Self-Portrait Playing the Spinet
Oil On Canvas
WallArt
Renaissance Portraiture
1556
57.0 x 48.0 cm
Музео Нац. Каподимонте
Жикле / Арт-принт
Печать (жикле) или холст музейного качества с быстрыми сроками изготовления и широким выбором вариантов отделки.
P118B $10
P118H $10
P118W $10
P438Z $10
P508JH $12
P508YH $12
P805H $10
P805Z $10
P919BZ $10
P919G $10
P919XJ $10
P959ZH $10
P968JZ $12
W106C $8
W218G $10
W218JH $8
W218Y $10
W307PJ $10
W316G $10
W316PJ $8
W316Y $10
W398PJ $8
W4111J $10
W500HY $15
W500JH $15
W692G $12
W849H $8
W940BG $15
W953PJ $8
Выберите один из наших стандартных размеров, соответствующих оригинальным пропорциям произведения искусства.
Вы можете указать свои собственные размеры, чтобы репродукция идеально подошла под конкретную раму или пространство. Если выбранный вами размер не будет соответствовать пропорциям оригинала, мы либо обрежем произведение, либо дополним изображение зеркальным отражением краев или однотонной заливкой. Перед началом производства вам будет отправлен цифровой макет для утверждения.
Пожалуйста, обратите внимание, что предварительный просмотр на экране не отображает фактическую обрезку или расширение изображения. Только макет точно покажет финальную композицию.
Несмотря на возможность заказа индивидуальных размеров, мы рекомендуем выбирать размер из предопределенного списка, чтобы сохранить оригинальные пропорции.
Доставка по всему миру () за 2 недели вместо стандартных 4/5 недель. (21 Июль)
Бесплатная экспресс-доставка по всему миру
Высококачественный льняной холст
Полное страхование доставки
Гарантия возмещения таможенных пошлин
Гарантия точного соответствия цветов
Политика возврата в течение 60 дней (только при наличии дефектов)
Гарантия возврата 100% средств
Предложение оптовых скидок
Self-Portrait Playing the Spinet
Жикле / Арт-принт
Размер репродукции
-
Итоговая стоимость
-
Описание предмета коллекционирования
Sofonisba Anguissola’s Self-Portrait Playing the Spinet: A Renaissance Pioneer
Sofonisba Anguissola stands as an extraordinary figure in the annals of art history—a woman who defied societal expectations and achieved unparalleled success as a painter during the Italian Renaissance. Her 1556 self-portrait, “Self-Portrait Playing the Spinet,” isn’t merely a depiction of an artist; it's a testament to ambition, intellect, and the burgeoning spirit of humanist inquiry that characterized the era.
The painting immediately draws the eye with its serene composition. Anguissola portrays herself seated at a spinet—a keyboard instrument popular in aristocratic circles—her gaze directed outwards towards the viewer. This deliberate positioning establishes an intimate connection between artist and observer, inviting contemplation on themes of self-representation and artistic vocation.
Stylistically, the portrait aligns seamlessly with Renaissance conventions, prioritizing realism and meticulous detail. Anguissola’s masterful use of glazing—a technique involving applying thin layers of translucent paint over previous coats—creates a luminous surface that captures subtle tonal variations and imbues the figure with an ethereal quality. The soft blending of lines contributes to the overall impression of tranquility and grace.
Beyond its aesthetic merits, “Self-Portrait Playing the Spinet” resonates deeply with symbolic significance. The spinet itself represents musical artistry—a pursuit deemed noble and intellectually stimulating during the Renaissance—reflecting Anguissola’s commitment to cultivating her talents beyond mere visual representation. Her gaze embodies confidence and intelligence, projecting an aura of self-assuredness that speaks volumes about her determination to challenge conventions.
Furthermore, consider the historical context: The painting was created during a period when women faced considerable obstacles in pursuing artistic endeavors. Anguissola’s accomplishment—her ability to secure patronage from influential figures like Philip II and achieve international acclaim—served as an inspiration for subsequent generations of female artists striving for recognition within a male-dominated world.
The artwork is executed in oil on canvas, utilizing techniques that prioritize texture and luminosity. The artist’s careful attention to detail—evident in the rendering of her skin tone, clothing folds, and the spinet’s intricate construction—demonstrates Anguissola's dedication to capturing the essence of human form and instrument.
The Museo Nazionale di Capodimonte houses this masterpiece, offering visitors a chance to experience firsthand the brilliance of Renaissance artistry. Its enduring appeal lies not only in its visual beauty but also in its profound reflection on gender roles, artistic ambition, and the transformative power of humanist ideals.
