H. Ince Studios, Culver City, CA1922 · Museum of the Moving Image 32Herald, Blood and Sand (1922) od Edward SteichenHerald, Blood and Sand1922 · Museum of the Moving Image 33Portrait, Constance Talmadge (1920) od Edward SteichenPortrait, Constance Talmadge1920 · Museum of the Moving Image 34Preview slide, Cleopatra (1917) od Edward SteichenPreview slide, Cleopatra1917 · Museum of the Moving Image 35Lady in a Flower Field (1899) od Edward SteichenLady in a Flower Field1899 36The Little Round Mirror (1901) od Edward SteichenThe Little Round Mirror1901 37Film still, Behind the Scenes (1914) od Edward SteichenFilm still, Behind the Scenes1914 · Museum of the Moving Image 38Portrait, William Farnum (1920) od Edward SteichenPortrait, William Farnum1920 · Museum of the Moving Image 39Aerial Bombs Dropping on Montmedy, World War I (1918) od Edward SteichenAerial Bombs Dropping on Montmedy, World War I1918 40Aerial View of Trenches (1918) od Edward SteichenAerial View of Trenches1918 · New Orleans Museum of Art 41Film still, Footlights (1921) od Edward SteichenFilm still, Footlights1921 · Museum of the Moving Image 42Jean Walker Simpson (1923) od Edward SteichenJean Walker Simpson1923 43Film still, Puritan Passions (1923) od Edward SteichenFilm still, Puritan Passions1923 · Museum of the Moving Image 44Program Orfeového divadla, Filadelfie, PA (1915) od Edward SteichenProgram Orfeového divadla, Filadelfie, PA1915 · Museum of the Moving Image 45Aerial View of Trenches (37) (1918) od Edward SteichenAerial View of Trenches (37)1918 · New Orleans Museum of Art 46Lobby karta, Rosita (1923) od Edward SteichenLobby karta, Rosita1923 · Museum of the Moving Image 47Fotografia štúdia, Thomas H. Ince Studios, Culver City, CA (1922) od Edward SteichenFotografia štúdia, Thomas H. Ince Studios, Culver City, CA1922 · Museum of the Moving Image

Slávne obrazy umelca Edward Steichen podľa jednotlivých období

Motívy, ktoré zaujali Edward Steichen

Štyri témy, ktoré sa v týchto origináloch najčastejšie vracajú, každá s jej najvychybenejším príkladom.

Múzeá, ktoré uchovávajú originály umelca Edward Steichen

6 múzeá, v ktorých sa nachádza najviac obrazov z tejto stránky.

Múzeá Mesto Diela umelca Edward Steichen Obrazy z tohto zoznamu
Museum of the Moving Image, AstoriaMuseum of the Moving Image Astoria 32 Behind-the-scenes photograph, Paying the Piper, Portrait, Osgood Perkins, Preview slide, The Kid
Denver Art Museum, DenverDenver Art Museum Denver 2 Portrait of Clarence White, In Memoriam
George Eastmanova fotografia a filmová galéria, RochesterGeorge Eastmanova fotografia a filmová galéria Rochester 2 Paul Robeson, Sunflower
New Orleans Museum of Art, New OrleansNew Orleans Museum of Art New Orleans 2 Aerial View of Trenches, Aerial View of Trenches (37)
National Gallery of Art, WashingtonNational Gallery of Art Washington 1 Le Tournesol (The Sunflower)
Toledo Museum of Art, ToledoToledo Museum of Art Toledo 1 Isadora Duncan in the Parthenon, Athens

Edward Steichen dekáda po dekáde: originál, ktorý definuje každú z nich

Diela podľa dekád

Vyberte si dekádu a pozrite si originál, ktorý ju definuje.

Otázky zberateľov o obrazoch od Edward Steichen

Ktorým dielom je Edward Steichen najznámejší/najznámejšia?Odhaľte odpoveď

Le Tournesol (The Sunflower) (1920), National Gallery of Art, Washington. Nasledujú Behind-the-scenes photograph, Paying the Piper (1921) a Portrait, Osgood Perkins (1923).

V akom veku bol/a Edward Steichen, keď vzniklo dielo Le Tournesol (The Sunflower)?Odhaľte odpoveď

20 rokov: Le Tournesol (The Sunflower) vzniklo v roku 1920 a Edward Steichen sa narodil/a v roku 1900.

Ktorých desať najznámejších obrazov má Edward Steichen?Odhaľte odpoveď

Le Tournesol (The Sunflower), Behind-the-scenes photograph, Paying the Piper, Portrait, Osgood Perkins, Portrait of Clarence White, Preview slide, The Kid, Fan magazine, Motion Picture Magazine, vol. 9, no. 6, Herald, The Ten Commandments, Lobby card, Blood and Sand, Lobby card, Blood and Sand a Preview slide, The Immigrant. Vyššie uvedené hodnotenie uvádza rok a múzeu pre každé z nich.

Koľko obrazov zanechal umenec Edward Steichen?Odhaľte odpoveď

Náš katalóg obsahuje 47 diel od umelca Edward Steichen z perioda od 1909 do 1927.

V ktorých múzeách visia majstrovské diela umelca Edward Steichen?Odhaľte odpoveď

Väčšinou v Museum of the Moving Image (Astoria), Denver Art Museum (Denver) a George Eastmanova fotografia a filmová galéria (Rochester). Tabuľka múzeí vyššie ich všetky uvádza.

V ktorých rokoch vytvoril Edward Steichen svoje najznámejšie diela?Odhaľte odpoveď

V období 1920s: 29 z 47 diel na tejto stránke bolo vytvorených vtedy, pričom Le Tournesol (The Sunflower) z nich.

