Oval Form (Trezion)
Bronze
Sculpture
Modernism
1962
93.0 x 146.0 cm
Kimbell Art Museum
Ručne maľovaná olejová reprodukcia
Ručne maľovaný olej na plátne vo vašej zvolenej veľkosti a v ráme, vyrobený na mieru našimi umelcami. ( Kúpiť tlač
Kúpiť obrázok)
Vyberte si z našich preddefinovaných rozmerov, ktoré zodpovedajú pôvodným pomeroḿ diela.
Môžete zadať vlastné rozmery tak, aby sa hodili do konkrétneho rámu alebo priestoru. Ak sa váš zvolený rozmer nezhoduje s pôvodnými proporciami obrazu, dielo buď orezáme, alebo ho doplníme ručne maľovanými prvkami. Pred začiatkom výroby vám zašleme digitálny náhľad na schválenie.
Upozorňujeme, že ukážka na obrazovke neodráža skutočné orezanie alebo doplnenie. Skutočnú finálnu kompozíciu zobrazuje iba digitálny náhľad.
Hoci sú k dispozícii vlastné rozmery, odporúčame vybrať rozmer z preddefinovaného zoznamu, aby sme zachovali pôvodné proporcie.
Po odoslaní objednávky vám tím OriginalUniqueArt.com pošle e-mail s pokynmi a poskytne náhľad na návrh.
Celosvetová doprava () za 3 až 4 týždne namiesto štandardných 5 týždňov. (20 august). Bez kompromisov v kvalite.
Bezplatná expresná doprava po celom svete
Prémiové lnianske plátno
Kompletné poistenie prepravy
Záruka vrátenia colného poplatku
Záruka presného farebného zhodnutia
60-dňá politika vrátenia (iba pri defektoch)
100% záruka vrátenia peňazí
Výhodná množstevná zľava
Oval Form (Trezion)
Technika reprodukcie
Veľkosť reprodukcie
-
Celková cena za vybrané možnosti
$ 300
Popis diela
Oval Form (Trezion): A Dance of Light and Stone
Barbara Hepworth’s “Oval Form (Trezion),” created in 1962, isn't merely a sculpture; it’s an invitation to contemplate the very essence of form, space, and the profound connection between human experience and the natural world. This monumental bronze, currently residing within the esteemed collection of the Kimbell Art Museum in Fort Worth, Texas, stands as a testament to Hepworth’s pioneering approach to abstract sculpture – one that moved beyond representational imagery to explore pure geometric relationships and tactile sensations.
At first glance, the piece presents a deceptively simple form: a vast, gently curving oval bisected by a deep, resonant hollow. However, prolonged observation reveals an intricate interplay of textures and surfaces. The exterior is deliberately rough, bearing the marks of the casting process – evidence of the sculptor’s hand shaping the molten metal. This contrasts dramatically with the smooth, polished interior, creating a dynamic tension between solidity and void, presence and absence. The subtle shifts in color, ranging from warm browns to muted greens, further enhance this visual dialogue, evoking the shifting light and shadows found on weathered stone or the surface of water.
A Cornish Inspiration: Echoes of Landscape
Hepworth’s relationship with Cornwall is inextricably linked to “Oval Form (Trezion).” Following a pivotal shift in her artistic practice during World War II, she sought refuge and inspiration from the rugged coastline of St Ives. The dramatic cliffs, crashing waves, and intricate rock formations profoundly influenced her work during this period, leading to a renewed focus on capturing the essence of landscape through abstract forms. “Trezion,” named after Hepworth’s beloved Cornish home, embodies this connection – it's a distillation of the coastline’s power and beauty, translated into a singular, enduring form.
The sculpture’s genesis can be traced back to her exploration of Neolithic standing stones found at Chûn Castle hillfort. These ancient monoliths, weathered by centuries of exposure to the elements, served as a visual catalyst for Hepworth's creative process. She sought to capture their monumental presence and inherent energy, translating them into a contemporary language of form and space. The deep recesses within “Oval Form” are reminiscent of caves and hollows found in the Cornish landscape, further reinforcing this connection.
The Language of Sculpture: Materiality and Movement
Hepworth’s mastery lies not just in her conceptual approach but also in her technical skill. She skillfully employed the lost-wax casting process, allowing for a remarkable degree of control over the final form. The bronze itself was carefully selected – its inherent qualities of density, reflectivity, and malleability were crucial to achieving the desired effect. Hepworth’s technique involved building up layers of plaster on an armature, carving away excess material to reveal the underlying form. This subtractive process created a dynamic tension between mass and void, contributing to the sculpture's sense of movement and depth.
The deliberate roughness of the exterior surface is particularly noteworthy. Hepworth intentionally left visible traces of the casting process – tool marks, imperfections, and variations in color – as a reminder of the human hand that shaped the piece. This engagement with materiality elevates “Oval Form (Trezion)” beyond mere abstraction, imbuing it with a sense of history and authenticity.
