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Like Alternandosi e dividendosi (1989)—also included in this exhibition—Alighiero Boetti’s Tavola pitagorica is part of the artist’s Arazzi (Tapestries) series. These embroidery works are known for their play on order and disorder, and, in this way, directly recall Bochner’s mathematical as well as text- based artworks, which continually juxtapose the rational with the irrational. This piece, in particular, additionally conjures Bochner’s Meditation on the Theorem of Pythagoras through its title, which translates to “Pythagorean Table.” Boetti’s decision to evoke the name of the famous philosopher— whose renowned theorem, which bears his name, centers on the relations between the three sides of a right triangle—may seem puzzling when looking at this perfectly square work. However, upon closer inspection, it becomes clear that this embroidery on fabric embodies the artist’s desire to encourage avoiding the obvious, taking a longer look, and shifting our perspective. While the right triangle is the main event of the Pythagorean theorem, the square is the less obvious element that does, in fact, play a key role. As the squares of each side of the triangle give truth to the famous equation a2 + b2 = c2, they become equally as important as the triangle itself. Boetti further nods towards the significance of this exponential function by repeating certain letters in patterns of two throughout the grid. His decision to use black-and-white—unlike in Alternandosi e dividendosi, which features vibrant colors—aligns with the work’s mathematical roots; numerical language has always been associated with logic and reason as opposed to emotion, which is typically represented by a variety of shades and hues. Within the work, Boetti includes the name “Anne,” a detail that may refer to his wife, the famous writer and critic, Annemarie Sauzeau Boetti.

Biografia umelca

Alighiero e Boetti: Life and Art

Early Life and Influences

Alighiero Fabrizio Boetti, known as Alighiero e Boetti, was born in Turin, Italy, in 1940. His parents were Corrado Boetti, a lawyer, and Adelina Marchisio, a violinist. He initially pursued studies at the business school of the University of Turin but soon abandoned them to dedicate himself to art.

Early theoretical interests included philosophy, alchemy, and esoterics.
He admired authors like Hermann Hesse and painter Paul Klee.
Boetti also showed a continuing interest in mathematics and music throughout his life.

His early artistic exposure came through discovering the works of German painter Wols and Argentine-Italian artist Lucio Fontana’s cut canvases. His initial paintings, however, were reminiscent of Nicolas de Staël.

Artistic Development & Arte Povera

In 1962, Boetti moved to Paris where he met art critic Annemarie Sauzeau, whom he married in 1964 and with whom he had two children. Working in Turin during the early 1960s alongside artists like Luciano Fabro, Mario Merz, Giulio Paolini, and Michelangelo Pistoletto, Boetti became a key figure in the Arte Povera movement.

Arte Povera emphasized using humble materials and techniques to challenge traditional art values.
Boetti experimented with unconventional materials like plaster, masonite, plexiglass, and light fixtures.
His first solo show was in 1967 at the Turin gallery of Christian Stein.

Key Themes & Artistic Strategies

Boetti’s work is characterized by several recurring themes:

Twinning: This concept led him to add ‘e’ (and) between his names, exploring duality and self-identity.
Chance & Order: He often incorporated elements of chance into his work alongside structured systems like grids and maps.
Non-Western Cultures: Extensive travels to Guatemala, Ethiopia, Sudan, Afghanistan, and Pakistan deeply influenced his art.

He employed unique strategies such as using ballpoint pens and even the postal system in his artistic process.

Major Works & Achievements

Mappa (1971-1994): A series of embroidered maps of the world, created with the help of Afghan artisans.
Lampada annuale (Yearly Lamp) (1966): A light bulb in a mirrored box that randomly illuminates for eleven seconds each year.
Tavola pitagorica (Pythagorean Table): Explores mathematical permutations and visual patterns.
Lavori postali (Postal Works) (1969-70): Series of letters sent to prominent figures in the art world, often returned undelivered due to imaginary addresses.

Historical Significance & Legacy

Alighiero e Boetti’s work challenged conventional notions of authorship and artistic control. His exploration of chance, order, and cultural exchange continues to resonate with contemporary artists. He died in Rome in 1994 at the age of 53 from a brain tumor. Boetti's legacy lies in his innovative approach to conceptual art and his ability to blend intellectual rigor with aesthetic beauty. His work remains highly influential, exhibited globally, and continues to inspire new generations of artists and thinkers.

alighiero e boetti

1940 - 1994

Základné informácie

Birth_Date: 1940
Birth_Place: Turin, Italy
Death_Date: 1994
Influenced_By:
- Wols
- Lucio Fontana
- Hermann Hesse
- Paul Klee
Movement: Arte Povera, Conceptual Art
Name: Alighiero e Boetti
Nationality: Italian
Notable_Works: Mappa, Tavola pitagorica, Lampada annuale

Tavola pitagorica

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Popis predmetu

Biografia umelca

Alighiero e Boetti: Life and Art

Early Life and Influences