Actualizat Noiembrie 2026 · clasat în funcție de scorul nostru de popularitate (căutări, vizite și comenzi pentru fiecare operă) · 21 lucrări ale lui Isaack Luttichuys în catalogul nostru
Pe scurt
Dintre toate originalele lăsate de Isaack Luttichuys, cea mai faimoasă este Portrait of a Young Woman Standing at a Parapet (1654), din colecția Nationalmuseum, Stockholm. Imediat după acestea urmează Portrait of a Young Man with Gloves (1661) și Portrait of a Young Man Standing in a Landscape (1654). Catalogul nostru cuprinde 21 lucrări ale lui Isaack Luttichuys; galeria a păstrat cele 21 pe care lumea le admiră cel mai mult, fiecare fiind prezentată împreună cu data, muzeul și povestea sa.
A young woman stands against the quiet weight of a stone parapet. She is positioned slightly off-center, a vertical silhouette carved from deep blacks and muted greys. Her attire, heavy and structured, absorbs the light, leaving only the crisp white of her collar and cuffs to catch the eye. There is a stillness in her posture, a dignified composure that anchors the composition. Behind her, the world softens into an…
In this 1661 oil portrait, we encounter a young man captured in a moment of quiet poise. He is presented in a three-quarter view, his gaze meeting ours with a calm, steady expression that suggests a certain youthful nobility. The composition is balanced, drawing the eye through the soft, wavy lines of his hair toward the structured elegance of his attire. There is a palpable sense of stillness here, the…
There is a quietude in this 1654 portrait that commands immediate attention. We find ourselves facing a young man who possesses a certain aristocratic poise, standing with a calm confidence against a naturalistic backdrop. He is positioned slightly off-center, a choice that lends a sense of organic movement to the composition. His attire, rendered in deep blacks, creates a sharp, striking contrast against the crisp white of his collar and…
Portrait of Johanna de Lange (1635-1673)1655 · Museum Rotterdam
12
Portrait of a man, probably Pieter Adriaensz. de Lange (....-....)1655 · Museum Rotterdam
13
Portrait of a woman, probably Elisabeth van Dobbe (....-1667)1655 · Museum Rotterdam
14
Portrait of Isaac Sweers I (1622-1673)1654 · Het Scheepvaartmuseum
15
Portrait of an unknown young man, possibly a physician1657
16
Portrait of Constantia Bloemaert (1626-1694)1664 · Het Scheepvaartmuseum
17
Still Life with Bread and Wine Glass1650 · Hamburger Kunsthalle
18
Portrait of an unknown woman1650 · Muzeele Regale de Arte Frumoase din Belgia
19
Portrait of an unknown man1650 · Muzeele Regale de Arte Frumoase din Belgia
20
Portrait of a Gentleman
21
Portrait of a Young Lady, Isaack Luttichuys, 16561656 · Rijksmuseum
Cele patru teme care revin cel mai des în aceste opere originale, fiecare având cel mai sublim exemplu.
Cele 8 muzee care dețin cele mai multe dintre picturile de pe această pagină.
| Muzee | Oraș | Lucrări lui Isaack Luttichuys | Picturi din această listă |
|---|---|---|---|
 Museum Rotterdam |
Rotterdam | 4 | Portrait of Abraham de Riemer (1628-1683), Portrait of Johanna de Lange (1635-1673), Portrait of a man, probably Pieter Adriaensz. de Lange (....-....) |
 Nationalmuseum |
Stockholm | 3 | Portrait of a Young Woman Standing at a Parapet, Portrait of a Young Man with Gloves, Portrait of a Young Man Standing in a Landscape |
 Het Scheepvaartmuseum |
Amsterdam | 2 | Portrait of Isaac Sweers I (1622-1673), Portrait of Constantia Bloemaert (1626-1694) |
 Muzeele Regale de Arte Frumoase din Belgia |
Bruxelles | 2 | Portrait of an unknown woman, Portrait of an unknown man |
 Gemäldegalerie |
Berlin | 1 | A shipowner and his wife |
 Polesden Lacey |
1 | Unknown Woman | |
 Muzeul Național din Varșovia |
Varșovia | 1 | Portrait of a woman with gloves. |
 Museum of Fine Arts |
Houston | 1 | Martijn Gaertz |
Alege o deceniu pentru a descoperi opera originală care îl definește.
A young woman stands against the quiet weight of a stone parapet. She is positioned slightly off-center, a vertical silhouette carved from deep blacks and muted greys. Her attire, heavy and structured, absorbs the light, leaving only the crisp white of her collar and cuffs to catch the eye. There is a stillness in her posture, a dignified composure that anchors the composition. Behind her, the world softens into an…
In this 1661 oil portrait, we encounter a young man captured in a moment of quiet poise. He is presented in a three-quarter view, his gaze meeting ours with a calm, steady expression that suggests a certain youthful nobility. The composition is balanced, drawing the eye through the soft, wavy lines of his hair toward the structured elegance of his attire. There is a palpable sense of stillness here, the…
Portrait of a Young Woman Standing at a Parapet (1654), Nationalmuseum, Stockholm. Urmează Portrait of a Young Man with Gloves (1661) și Portrait of a Young Man Standing in a Landscape (1654).
