La Pardon
Serghei Eisenstein (1898 – 1979)
Serghei Eisenstein (1898-1948): Cineast sovietic revoluționar și teoretician al cinematografului, cunoscut pentru filme emblematice precum Crucișătorul Potemkin și Ivan Sfântului Andrei. Pionier în teoria montajului și influență puternică asupra artei filmului.
The inversion of the relationship between the subject and the object brings the reunion of Golgotha and Corrida: the toreros and the bulls change places, are crucified or are united in a deadly embrace. Their fight is defined by their total, devouring appropriation of each other. Corrida and Golgotha do not only invoke death celebrated as an orgy, but also rebirth. Christian heroes are transformed into heathen gods of seasonal recurrence. Mexico became a mystery in Eisenstein’s epic: a cosmogony of life and death. Here he understood art as a “transition from biological mortality to social immortality.”
Despre această operă
- Titlu: La Pardon
- Artist: Serghei Eisenstein
- Statut drepturi de autor: Protejat prin drepturi de autor
- Mișcare: Expressionism
- Contextul corpusului: mexican cosmology" , biblical & mythological echoes
- Cuvinte cheie: sergei eisenstein , medieval art sketch , geometric art style