A Legacy of Modernism: Resonance Today
“Oval Form (Trezion)” stands as a cornerstone of Hepworth’s oeuvre and a defining example of British modern sculpture. Its influence can be seen in the work of countless artists who followed, demonstrating her enduring legacy as a pioneer of abstract form. The sculpture's exploration of space, texture, and material remains profoundly relevant today, inviting viewers to engage with its complex interplay of visual elements and contemplate the timeless relationship between art and nature. Reproductions of this iconic piece offer a remarkable opportunity to bring Hepworth’s vision into any setting, adding a touch of sophisticated elegance and contemplative depth.
Biografia umelca
Barbara Hepworth: Pioneer of Organic Abstraction
Barbara Hepworth (1903–1975) stands as one of the most influential figures in British sculpture of the 20th century, a sculptor whose uncompromising vision reshaped artistic conventions and cemented her place among the vanguard of modernist art. Born Jocelyn Barbara Hepworth in Wakefield, Yorkshire, she possessed an innate fascination for form and texture from childhood—a passion that would propel her to become a celebrated artist who defied traditional representational approaches.- Early Life and Education: Hepworth’s formative years were marked by a profound connection to the Yorkshire landscape. Her father, Herbert Hepworth, was a civil engineer for the West Riding County Council, fostering in her a keen appreciation for geometric precision alongside an early sensitivity to natural forms. She attended Wakefield Girls' High School where she excelled academically and musically—receiving music prizes at the age of twelve—and subsequently secured a prestigious scholarship to Leeds School of Art in 1920. It was there that she encountered Henry Moore, forging a lifelong friendship characterized by mutual respect and artistic rivalry.
- Royal College of Art Years: In 1921 Hepworth enrolled at the Royal College of Art in London, where she honed her sculptural skills under the tutelage of Lucie Rie and Edgar Chadwick. Her studies focused on exploring abstraction, influenced by movements like Surrealism and Cubism—particularly the pioneering work of Picasso and Braque—and establishing herself as a key contributor to the burgeoning British avant-garde.
- Marriage and Early Career: Hepworth married John Skeaping in 1925, forming a collaborative partnership that would shape her artistic trajectory. Together they embraced “direct carving”—a technique prioritizing tactile engagement with raw materials—and championed the exploration of geometric forms devoid of illusionistic representation. Their shared studio at Hampstead became a crucible for experimentation and innovation, fostering connections with fellow artists like Ben Nicholson and William Moore.
- Collaboration with Ben Nicholson: Hepworth’s relationship with Ben Nicholson blossomed in 1931, resulting in a marriage that lasted until 1933. Their partnership was marked by intellectual exchange and artistic synergy—particularly during the Second World War when they relocated to St Ives, Cornwall—where Hepworth continued to develop her distinctive sculptural style.
- Mature Style and Legacy: Hepworth’s mature oeuvre is defined by a masterful manipulation of form and space, reflecting her deep engagement with the natural world. She favored materials like bronze, alabaster, slate and stone—often employing techniques that emphasized textural contrasts and subtle shifts in perspective. Her sculptures—such as *Oval Form*, *Two Forms* and *Totem*—are celebrated for their elegance, simplicity and profound emotional resonance. Hepworth’s work profoundly impacted subsequent generations of sculptors and cemented her reputation as a visionary artist who championed the expressive potential of abstraction.
Notable Works and Exhibitions
Hepworth's artistic journey culminated in numerous prestigious commissions and exhibitions that solidified her position as one of Britain’s foremost sculptors. Her monumental sculpture *Winged Figure*, commissioned by John Lewis for their Oxford Street flagship store, stands as a testament to her ambition and technical prowess—a striking example of organic abstraction achieved on an unprecedented scale. Furthermore, Hepworth's sculptures are prominently featured in collections worldwide, including the Tate Modern in London and the Guggenheim Museum Bilbao. Her enduring influence continues to inspire artists today.Influence and Artistic Philosophy
Hepworth’s artistic philosophy centered around a belief that sculpture should communicate emotion and experience—rather than merely replicating visual reality. She drew inspiration from both Eastern and Western art traditions, particularly Japanese Zen Buddhism—which emphasized contemplation and the pursuit of inner harmony—and the pioneering work of Piet Mondrian—who championed geometric abstraction as a pathway to spiritual enlightenment.The Hepworth Wakefield
Today, The Hepworth Wakefield houses an impressive collection of Hepworth’s sculptures—a vibrant celebration of her artistic legacy. Visitors can immerse themselves in the artist's groundbreaking explorations of form and texture, gaining insight into the creative process that shaped her iconic masterpieces.Barbara Hepworthová
1903 - 1975 , Spojené kráľovskosti
Základné informácie
- Artistic Movement Or Style: Modernizmus
- Artists Or Movements Influenced By This Artist: ['Unit One']
- Artists Who Influenced This Artist: ['Henry Moore']
- Date Of Birth: 10 január 1903
- Full Name: Jocelyn Barbara Hepworth
- Nationality: Anglická
- Notable Artworks:
- Oval Form
- Two Forms
- Totem
- Place Of Birth: Wakefield, Veľké Uhrádza

Možnosť skla je dostupná len pri rozmeroch pod 110 cm