38 ani: Portrait of a Young Woman Standing at a Parapet datează din 1654, iar Isaack Luttichuys s-a născut în 1616.
Portrait of a Young Woman Standing at a Parapet, Portrait of a Young Man with Gloves, Portrait of a Young Man Standing in a Landscape, A shipowner and his wife, Unknown Woman, Portrait of a woman with gloves., Portrait of Jan Hendrik Lestevenon, husband of Esther Bary (1630-1696), ca. 1652, Portrait of Esther Bary (1630-1696), ca. 1652, bride of Jan Hendrik Lestevenon, Martijn Gaertz și Portrait of Abraham de Riemer (1628-1683). Clasamentul de mai sus indică anul și muzeul pentru fiecare piesă.
Catalogul nostru cuprinde 21 lucrări ale lui Isaack Luttichuys, datate între 1640 și 1664.
În principal în Museum Rotterdam (Rotterdam), Nationalmuseum (Stockholm) și Het Scheepvaartmuseum (Amsterdam). Tabelul cu muzee de mai sus le enumeră pe toate.
În 1650s: 17 dintre cele 21 lucrări de pe această pagină au fost realizate atunci, fiind Portrait of a Young Woman Standing at a Parapet dintre acestea.
Pe această pagină, cea mai veche lucrare datează din A shipowner and his wife (1640), iar cea mai recentă este din Portrait of Constantia Bloemaert (1626-1694) (1664).
White collar (3), Tree (2) și Landscape (2), din cele 21 lucrări de pe această pagină.
Oil, pentru 2 dintre cele 21 lucrări de pe această pagină.
Baroque, judecând după originalele de pe această pagină.
Portrait of Abraham de Riemer (1628-1683), Portrait of Johanna de Lange (1635-1673) și Portrait of a man, probably Pieter Adriaensz. de Lange (....-....): Museum Rotterdam, Rotterdam deține 4 dintre lucrările de pe această pagină.
Born in London in 1616 to Dutch parents, the artist known as Isaack Littlehouse—or more formally, Isaack Luttichuys—occupied a unique cultural space between England and the Netherlands. His very name serves as a linguistic bridge, being the literal English translation of his family surname. While his early years were spent in England, he eventually migrated to Amsterdam alongside his older brother, Simon, a move that would define his artistic trajectory within the vibrant atmosphere of the Dutch Golden Age.
This transition to the Netherlands placed him at the heart of one of the most prolific eras in art history. In Amsterdam, Isaack established himself as a painter of significant repute, navigating the social and commercial complexities of a city thriving on maritime trade and merchant wealth. His presence in the Dutch Republic allowed him to cultivate a practice that resonated deeply with the local elite, securing his place among the prestigious circles of the Amsterdam merchant class.
Isaack Littlehouse distinguished himself through a remarkable sensitivity to the human spirit. As a portrait painter, he possessed a prodigious skill for capturing the individuality of his sitters, moving beyond mere physical likeness to convey subtle cues of movement and character. His work is characterized by a balanced composition and an exquisite attention to detail, particularly in the rendering of fine textures such as luxurious fabrics, intricate lace, and shimmering jewellery.
What truly set his technique apart from many of his contemporaries was his use of color. While the works of masters like Rembrandt often leaned toward a more somber or dramatic tonal range, Littlehouse employed a fresh and bright palette. This luminous approach, combined with a skillful handling of paint, lent an air of elegance and vitality to his subjects. His ability to breathe life into a canvas through light and clarity made his portraits not only records of status but lively, breathing windows into the seventeenth century.
Beyond his individual achievements, Littlehouse’s career was intertwined with the broader artistic ecosystem of his time. He was part of a family of talent, working alongside his brother Simon, who focused on the intricate world of still-life painting. This familial connection to the arts reinforced the rich tradition of specialized painting prevalent in the Dutch Golden Age. His own technical proficiency and stylistic choices even left an impression on subsequent generations, notably influencing the painter Pieter Nason.
Though his life concluded in Amsterdam in 1673, the historical significance of his work remains anchored in its ability to capture the elegance of a bygone era. Through his portraits, we gain insight into the fashion, the social standing, and the quiet dignity of the people who shaped the Dutch Golden Age. His legacy survives in the meticulous details of his brushwork and the enduring brightness of his vision, ensuring that the spirit of his sitters continues to resonate with modern viewers.