Aké sú prvé a posledné známe originály od Edward Steichen?Odhaľte odpoveď

Na tejto stránke je najstaršie dielo z The Lotus Screen, S.S.S (1909) a najnovšie z Herald, The Kid Brother (1927).

Aké témy si Edward Steichen najčastejšie vyberal/a?Odhaľte odpoveď

Black and white (7), Portrait (6) a Photography (6), v rámci 47 diel na tejto stránke.

Ktorú techniku používal(a) Edward Steichen najčastejšie?Odhaľte odpoveď

Black and White Photography, pre 9 z 47 diel na tejto stránke.

Do ktorého umeleckého smeru patrí Edward Steichen?Odhaľte odpoveď

Pictorialism, podľa originálov na tejto stránke.

Aké diela umelca Edward Steichen sa nachádzajú v múzeu Museum of the Moving Image?Odhaľte odpoveď

Behind-the-scenes photograph, Paying the Piper, Portrait, Osgood Perkins a Preview slide, The Kid: múzeá Museum of the Moving Image, Astoria uchovávajú 32 z diel na tejto stránke.

Edward Steichen: život a dielo

Edward Steichen: From a man of his time to an artist out of time

Edward Steichen, later known as Edward Steichen, was a figure who transcended simple categorization. Born in 1879 in the small village of Bivange, Luxembourg, his life became an extraordinary journey from European roots to becoming one of America’s most influential artists – not merely as a photographer, but as a painter, curator, and visionary who reshaped how we perceive visual culture. The early years were marked by a significant relocation; in 1881, the Steichen family emigrated to Hancock, Michigan, seeking new opportunities. This move instilled in young Edward a sense of displacement and perhaps, a heightened sensitivity to observation – qualities that would profoundly shape his artistic vision. Even as a child, an innate talent for drawing was evident, nurtured by supportive parents who recognized and encouraged his creative inclinations. The pivotal moment arrived at sixteen when he received his first camera, initiating a period of largely self-directed learning through relentless experimentation. This wasn’t merely about mastering technique; it was about discovering a new language, a way to capture the world with an immediacy and intimacy previously unattainable.
  • Early Life & Education: Edward Steichen’s formative years were shaped by his upbringing in Luxembourg and subsequent relocation to Michigan. His parents instilled in him a love for art and learning, recognizing his exceptional talent from a young age. He attended Pio Nono College, where he demonstrated an inquisitive spirit and a passion for drawing—skills that would serve as the foundation for his artistic pursuits.
  • Pictorialism & Stieglitz: Steichen’s artistic trajectory intersected with Alfred Stieglitz’s pioneering efforts to elevate photography as fine art. Together, they established the Photo-Secession in 1902, a group dedicated to disseminating innovative ideas and showcasing groundbreaking work. Their collaboration culminated in the publication of *Camera Work*, a journal that championed photographic experimentation and challenged conventional artistic boundaries.
  • The Photo-Secession & The Gallery 291: Steichen’s involvement with Stieglitz solidified his role as a champion of avant-garde art, particularly European modernism. He founded the Gallery 291 in New York City, providing a platform for exhibitions featuring artists like Picasso and Matisse—artists who profoundly influenced Steichen's artistic vision.
  • Straight Photography & World War I: The outbreak of World War I spurred Steichen’s artistic evolution away from Pictorialism toward “Straight Photography,” characterized by sharp focus and unadorned representation of reality. This stylistic shift reflected a broader cultural movement towards clarity and directness, mirroring the urgency of the wartime era.
  • Fashion Photography & Beyond: Steichen revolutionized the fashion industry during the 1920s and 30s, collaborating with Vogue and Vanity Fair to create images that transcended mere documentation—they conveyed mood, glamour, and narrative depth. He skillfully utilized light and composition to communicate personality and emotion, establishing himself as a pioneer in this field.

Major Achievements & Artistic Style

Steichen’s artistic style was marked by a remarkable versatility that extended beyond photography into painting and filmmaking. His meticulous attention to detail—evident in his portraits and landscapes—demonstrated an unwavering commitment to capturing the essence of his subjects and environments. He mastered techniques like Tonalism, achieving exceptional tonal richness and atmospheric depth in his paintings. Steichen’s photographic compositions were equally innovative, employing geometric arrangements and careful framing to convey visual impact and intellectual contemplation. His work consistently pushed boundaries, challenging conventions and inspiring subsequent generations of artists.

The Family of Man & UNESCO Recognition

Steichen's magnum opus, *The Family of Man*, curated at the Museum of Modern Art in 1955, stands as a testament to his belief in the unifying power of photography—a conviction that resonated deeply with audiences worldwide. Featuring images from sixty-eight countries, the exhibition explored universal human experiences—love, birth, death, joy, sorrow—transcending cultural and geographical distinctions. Its profound message captivated millions of visitors and earned UNESCO’s Memory of the World Register designation—affirming Steichen's enduring legacy as a visionary artist who championed humanist values.

Legacy & Influence

Edward Steichen died in 1973, leaving behind an extraordinary body of work that continues to inspire artists and scholars alike. His influence on photography is undeniable; he fundamentally altered perceptions of the medium’s artistic potential—elevating it from a purely technical endeavor to a form of expressive art. Furthermore, his pioneering contributions to fashion photography established new standards for visual storytelling within the industry. Steichen's unwavering dedication to experimentation and innovation cemented his place as one of America’s most important artists—a figure whose vision reshaped how we perceive and interpret the world around us.