Retrato de Pompeo Batoni

As 100 Pinturas Mais Famosas de Pompeo Batoni, Cada Uma Única

Atualizado em Novembro 2026 · classificado pela nossa pontuação de popularidade (pesquisas, visitas e pedidos de cada obra) · 164 obras de Pompeo Batoni em nosso catálogo

Em resumo

Hercules at the Crossroads (detail) (1748) é a pintura de Pompeo Batoni que mais atrai olhares; a obra original pertence ao Liechtenstein Museum, Viena. Depois disso, o olhar recai sobre A Knight in Rome: Charles Cecil Roberts (1778) e Gaetano II Sforza Cesarini, Duke of Segni (1768). Entre as 164 obras de Pompeo Batoni em nosso catálogo, estas 100 são as mais famosas, cada uma uma original única apresentada com o seu ano, o seu museu e a razão pela qual perdura.

1708 – 1787, Lucca Neoclassicism Mais obras: Uppark
Hercules at the Crossroads (detail) (1748) de Pompeo Batoni1. Hercules at the Crossroads (detail) 1748 A Knight in Rome: Charles Cecil Roberts (1778) de Pompeo Batoni2. A Knight in Rome: Charles Cecil Roberts 1778 Gaetano II Sforza Cesarini, Duke of Segni (1768) de Pompeo Batoni3. Gaetano II Sforza Cesarini, Duke of Segni 1768

As 10 principais pinturas de Pompeo Batoni, sob o olhar da galeria

1
Hercules at the Crossroads (detail) (1748) de Pompeo Batoni

Hercules at the Crossroads (detail)

1748 · Oil On Canvas · Liechtenstein Museum, Viena

To stand before a depiction such as Pompeo Batoni’s Hercules at the Crossroads is to be invited into a profound moment of human reckoning. This painting, dating from 1748, transcends mere portraiture or mythological illustration; it captures the very essence of decision-making—that fraught, beautiful space where potential futures diverge. The central figure, Hercules, is rendered not in the throes of battle, but in deep, almost agonizing contemplation. His posture, with…

Sobre este original
2
A Knight in Rome: Charles Cecil Roberts (1778) de Pompeo Batoni

A Knight in Rome: Charles Cecil Roberts

1778 · Oil On Canvas · Museu do Prado, Madrid

Pompeo Batoni’s “A Knight in Rome: Charles Cecil Roberts” stands as a quintessential embodiment of the Rococo artistic movement, capturing not merely a portrait but an entire atmosphere of refined grandeur and intellectual contemplation. Painted in 1778, this monumental canvas—measuring 221 x 157 cm—currently resides within the hallowed halls of the Museo del Prado in Madrid, Spain, ensuring its legacy continues to inspire awe and admiration.

Sobre este original
3
Gaetano II Sforza Cesarini, Duke of Segni (1768) de Pompeo Batoni

Gaetano II Sforza Cesarini, Duke of Segni

1768 · Oil On Canvas · National Gallery of Victoria, Melbourne

The gaze of Gaetano II Sforza Cesarini, Duke of Segni, meets the observer through this 1768 portrait by Pompeo Batoni. The sitter carries the weight of a significant lineage, appearing as the second son to survive to adulthood of Giuseppe Sforza. His presence in the frame reflects the prominence he held as a Papal politician throughout the 1750s and 1760s. Every detail of his bearing suggests a man deeply embedded…

A história por trás desta obra original
4
Time Unveiling Truth (1742) de Pompeo Batoni

Time Unveiling Truth

1742 · Oil · Art Institute of Chicago, Chicago

A Celestial Ascent of Allegory The air feels thick with the movement of a cosmic drama, a swirling ascent where the terrestrial and the divine collide. In this 1742 oil painting, figures rise through a luminous sky, their bodies caught in a rhythmic, upward surge that defies gravity. Drapery flows in heavy, silken waves, catching a light that seems to pour from the upper left, casting soft shadows across porcelain…

Observe esta obra de perto
6
Alexander Gordon, 4th Duke of Gordon (1743 - 1827) (1764) de Pompeo Batoni

Alexander Gordon, 4th Duke of Gordon (1743 - 1827)

