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PrezentáciaRobert David MacDonald (1929–2004)
1995
56.0 x 41.0 cm
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Giclée / Umenotlač
Giclée tlač alebo plátno múzeálnej kvality s rýchlou výrobou a flexibilnými možnosťami povrchovej úpravy. (
Kúpiť ručne maľovaný obraz Kúpiť obrázok)
Vyberte si z našich preddefinovaných rozmerov, ktoré zodpovedajú pôvodným pomeroḿ diela.
Môžete zadať vlastné rozmery, aby sa reprodukcia prispôsobila konkrétnemu rámu alebo priestoru. Ak zvolená veľkosť nebude zodpovedať proporciám originálu, dielo buď orežeme, alebo obraz rozšírime pomocou zrkadlenia či farebného doplnenia okrajov. Pred začatím výroby vám pošleme digitálnu ukážku na schválenie.
Máte na vedomí, že náhľad na obrazovke neodzrkadľuje skutočné orezanie alebo rozšírenie. Len digitálna ukážka presne zobrazí finálnu kompozíciu.
Hoci sú k dispozícii vlastné rozmery, pre zachovanie pôvodných proporcií odporúčame vybrať si rozmer z vopred definovaného zoznamu.
Celosvetová doprava () do 2 týždňov namiesto štandardných 4/5 týždňov. (22 august)
Bezplatná expresná doprava po celom svete
Prémiové lnianske plátno
Kompletné poistenie prepravy
Záruka vrátenia colného poplatku
Záruka presného farebného zhodnutia
60-dňá politika vrátenia (iba pri defektoch)
100% záruka vrátenia peňazí
Výhodná množstevná zľava
Možnosť skla je dostupná len pri rozmeroch pod 110 cm
Robert David MacDonald (1929–2004)
Giclée / Umenotlač
Veľkosť reprodukcie
-
Celková cena za vybrané možnosti
$ 80
Biografia umelca
Adrian Wiszniewski: Bridging Myth and Reality in Scottish Figurative Painting
Adrian Wiszniewski emerged from the crucible of Glasgow School of Art in the late 1980s, a pivotal moment for Scottish art history. Alongside fellow artists Steven Campbell, Peter Howson and Ken Currie—collectively known as the New Glasgow Boys—Wiszniewski spearheaded a revival of figurative painting, injecting it with a potent blend of fantastical imagery and astute social observation. This movement challenged prevailing trends in British art at the time, prioritizing emotional resonance and intellectual depth over purely aesthetic concerns. Born in Glasgow in 1958, Wiszniewski’s artistic journey began with formal training at Mackintosh School of Architecture before delving into the Glasgow School of Art itself from 1979 to 1983. Early influences included New Image Painting—a movement characterized by its exploration of psychological landscapes and dreamlike narratives—which instilled in him a fascination for confronting complex themes through visual storytelling. This formative period cemented his commitment to portraying human experience with uncompromising honesty, simultaneously grounding it in mythic archetypes and reflecting the anxieties of the era. The New Glasgow Boys’ collaborative spirit fostered an environment where experimentation flourished. Their paintings captured the zeitgeist of the mid-1980s—a time marked by political upheaval and cultural introspection—presenting narratives that wrestled with notions of identity, social justice, and the human condition. Wiszniewski's distinctive style quickly gained recognition, establishing him as a key figure in redefining Scottish artistic expression. His debut solo exhibition in 1984 garnered critical acclaim, securing Tate’s acquisition of several pieces and marking the beginning of his international career. Subsequent exhibitions at Walker Gallery solidified his reputation as a visionary artist dedicated to conveying profound ideas through evocative visual language. Beyond painting, Wiszniewski pursued diverse artistic endeavors—printmaking, sculpture, installations, furniture design and writing—demonstrating an expansive creative vision. He collaborated with the Scottish Philharmonic Orchestra on “The Girl, The Boy And The Hag,” crafting a musical narrative accompanied by a beautifully illustrated book that further showcased his storytelling abilities. This multifaceted approach underscored his belief in utilizing various mediums to communicate fresh perspectives and engage audiences on multiple levels. Wiszniewski’s artistic achievements have been recognized through prestigious awards including the Haldane Trust Award (1982), the David Cargill Scholarship (1983) and the Mark Rothko Memorial Award (1984). His enduring legacy lies in his contribution to revitalizing Scottish figurative painting, inspiring subsequent generations of artists with his unwavering dedication to exploring complex themes through imaginative visual representations. He continues to push boundaries, cementing his position as one of Scotland’s most influential contemporary voices.
Základné informácie
- Artistic Movement Or Style: New Image Painting
- Artists Or Movements Influenced By This Artist: Fantasy art
- Artists Who Influenced This Artist: Alexander Moffat
- Full Name: Adrian Wiszniewski
- Nationality: Scottish
- Notable Artworks: ['The Girl, The Boy and The Hag']
- Place Of Birth: Glasgow
