Modernism
Study for ''The Outside'' 1 (Stuart Davis)
Stuart Davis (1892–1964) vytvoril Study for ''The Outside'' 1. Patrí k umeleckému smeru Modernism.
Study for ''The Outside'' 1 v krátkosti
- Názov
- Study for ''The Outside'' 1
- Umelec
- Stuart Davis (1892–1964)
- Narodený v roku
- Philadelphia, Spojené štáty americké
- Pohyb
- Modernism
- Motív
- study
Vysoko rozlíšené fotografie diela Study for ''The Outside'' 1
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Stuart Davis, Study for ''The Outside'' 1.
Otázky k dielu Study for ''The Outside'' 1, odpovede
Čo zobrazuje dielo "Study for ''The Outside'' 1"?
„Study for ''The Outside'' 1“ od Stuart Davis zobrazuje: study.
Patrí „Study for ''The Outside'' 1“ od Stuart Davis do verejnej domény?
Čo sa týka autorských práv, „Study for ''The Outside'' 1“ je v stále chránené autorským právom.
Kto je umelcom diela „Study for ''The Outside'' 1"?
Dielo „Study for ''The Outside'' 1“ sa pripisuje autorovi Stuart Davis.
K akému umeleckému smeru patrí „Study for ''The Outside'' 1“?
Uvedený umelecký smer spojený s dielom „Study for ''The Outside'' 1“ od Stuart Davis je Modernism. Táto klasifikácia umiestňuje toto dielo medzi súvisiace umelcov a umelecké diela.
Čo vysvetľuje situáciu s autorskými právami diela „Study for ''The Outside'' 1“ od Stuart Davis?
Autorské práva k dielu „Study for ''The Outside'' 1“ – stále chránené autorským právom – vyplývajú zo smrti umelca v roku 1964.
O umelcovi, Stuart Davis
1892–1964, Spojené štáty americké
Stuart Davis
Stuart Davis: A Pioneer of American Modernism Stuart Davis, born Edward Stuart Davis on December 7, 1892, in Philadelphia, Pennsylvania, was immersed in an artistic environment from a young age. His father, Edward Wyatt Davis, served as the art editor for *The Philadelphia Press*, while his mother, Helen Stuart Davis, was a sculptor—a lineage that undeniably fostered his early fascination with visual arts. Davis received formal training at the Robert Henri School of Art in New York City from 1909 to 1912 under the guidance of Robert Henri himself. During this formative period, he forged enduring friendships with fellow painters John Sloan, Glenn Coleman, and Henry Glintenkamp—artists who would become collaborators and companions on his artistic journey.