1764 · Oil On Canvas · Scottish National Gallery, Edimburgo

Alexander Gordon, 4th Duke of Gordon, is presented in a formal grand manner portrait that emphasizes his status and connection to the natural world. He is positioned centrally within a landscape, his presence anchored by a large brown horse to his left and hunting dogs at his feet. The composition is vertical, drawing the eye from the upward gesture of his arm toward the sky. A saturated red frock coat…

Observe esta obra de perto
7
John Ker, 3rd Duke of Roxburghe, 1740 - 1804. Bibliophile (1761) de Pompeo Batoni

John Ker, 3rd Duke of Roxburghe, 1740 - 1804. Bibliophile

1761 · Oil On Canvas · Galeria Nacional de Retratos de Escócia, Edimburgo

The Duke of Roxburghe occupies the center of the frame, a figure of quiet authority amidst a setting of classical grandeur. He sits with an upright, stately posture, his presence commanding the space through a combination of velvet and light. A heavy crimson cloak, deep and saturated, drapes around him, its texture suggesting the weight of fine velvet. The ermine fur at his collar provides a sharp, creamy contrast to…

A história por trás desta obra original
8
Portrait of John Woodyeare (1750) de Pompeo Batoni

Portrait of John Woodyeare

1750 · Oil On Canvas · Minneapolis Institute of Art, Minneapolis

The young man occupies the space with a quiet, commanding poise, his body turned slightly to create a sense of movement within the stillness. He is draped in the heavy, luxurious textures of the mid-eighteenth century, where deep forest green and crimson red collide against a dark, atmospheric background. Light falls across his features with a dramatic chiaroscuro effect, catching the soft sheen of his silk attire and the delicate,…

Observe esta obra de perto
9
Peter Beckford (1740-1811), godsejer, Dorset. (1766) de Pompeo Batoni

Peter Beckford (1740-1811), godsejer, Dorset.

1766 · Oil On Canvas · Statens Museum For Kunst, Copenhague

A full-length figure of Peter Beckford occupies the center-right of this vertical composition. He is depicted standing in a landscape, wearing a red frock coat with silver applications, paired with breeches and stockings. His pose is elegant, with one hand holding a paper and the other a walking stick. At his feet sits a small dog. To the left, a large stone pedestal provides a vertical counterweight to the subject.…

Observe esta obra de perto
10
The Rotterdam tobacco trader Pieter Caarten (1778) de Pompeo Batoni

The Rotterdam tobacco trader Pieter Caarten

1778 · Oil On Canvas · Museum Boijmans Van Beuningen, Roterdã

Pieter Caarten, a thirty-seven-year-old tobacco merchant from Rotterdam, sits for this formal portrait in Rome in 1778. Captured in a three-quarter view, the subject gazes directly at the viewer with a reserved, serious expression. He is presented from the chest up, a composition that emphasizes his dignified posture and the material markers of his success. A powdered white wig frames a face rendered with smooth, precise transitions, while a subtle…

