Frankfurters\n\nReference Image
Pop Art
126.0 x 472.0 cm
Centre of Contemporary Art Znaki Czasu
Масляная репродукция ручной работы
Картина маслом на холсте в выбранном вами размере и раме, написанная на заказ нашими художниками. ( Купить принт
Купить изображение)
Выберите один из наших стандартных размеров, соответствующих оригинальным пропорциям произведения искусства.
Вы можете указать собственные размеры, чтобы картина идеально вписалась в выбранную раму или пространство. Если выбранный вами размер не соответствует пропорциям оригинала, мы либо обрежем полотно, либо расширим его за счет дополнительных элементов, написанных вручную. Цифровой макет будет отправлен вам на утверждение перед началом производства.
Обратите внимание, что предварительный просмотр на экране не отражает фактическую обрезку или расширение. Только макет точно покажет окончательную композицию.
Хотя доступны индивидуальные размеры, мы рекомендуем выбирать вариант из предопределенного списка, чтобы сохранить исходные пропорции.
После оформления заказа команда OriginalUniqueArt.com свяжется с клиентом по электронной почте для уточнения деталей и предоставит предварительный макет
Доставка по всему миру () за 3–4 недели вместо стандартных 5 недель. (15 Август). Без компромиссов в качестве.
Бесплатная экспресс-доставка по всему миру
Высококачественный льняной холст
Полное страхование доставки
Гарантия возмещения таможенных пошлин
Гарантия точного соответствия цветов
Политика возврата в течение 60 дней (только при наличии дефектов)
Гарантия возврата 100% средств
Предложение оптовых скидок
Frankfurters\n\nReference Image
Техника репродукции
Размер репродукции
-
Итоговая стоимость
$ 850
Описание произведения
Биография художника
Thomas Bayrle: The Obsessive Grid
Thomas Bayrle, born in Berlin in 1937, stands as a pivotal figure within the German Pop Art movement and continues to produce impactful sculptural and photographic works today. His artistic journey began amidst the backdrop of post-war Germany, shaping his worldview and informing his distinctive visual language—a preoccupation with repetition, grid structures, and an unflinching gaze at societal concerns. Bayrle’s formative years were marked by exposure to Bauhaus principles and a fascination with industrial design, influences that would permeate throughout his oeuvre. He honed his skills as a designer before transitioning into sculpture in the late 1960s, establishing himself as a sculptor of considerable renown. His sculptural practice is characterized by monumental forms constructed from metal—often incorporating repetitive patterns—that confront viewers with questions about scale, materiality, and the impact of technology on human experience. The artist’s artistic vision crystallized around the concept of “superforms,” which he describes as “a kind of visual shorthand for complex social processes.” These superforms aren't merely aesthetically pleasing objects; they serve as vehicles for conveying critical commentary on issues such as consumerism, surveillance, and the pervasive influence of media. Bayrle’s approach is deliberately unsettling, aiming to provoke contemplation rather than offering easy answers. He utilizes photographic collage extensively, layering images to create textured surfaces that mimic urban environments—a technique he considers crucial to capturing the essence of contemporary life. Notable achievements include exhibitions at institutions worldwide, including Tate Modern in London and numerous galleries across Europe. His work has garnered critical acclaim for its conceptual rigor and visual boldness. Bayrle’s enduring legacy resides not only in his sculptural output but also in his pioneering exploration of photographic collage as a medium for artistic expression—a contribution that solidified his position as one of Germany's most significant contemporary artists.- Early Influences: Bauhaus and Industrial Design
- Sculptural Practice: Monumental Metal Forms & Repetition
- Conceptual Approach: “Superforms” – Commentary on Society
- Photographic Collage: Mimicking Urban Environments
- Recognition & Legacy: Exhibitions Worldwide & Critical Acclaim
Windscreen Wipers: Pray for Us
Bayrle’s 2010 painting, “Windscreen Wipers: Pray for Us,” exemplifies his signature style. Utilizing black and white metal wipers—a seemingly mundane object—he constructs a powerful visual statement about vulnerability and collective responsibility. The artwork resides in the Tate Modern collection as part of the World Goes Pop exhibition.Frankfurters
“Frankfurters” represents Bayrle’s masterful use of photographic collage. This monumental piece, measuring 126x472 cm, depicts a series of figures rendered in shades of grey—a deliberate choice that underscores themes of anonymity and human connection within the urban landscape. It's a testament to his ability to distill complex ideas into striking visual forms.Thomas Bayrle
1937 - , Germany
Основные сведения
- Artistic Movement Or Style: Pop Art
- Date Of Birth: 1937
- Full Name: Thomas Bayrle
- Nationality: German
- Notable Artworks:
- Windscreen Wipers: Pray for Us
- Frankfurters
- Place Of Birth: Berlin, Germany

Вариант со стеклом доступен только для размеров менее 110 см