Биография художника
Sofonisba Anguissola: A Renaissance Pioneer
Sofonisba Anguissola (1532 – 1625) stands as an extraordinary figure in the history of art, a woman who defied societal constraints and achieved unparalleled renown during the Italian Renaissance. Her story is not merely one of artistic talent; it’s a testament to intellectual curiosity, familial support, and courageous ambition—factors that propelled her to become one of the foremost portrait painters of her era and cemented her legacy as an inspiration for generations of female artists. ### Early Life and Education: Breaking Barriers Born in Cremona, Italy, Sofonisba Anguissola descended from a noble family that recognized the importance of cultivating intellectual pursuits beyond mere social status. Her father, Amilcare Anguissola, profoundly influenced her upbringing by embracing the humanist ideals championed by Baldassare Castiglione’s *Il Cortegiano*, prioritizing education—particularly drawing—for his daughters. This radical decision challenged prevailing norms that relegated women to domestic roles and opened doors previously inaccessible to aspiring female artists. Unlike many of her contemporaries, Sofonisba received a comprehensive curriculum encompassing Latin, music, and crucially, artistic instruction under the tutelage of Bernardino Campi and Bernardino Gatti – figures who championed the advancement of women’s education and fostered an environment conducive to creative exploration. This formative experience instilled in her a lifelong dedication to honing her skills and pursuing excellence in both art and scholarship. ### Artistic Training and Influences: Shaping Her Style Sofonisba's artistic journey began with formal training under Campi and Gatti, establishing a precedent for women’s participation in the arts—a groundbreaking step that would resonate throughout subsequent centuries. These mentors exposed her to the stylistic innovations of Lombard Mannerism, particularly the work of Bernardino Campi, who emphasized meticulous observation and psychological realism. Simultaneously, she studied with Michelangelo, whose influence is palpable in her self-portraits – a deliberate act of defiance against convention and an assertion of artistic identity. The artist’s father encouraged her to study with Michelangelo, recognizing his genius as a symbol of humanist ideals. Her unwavering commitment to mastering technique—drawing, coloring, copying from nature—was underpinned by the belief that art could elevate the human spirit. ### Triumph in Spain: Court Patronage and Artistic Recognition A pivotal moment arrived when Sofonisba Anguissola was invited to Madrid by Queen Elizabeth I of England – a decision that secured her position as lady-in-waiting and tutor at court. This invitation wasn’t merely an opportunity for employment; it represented a profound validation of her artistic abilities and underscored the queen's admiration for intellectual pursuits. During her time in Spain, Sofonisba flourished under royal patronage, creating portraits of the Habsburg monarchs and establishing herself as one of the first female artists to achieve international acclaim. Her style adapted seamlessly to the formal conventions of court portraiture while retaining her characteristic sensitivity to character—a remarkable feat considering the limitations imposed upon women artists during that period. The King’s support ensured Sofonisba’s continued well-being, and she became a symbol of artistic success for women in Europe. ### Legacy and Influence: A Lasting Impression Sofonisba Anguissola's enduring legacy extends far beyond her impressive oeuvre—her paintings are housed in prestigious museums worldwide, including the Prado Museum in Madrid and the Isabella Stewart Gardner Museum in Boston. More importantly, she served as an inspiration for future generations of female artists who dared to challenge societal expectations and pursue their passions with unwavering determination. Giorgio Vasari lauded Anguissola’s skill, stating that “she has laboured at the difficulties of design with greater study and better grace than any other woman of our time.” Her self-portraits—particularly her depiction of herself at the easel—remain iconic symbols of female artistic agency, reminding us of the transformative power of art and the enduring significance of Sofonisba Anguissola as a pioneer who shattered barriers and paved the way for women’s participation in the creative realm.Софонисба Ангуиссола
1532 - 1625 , Италия
Основные сведения
- Artistic Movement Or Style: Ренессанс
- Artists Or Movements Influenced By This Artist: ['Микеланджело']
- Artists Who Influenced This Artist:
- Бернардино Кампи
- Бернардино Гати
- Date Of Birth: c. 1532
- Full Name: Sofonisba Anguissola
- Nationality: Итальянская
- Notable Artworks:
- Портрет сестер Ангиуссолой играющих в шашки
- Автопортрет с кистью
- Place Of Birth: Кремона, Италия

Вариант со стеклом доступен только для размеров менее 110 см