A história por trás desta obra original

Pinturas famosas de Pompeo Batoni, números 11 a 100

11Hercules at the Crossroads (1748) de Pompeo BatoniHercules at the Crossroads1748 · Liechtenstein Museum 12Hercules at the Crossroads (1742) de Pompeo BatoniHercules at the Crossroads1742 · Palazzo Pitti 13Hercules at the Crossroads (1765) de Pompeo BatoniHercules at the Crossroads1765 · Museu Hermitage 14Sir Sampson Gideon and an unidentified companion (1767) de Pompeo BatoniSir Sampson Gideon and an unidentified companion1767 · National Gallery of Victoria 15Peace and War (1776) de Pompeo BatoniPeace and War1776 · Art Institute of Chicago 16Portrait of Aleksandra née Lubomirska, Wife of Stanisław Potocki (1758–1831) (1780) de Pompeo BatoniPortrait of Aleksandra née Lubomirska, Wife of Stanisław Potocki (1758–1831)1780 · Museu Nacional de Cracóvia 17James Caulfeild, fourth Viscount Charlemont (Later first Earl of Charlemont) (1753) de Pompeo BatoniJames Caulfeild, fourth Viscount Charlemont (Later first Earl of Charlemont)1753 · Yale Center for British Art 18Peace and Justice (1745) de Pompeo BatoniPeace and Justice1745 · Montreal Museum of Fine Arts 19The infant Hercules strangling serpents in his cradle (1743) de Pompeo BatoniThe infant Hercules strangling serpents in his cradle1743 · Palazzo Pitti 20Samson and Delilah (1766) de Pompeo BatoniSamson and Delilah1766 · Detroit Institute of Arts 21Atis and Galathea (1761) de Pompeo BatoniAtis and Galathea1761 · Nationalmuseum 22Philip Metcalfe (1766) de Pompeo BatoniPhilip Metcalfe1766 · National Portrait Gallery 23Portrait of John Rolle Walter, MP and landowner, Exeter (1753) de Pompeo BatoniPortrait of John Rolle Walter, MP and landowner, Exeter1753 · Statens Museum For Kunst 24Saint Andrew (1741) de Pompeo BatoniSaint Andrew1741 · Art Institute of Chicago 25Portrait of Duchess Sforza Cesarini (d.1765) (1768) de Pompeo BatoniPortrait of Duchess Sforza Cesarini (d.1765)1768 · Birmingham Museum and Art Gallery 26Portrait of Prince B. Kurakin (1782) de Pompeo BatoniPortrait of Prince B. Kurakin1782 · Museu Hermitage 27Allegory of the Arts (1740) de Pompeo BatoniAllegory of the Arts1740 · Städel Museum 28Portrait of Cardinal Prospero Colonna di Sciarra (1750) de Pompeo BatoniPortrait of Cardinal Prospero Colonna di Sciarra1750 · Walters Art Museum 29Portrait of Cardinal Jean-François Joseph de Rochechouart (1762) de Pompeo BatoniPortrait of Cardinal Jean-François Joseph de Rochechouart1762 · Saint Louis Art Museum 30Portrait of Joseph Henry of Straffan (1750) de Pompeo BatoniPortrait of Joseph Henry of Straffan1750 · Walters Art Museum 31Venus Presenting Aeneas with Armour Forged by Vulcan (1748) de Pompeo BatoniVenus Presenting Aeneas with Armour Forged by Vulcan1748 · Liechtenstein Museum 32James Bruce of Kinnaird, 1730 - 1794. African explorer (1762) de Pompeo BatoniJames Bruce of Kinnaird, 1730 - 1794. African explorer1762 · Galeria Nacional de Retratos de Escócia 33George Legge, Viscount Lewisham (1778) de Pompeo BatoniGeorge Legge, Viscount Lewisham1778 · Museu do Prado 34Thomas William Coke (1773) de Pompeo BatoniThomas William Coke1773 · Holkham Hall 35Portrait of John Talbot, later 1st Earl Talbot (1773) de Pompeo BatoniPortrait of John Talbot, later 1st Earl Talbot1773 · J. Paul Getty Museum 36Christ in Glory with Saints Celsus, Julian, Marcionilla and Basilissa (1736) de Pompeo BatoniChrist in Glory with Saints Celsus, Julian, Marcionilla and Basilissa1736 · J. Paul Getty Museum 37Portrait of a man (1733) de Pompeo BatoniPortrait of a man1733 38Portrait of Joseph Leeson, later 1st Earl of Milltown (1711-1783) (1744) de Pompeo BatoniPortrait of Joseph Leeson, later 1st Earl of Milltown (1711-1783)1744 · National Gallery of