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The Self Portrait by Philip Evergood is a captivating oil painting that showcases the artist's unique style and technique. Created in 1919, this artwork measures 17 x 22 cm and is a remarkable example of American Social Realism. As a leading online platform specializing in handmade oil paintings reproductions, https://OriginalUniqueArt.com offers a wide range of artworks, including the Self Portrait by Philip Evergood.

Artist's Background

Philip Evergood was an American artist born in 1901 in New York City. He studied at the Art Students League of New York and later at the Slade School of Fine Art in London. Evergood was known for his socially conscious artworks, which often depicted the struggles of everyday people during the Great Depression and World War II.

Painting Description

The Self Portrait by Philip Evergood is a thought-provoking artwork that showcases the artist's skill and attention to detail. The painting features the artist himself, dressed in a tie and holding a bucket or bowl, sitting at a table with two cups and a chair in the background. The use of colors and composition in this painting are noteworthy, as they create a sense of depth and intimacy.

The Museum Santi Alessandro e Vincenzo in Ponteranica, Italy, is home to several artworks from famous artists, including Lorenzo Lotto and Giovanni Fattori.
https://OriginalUniqueArt.com offers a wide range of handmade oil paintings reproductions, including the Self Portrait by Philip Evergood.
For more information on Philip Evergood, visit Wikipedia.

The Self Portrait by Philip Evergood is a significant artwork that showcases the artist's unique style and technique. As a leading online platform specializing in handmade oil paintings reproductions, https://OriginalUniqueArt.com offers a wide range of artworks, including the Self Portrait by Philip Evergood. With its rich colors and thought-provoking composition, this painting is a must-see for art enthusiasts and collectors alike.

Biografia umelca

Early Life and Education

Philip Howard Francis Dixon Evergood (born Howard Blashki; 1901–1973) was born in New York City to Miles Evergood, an Australian artist of Polish Jewish descent, and Elsie (née Rosenblum) Evergood. His father’s artistic influence profoundly shaped his own creative path. From a young age, Philip demonstrated musical talent, performing piano concerts with his teacher by 1908. Recognizing this aptitude, he pursued formal education at various English boarding schools starting in 1909, culminating in degrees from Eton and Cambridge University. At Cambridge, he studied literature alongside music, fostering a well-rounded intellectual curiosity that would inform his artistic vision throughout his life.

Artistic Training and Influences

Philip’s artistic journey began seriously in 1921 when he enrolled at Slade School of Art in London under the tutelage of Henry Tonks, absorbing the principles of tonal painting and exploring expressive brushwork. He continued his studies at the Art Students League of New York with George Luks and William von Schlegell, honing his skills in American Realism. A pivotal encounter occurred during his time abroad when he studied etching with Stanley William Hayter at Atelier 17, mastering the technique of printmaking and gaining invaluable insight into artistic experimentation. Evergood’s artistic sensibilities were deeply impacted by masters such as El Greco, Bosch, Brueghel, Goya, Daumier, Toulouse-Lautrec, and Sloan's Ashcan paintings—artists who championed social realism and explored psychological depth within their compositions. Furthermore, he drew inspiration from prehistoric cave art, recognizing its primal power and symbolic resonance.

Career Highlights: WPA Murals and Teaching

During the Great Depression and World War II eras, Philip Evergood achieved considerable recognition through his involvement with the Works Progress Administration (WPA). He undertook two ambitious mural projects: “The Story of Richmond Hill” (1936–37) for the Public Library branch in Queens, New York, and “Cotton from Field to Mill” (1938) commissioned by the Post Office in Jackson, Georgia. These murals exemplify Evergood’s commitment to portraying social realities with bold lines and evocative imagery—a hallmark of his artistic style. Beyond his painting endeavors, he served as a professor of music and art at various institutions, nurturing young talent and disseminating knowledge about creative expression.

Later Years and Legacy

In 1952, Evergood relocated to Southbury, Connecticut, establishing himself as a respected artist and educator. He remained an active member of the Art Students League of New York and was inducted into the National Institute of Arts and Letters—honors recognizing his contribution to American art history. Tragically, he perished in a house fire in Bridgewater, Connecticut, on August 17, 1973, at the age of 72. His ashes were interred in Green-Wood Cemetery, Brooklyn, marking the final resting place of a prolific artist who left an indelible mark on American art. Evergood’s distinctive style—characterized by awkward drawing and spontaneous bold lines—continues to inspire artists today, cementing his position as a significant figure in 20th-century visual culture. His paintings are celebrated for their humor, fantasy, and symbolic depth, reflecting his unwavering belief in the power of art to engage with social issues and convey profound emotional truths.

Philip Evergood

1901 - 1973

Základné informácie

Artistic Movement Or Style: Social Realism
Artists Or Movements Influenced By This Artist: ['Eric I of Denmark']
Artists Who Influenced This Artist:
- El Greco
- Bosch
Date Of Birth: 1901
Date Of Death: 1973
Full Name: Philip Howard Francis Dixon Evergood
Nationality: American
Notable Artworks:
- Good Morning Little Redhead
- Romance
Place Of Birth: New York City, United States

Self Portrait

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