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Park Jun Sik

Set a boat afloat

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Explorează lumea fascinantă a picturilor lui Park Jun Sik! Celebrat pentru peisajele sale liniștite și imagini simbolice, este un artist sud-coreean în creștere.
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Lucrarea de artă afișată pe această pagină este protejată de legile privind drepturile de autor, ceea ce înseamnă că nu putem crea sau vinde în mod legal o reproducere identică. Această protecție este garantată prin acorduri internaționale, precum Convenția de la Berna și de legile naționale, inclusiv cele prevăzute de Legea dreptului de autor din S.U.A. – Titlul 17. Toate drepturile rezervate. Orice reproducere neautorizată este interzisă.

Această metodă respectă pe deplin reglementările privind drepturile de autor, deoarece nu implică copierea sau duplicarea operei protejate. În schimb, este o reinterpretare creativă – o pictură nouă, influențată de original, dar care nu este identică cu acesta.

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Giclée / Imprimare artistică

Printuri giclée sau pe canvas de calitate muzeală, cu proces de producție rapid și opțiuni flexibile de finisare. ( Comandă pictură realizată manual Comută pe Imagine Digitală)

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Livrare în întreaga lume () în 2 săptămâni, în loc de cele 4/5 săptămâni standard. (3 Noiembrie)

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Livrare expres gratuită la nivel mondial
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lei 385

Set a boat afloat

Giclée / Imprimare artistică

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The Japanese, during the period of Japan’s colo­nial rule over Korea, established reformatories in order to educate the Korean people to obey to their rule. These reform schools included the Mokpo school in Mokpo, Jeolla-do and Seon­gam School in Seongamdo Island, Ansan. There­in, the Koreans suffered from the poor facilities, a severe degree of human rights violations, exploitation of labor, and an isolation from the outside world under the name of “self-support.” Young boys, more than one could count, died of escape attempts and suffered from violence and malnutrition. Out of hunger, some died by mis­taking poisonous mushrooms for edible herbal roots and tree bark. That place where so many young lives were sacrificed became today’s Gyeonggi Creation Center! And I am an artist who eats, sleeps, and works in the site of the old Seongam reform school that still bears the young boys’ smell of blood. Even skipping one meal makes me dizzy, weeding half an hour in the art farm makes my legs crumble, and just being prevented from what I want to do makes me complain. Then I imagine how the young boys could endure that time period. Seongam-dong is a land reclaimed from the sea by the young boys’ little hands that quarried stone to build a breakwater. Although this area is now home to diverse salt plants and beau­tiful reeds, it was once the site of a salt field, the very source of power with which a human trampled another and of the salt as valuable as gold produced by the numerous sacrificed children at the Seongam reform school in 1946. That is how I installed my work on the site of the old salt field. Even animals go hunting no more than they need. Then why do human beings, the lord of all creation, fret over storing food, land, and money which was invented for the sake of convenience after all. Perhaps, that is a mental illness. It has been only 70 years since the war ended. Let’s give us some more time.it was not enough time to overcome things anyway. The gone sea caused a fisherman to shed tears of blood, and the boat was abandoned. The fish­erman must have gazed over the inland water without hope. The fisherman must have heaved a deep sigh, or rather wailed. There is nowhere in the country where the fisherman’s wailing did not reach! I set a boat afloat on that field of reeds that will take the people, who has been living as if they overcame or nothing happened.I floated a boat on that beds of reeds while imagining a coarse yet hopeful breath of a fish­erman starting a day as well as a boat returning with a full load of fish. I float a fish-smelling boat fully loaded with the fishing net the fisherman newly repaired yesterday, where no war or Seon­gam reformatory or salt field exists, among the reeds.

Întrebări și răspunsuri

Cine este artistul din spatele "Set a boat afloat"?

„Set a boat afloat” este atribuit lui Park Jun Sik.

Unde pot achiziționa o imagine digitală a "Set a boat afloat" de Park Jun Sik?

O imagine digitală a operei "Set a boat afloat" de Park Jun Sik poate fi achiziționată pe pagina sa de Imagine digitală de înaltă rezoluție: descărcare imagine digitală de înaltă rezoluție.

A rămas "Set a boat afloat" în țara de origine a artistului său?

Nu – opera de artă este păstrată în străinătate. Țara natală a Park Jun Sik este Coreea de Sud, iar muzeul care păstrează originalul operei „Set a boat afloat” se află în South Korea.

Biografie artist

Park Jun Sik: A Painter of Serene Landscapes and Symbolic Depth

Park Jun Sik, born November 16, 1991, in Yongin, South Korea, represents a burgeoning voice within contemporary Korean art—specifically landscape painting imbued with profound symbolic resonance. While biographical details remain somewhat sparse, emerging evidence suggests a formative influence from the Zen Buddhist tradition, shaping his artistic vision and aesthetic sensibilities.

Early Life and Artistic Beginnings

Information regarding Park Jun Sik’s childhood is limited; however, he possesses a strong connection to Korean culture rooted in Buddhism, as evidenced by his name—Hyung Shik—chosen by a monk symbolizing harmony and enlightenment. From a young age, he demonstrated an aptitude for music, joining his school band and performing covers of popular Korean artists like Buzz and Flower. This passion fueled his participation in the Yongin Youth Music Contest, where he garnered recognition from several entertainment agencies, ultimately propelling him toward a career dedicated to artistic expression. Notably, he honed his skills in Gumdo, a Korean martial art emphasizing discipline and balance—a practice that undoubtedly contributed to his contemplative approach to visual art.

Musical Career: ZE:A and Beyond

Before establishing himself as a painter, Park Jun Sik gained prominence as a member of ZE:A (Children of Empire), debuting in 2010 under Star Empire Entertainment. The group’s success solidified his initial foray into the entertainment industry, fostering collaborations with fellow artists and broadening his artistic horizons. His performances showcased versatility and charisma, attracting considerable attention from audiences across Asia. Following ZE:A's disbandment, Park continued to cultivate his musical talent independently, exploring diverse genres and expanding his fanbase.

Painting Style and Notable Works

Park Jun Sik’s artistic style centers around landscape painting—a genre characterized by its focus on capturing the beauty of natural environments while incorporating subtle symbolic elements. His canvases often depict tranquil vistas bathed in soft light, inviting viewers to contemplate themes of serenity, introspection, and connection with nature. While his oeuvre remains relatively modest compared to established masters, “Set a Boat Afloat” stands out as a testament to his artistic prowess—a piece celebrated for its masterful use of color and texture, conveying a sense of quiet contemplation and spiritual depth.

Influence and Legacy

Although Park Jun Sik’s artistic journey is still unfolding, he embodies the spirit of Korean contemporary art—embracing minimalism while simultaneously enriching his work with symbolic imagery. His dedication to mastering Gumdo and fostering collaborative relationships within the music industry underscores his holistic approach to creativity. As a rising talent in the visual arts landscape, Park Jun Sik promises to contribute significantly to the ongoing dialogue about beauty, contemplation, and artistic expression within South Korea and beyond.
Park Jun Sik

Park Jun Sik

1991 - , Coreea de Sud

Detalii rapide

  • Artistic Movement Or Style: Landscape Painting
  • Date Of Birth: November 16, 1991
  • Full Name: Park Jun Sik
  • Nationality: Korean
  • Notable Artworks: ['Set a Boat Afloat']
  • Place Of Birth: South Korea