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Galleria Civica di Arte Moderna e Contemporanea Torino

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Popis predmetu

“Sculpture no. 15” was presented by Melotti in his first personal exhibition, held in May 1935 at the Milione gallery in Milan. On that occasion, the artist from Rovereto exhibited his recent abstract research: work that was a synthesis of precision, geometry and influences from the artist’s musical background and ancient Mediterranean roots. There is no trace of modelling or evocation in his geometry; the geometry is a body and a solid body, but it is open to the constitutive effusions of tension and time. “Sculpture no. 15” is based on a “contrapunctual and harmonious precision”. Three vertical modules give rhythm to the space, finding a moment of synthesis in the undulating motif that passes over them and unites them. These diaphanous and dematerialised bodies stand out in a silent and motionless spatio-temporal situation. The result is a composition of great clarity, and of pure and absolute forms, in which geometry meets poetry to re-establish a new modern plastic art.

Biografia umelca

Fausto Melotti: Bridging Futurism and Ceramic Innovation

Fausto Melotti (1901–1986) stands as a pivotal figure in Italian art history, embodying the dynamism of Futurism alongside a profound dedication to ceramic artistry. Born in Rovereto, nestled amongst the Dolomites, his formative years were steeped in artistic fervor thanks to his family’s involvement with the avant-garde movement—a connection that would profoundly shape his creative trajectory. His sister Renata Melotti married architect Gino Pollini, fostering an environment rich in intellectual discourse and artistic experimentation. The First World War forced a relocation to Florence, where he honed his skills at the Istituto Tecnico di Firenze and pursued higher education at Pisa University, delving into physics and mathematics alongside his burgeoning artistic ambitions. Moving to Milan in 1924, Melotti joined the influential Gruppo 7 architectural collective—Pollini, Luigi Figini, Giuseppe Terragni, Carlo Enrico Rava, Guido Frette, and Ubaldo Castagnoli—a partnership that cemented his position at the forefront of Italian design and artistic innovation. This collaboration exposed him to groundbreaking ideas about form and function, influencing his sculptural explorations for decades to come. He attended Accademia di Brera alongside sculptor Adolfo Wildt, absorbing invaluable lessons in classical technique and humanist expression. His friendship with Kazimir Malevich—particularly Kandinsky’s influence—became a cornerstone of his artistic vision, propelling him toward abstraction while retaining an inherent sensitivity to color and texture. Melotti's artistic journey began amidst the fervor of Futurism, where he collaborated closely with Carlo Belli and Fotrunato Depero at Casa d'Arte Futurista. This association fueled his experimentation with dynamic forms and disruptive visual language—a stylistic hallmark that would persist throughout his career. He embraced monumental commissions for the E 42 Exposition in Rome, crafting impressive sculptures that showcased both technical prowess and conceptual daring. Despite wartime devastation impacting his studio, Melotti persevered, returning to Milan and continuing to push artistic boundaries with ceramic works exploring geometric abstraction and textural interplay. His prolific output spanned decades, culminating in a monumental retrospective at Forte Belvedere in Florence in 1981—a testament to his enduring legacy as one of Italy’s most celebrated sculptors. Melotti's ceramics, characterized by their iridescent surfaces and meticulously crafted forms, transcended mere decorative embellishment; they became vehicles for conveying complex ideas about space, materiality, and visual perception. He achieved international acclaim, securing numerous awards recognizing his contribution to modern sculpture and cementing his place as a visionary artist who bridged the gap between revolutionary artistic movements and timeless aesthetic principles. Melotti’s work continues to inspire artists today, demonstrating the enduring power of experimentation and the transformative potential of embracing diverse influences—a legacy firmly rooted in both Futurism's bold ambition and ceramic art's subtle beauty.

fausto melotti

1901 - 1986

Základné informácie

Artistic Movement Or Style: Futurist & Post-war Art
Artists Or Movements Influenced By This Artist: ['Futurism']
Artists Who Influenced This Artist: ['Kandinsky']
Date Of Birth: 1901
Date Of Death: 1986
Full Name: Fausto Melotti
Nationality: Italian
Notable Artworks:
- Untitled (624)
- I Sette savi
Place Of Birth: Rovereto, Italy

Sculpture n. 15 (Abstract composition)

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Biografia umelca

Fausto Melotti: Bridging Futurism and Ceramic Innovation

fausto melotti