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      Edward Steichen

      Le Tournesol (The Sunflower)

      • Dátum vytvorenia1920
      • Rozmery96.0 x 86.0 cm

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      "meta_description": "Edward Steichen bol vynikajúci fotograf, malíř a kurátor, známy najmä svojou ikonickou výstavou 'Rodina muža' a experimentálnym prístupom k fotografii. Jeho diela reflektujú modernitu a ľudskú skúsenosť."
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      Umelecké dielo zobrazené na tejto stránke je chránené autorským zákonom, čo znamená, že nemôžeme legálne vytvárať ani predávať jeho identickú reprodukciu. Táto ochrana je vymáhaná na základe medzinárodných dohôd, ako napríklad Bernská konvencia a národnými zákonmi, vrátane tých, ktoré sú stanovené v Autorské právo USA – Title 17. Všetky práva vyhradené.

      Táto metóda plne dodržiava autorské práva, pretože nezahŕňa kopírovanie ani duplikovanie chráneného diela. Ide skôr o kreatívnu reinterpretáciu – nový obraz, ktorý je ovplybnený originálom, no nie je s ním identický.

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      Giclée / Umenotlač

      Giclée tlač alebo plátno múzeálnej kvality s rýchlou výrobou a rôznymi možnosťami povrchovej úpravy. ( Objednať ručne maľovanú reprodukciu Prepnúť na digitálnu verziu obrazu)

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      Štandardné rozmery
      na mieru
      CM
      INCH

      Vyberte si z našich preddefinovaných rozmerov, ktoré zodpovedajú pôvodným pomeroḿ diela.

      šírka
      výška

      Zadajte šírku a výšku, ktoré potrebujete, aby sa reprodukcia hodila k vášmu rámu alebo stene. Print možno len orezávať, nikdy však nemennú veľkosť zvětšiť oproti pôvodnému obrázku, preto pri inom formáte stráca časť obrazu. Pred samotným vytlačiacím procesom vám pošleme digitálny náhľad na schválenie. Obrázok zobrazený na tejto stránke nezobrazuje reálny rez — len digitálny náhľad ukazuje presný výsledok.

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      Celosvetová doprava () do 2 týždňov namiesto štandardných 4 až 5 týždňov. (26 október)

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      Bezplatná expresná doprava po celom svete
      Vysokokvalitné lnianske plátno
      Úplné poistenie prepravy
      Záruka vrátenia colného poplatku
      Záruka presného farebného zhodnutia
      100-dená politika vrátenia tovaru (iba pri vadách)
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      Celková cena

      € 70

      Le Tournesol (The Sunflower)

      Giclée / Umenotlač

      Veľkosť reprodukcie

      -

      Celková cena

      € 70

      Geometric shapes and mostly flat areas of color suggest an abstracted sunflower in a vase against a background made of vibrant bands of color in this vertical painting. A spring-green oval shape takes up the middle of the lower half of this composition. Cut straight cross the top and bottom, it recalls a wide-mouthed vase. The head of the stylized flower seems to rest propped over or on the top edge of the vase. A pine-green circle is outlined with celery green, and then surrounded by a larger, yellow disk to represent the head and petals of the flower. The yellow lightens from canary to goldenrod around the green disk within. Then, the yellow disk is outlined with a darker, honey color. The head of the flower is surrounded by a pale pink disk. A stylized green stem curves from the blossom into the vase on our left. Bands and blocks of color make up the background in flat areas of crimson red, black, eggplant purple, pumpkin orange, white, and shades of blue and green.

      Otázky a odpovede

      Kde si môžem pozrieť náhľad diela „Le Tournesol (The Sunflower)"?

      Náhľad diela „Le Tournesol (The Sunflower)“ od Edward Steichen si môžete pozrieť na stránke Náhľad daného diela.

      Patrí „Le Tournesol (The Sunflower)“ od Edward Steichen do verejnej domény?

      Čo sa týka autorských práv, „Le Tournesol (The Sunflower)“ je v stále chránené autorským právom.

      Aká paleta a dominantná farba definujú "Le Tournesol (The Sunflower)"?

      Farebná identita diela „Le Tournesol (The Sunflower)“ od Edward Steichen: paleta v odtieňoch Dark, ktorej dominuje Espresso (#443a30).

      Biografia umelca

      Edward Steichen: From a man of his time to an artist out of time

      Edward Steichen, later known as Edward Steichen, was a figure who transcended simple categorization. Born in 1879 in the small village of Bivange, Luxembourg, his life became an extraordinary journey from European roots to becoming one of America’s most influential artists – not merely as a photographer, but as a painter, curator, and visionary who reshaped how we perceive visual culture. The early years were marked by a significant relocation; in 1881, the Steichen family emigrated to Hancock, Michigan, seeking new opportunities. This move instilled in young Edward a sense of displacement and perhaps, a heightened sensitivity to observation – qualities that would profoundly shape his artistic vision. Even as a child, an innate talent for drawing was evident, nurtured by supportive parents who recognized and encouraged his creative inclinations. The pivotal moment arrived at sixteen when he received his first camera, initiating a period of largely self-directed learning through relentless experimentation. This wasn’t merely about mastering technique; it was about discovering a new language, a way to capture the world with an immediacy and intimacy previously unattainable.
      • Early Life & Education: Edward Steichen’s formative years were shaped by his upbringing in Luxembourg and subsequent relocation to Michigan. His parents instilled in him a love for art and learning, recognizing his exceptional talent from a young age. He attended Pio Nono College, where he demonstrated an inquisitive spirit and a passion for drawing—skills that would serve as the foundation for his artistic pursuits.
      • Pictorialism & Stieglitz: Steichen’s artistic trajectory intersected with Alfred Stieglitz’s pioneering efforts to elevate photography as fine art. Together, they established the Photo-Secession in 1902, a group dedicated to disseminating innovative ideas and showcasing groundbreaking work. Their collaboration culminated in the publication of *Camera Work*, a journal that championed photographic experimentation and challenged conventional artistic boundaries.
      • The Photo-Secession & The Gallery 291: Steichen’s involvement with Stieglitz solidified his role as a champion of avant-garde art, particularly European modernism. He founded the Gallery 291 in New York City, providing a platform for exhibitions featuring artists like Picasso and Matisse—artists who profoundly influenced Steichen's artistic vision.
      • Straight Photography & World War I: The outbreak of World War I spurred Steichen’s artistic evolution away from Pictorialism toward “Straight Photography,” characterized by sharp focus and unadorned representation of reality. This stylistic shift reflected a broader cultural movement towards clarity and directness, mirroring the urgency of the wartime era.
      • Fashion Photography & Beyond: Steichen revolutionized the fashion industry during the 1920s and 30s, collaborating with Vogue and Vanity Fair to create images that transcended mere documentation—they conveyed mood, glamour, and narrative depth. He skillfully utilized light and composition to communicate personality and emotion, establishing himself as a pioneer in this field.

      Major Achievements & Artistic Style

      Steichen’s artistic style was marked by a remarkable versatility that extended beyond photography into painting and filmmaking. His meticulous attention to detail—evident in his portraits and landscapes—demonstrated an unwavering commitment to capturing the essence of his subjects and environments. He mastered techniques like Tonalism, achieving exceptional tonal richness and atmospheric depth in his paintings. Steichen’s photographic compositions were equally innovative, employing geometric arrangements and careful framing to convey visual impact and intellectual contemplation. His work consistently pushed boundaries, challenging conventions and inspiring subsequent generations of artists.

      The Family of Man & UNESCO Recognition

      Steichen's magnum opus, *The Family of Man*, curated at the Museum of Modern Art in 1955, stands as a testament to his belief in the unifying power of photography—a conviction that resonated deeply with audiences worldwide. Featuring images from sixty-eight countries, the exhibition explored universal human experiences—love, birth, death, joy, sorrow—transcending cultural and geographical distinctions. Its profound message captivated millions of visitors and earned UNESCO’s Memory of the World Register designation—affirming Steichen's enduring legacy as a visionary artist who championed humanist values.

      Legacy & Influence

      Edward Steichen died in 1973, leaving behind an extraordinary body of work that continues to inspire artists and scholars alike. His influence on photography is undeniable; he fundamentally altered perceptions of the medium’s artistic potential—elevating it from a purely technical endeavor to a form of expressive art. Furthermore, his pioneering contributions to fashion photography established new standards for visual storytelling within the industry. Steichen's unwavering dedication to experimentation and innovation cemented his place as one of America’s most important artists—a figure whose vision reshaped how we perceive and interpret the world around us.
      Edward Steichen

      Edward Steichen

      1900 - 1973 , Luxembursko

      Rýchle fakty

      • Artistic Movement Or Style: Pictorializmus; Fotografické umenie
      • Artists Or Movements Influenced By This Artist: ['Fotografické umenie']
      • Artists Who Influenced This Artist: ['Alfred Stieglitz']
      • Date Of Birth: 27. marec 1879
      • Full Name: Edward Jean Steichen
      • Nationality: Americký
      • Notable Artworks:
        • The Pond–Moonlight
        • The Flatiron
      • Place Of Death: West Redding, Connecticut
      Edward Steichen: Celá kolekcia
      Preskúmajte umelecká diela usporiadané podľa tém, štýlov a charakteristík.