Ireland 39Time Revealing Truth (1742) de Pompeo BatoniTime Revealing Truth1742 · Rhode Island School of Design Museum of Art 40Christ Appearing to St. Ampelius (1742) de Pompeo BatoniChrist Appearing to St. Ampelius1742 · Rhode Island School of Design Museum of Art 41Saint John the Evangelist (1741) de Pompeo BatoniSaint John the Evangelist1741 · Basildon Park 42Saint Paul (1741) de Pompeo BatoniSaint Paul1741 · Basildon Park 43God the Father and the Holy Spirit (1741) de Pompeo BatoniGod the Father and the Holy Spirit1741 · Basildon Park 44Saint James the Less (1741) de Pompeo BatoniSaint James the Less1741 · Basildon Park 45Saint Matthew (1741) de Pompeo BatoniSaint Matthew1741 · Basildon Park 46Saint Philip (1741) de Pompeo BatoniSaint Philip1741 · Basildon Park 47Saint Peter (1741) de Pompeo BatoniSaint Peter1741 · Basildon Park 48Saint Thomas (1741) de Pompeo BatoniSaint Thomas1741 · Basildon Park 49Maddalena penitente (1742) de Pompeo BatoniMaddalena penitente1742 · Staatliche Kunstsammlungen Dresden 50Apollo, Euterpe and Urania (1741) de Pompeo BatoniApollo, Euterpe and Urania1741 · Muzeum Palacu Króla Jana Iii w Wilanowie 51The Virgin of the Annunciation (1741) de Pompeo BatoniThe Virgin of the Annunciation1741 52Apollon, Euterpe and Urania (1741) de Pompeo BatoniApollon, Euterpe and Urania1741 53The Ecstasy of St Catherine of Siena (1743) de Pompeo BatoniThe Ecstasy of St Catherine of Siena1743 · Museo Nazionale di Villa Guinigi 54Elector Carl Theodor of the Palatinate (1747) de Pompeo BatoniElector Carl Theodor of the Palatinate1747 · Bavarian State Painting Collections 55Pope Pius VI (1747) de Pompeo BatoniPope Pius VI1747 · Bavarian State Painting Collections 56A Lady of the Leeson Family as a Shepherdess (1751) de Pompeo BatoniA Lady of the Leeson Family as a Shepherdess1751 · National Gallery of Ireland 57Presumed Portrait of the Marchesa Caterina Gabrielli as Diana (1751) de Pompeo BatoniPresumed Portrait of the Marchesa Caterina Gabrielli as Diana1751 · National Gallery of Ireland 58Joseph Leeson, later 2nd Earl of Milltown (1730-1801) (1751) de Pompeo BatoniJoseph Leeson, later 2nd Earl of Milltown (1730-1801)1751 · National Gallery of Ireland 59Study for "Antiochus and Stratonice" (1746) de Pompeo BatoniStudy for "Antiochus and Stratonice"1746 · Cleveland Museum of Art 60Vulcan at his Forge (1750) de Pompeo BatoniVulcan at his Forge1750 · Galeria Nacional do Canadá 61Purity of Heart (1752) de Pompeo BatoniPurity of Heart1752 · Uppark 62Meekness (1752) de Pompeo BatoniMeekness1752 · Uppark 63Sarah Lethieullier, Lady Fetherstonhaugh (1722-1788), with the Branch of a Pear (1751) de Pompeo BatoniSarah Lethieullier, Lady Fetherstonhaugh (1722-1788), with the Branch of a Pear1751 · Uppark 64Sir Matthew Fetherstonhaugh, 1st Bt, MP (1714-1774) with Wreaths of Fruit and Corn (1751) de Pompeo BatoniSir Matthew Fetherstonhaugh, 1st Bt, MP (1714-1774) with Wreaths of Fruit and Corn1751 · Uppark 65Sarah Lethieullier, Lady Fetherstonhaugh (1722-1788), as Diana (1751) de Pompeo BatoniSarah Lethieullier, Lady Fetherstonhaugh (1722-1788), as Diana1751 · Uppark 66Benjamin Lethieullier MP (1728/9-1797), with two Wild Boar Spears (1752) de Pompeo BatoniBenjamin Lethieullier MP (1728/9-1797), with two Wild Boar Spears1752 · Uppark 67Sir Matthew Fetherstonhaugh, 1st Bt, MP (1714-1774) as a Hunter with a Wild Boar Spear (1751) de Pompeo BatoniSir Matthew Fetherstonhaugh, 1st Bt, MP (1714-1774) as a Hunter with a Wild Boar Spear1751 · Uppark 68Katherine Durnford, later Mrs Utrick Fetherstonhaugh, as Flora (1751) de Pompeo BatoniKatherine Durnford, later Mrs Utrick Fetherstonhaugh, as Flora1751 · Uppark 69The Reverend Utrick Fetherstonhaugh (1717/18-1788) as Apollo (1751) de Pompeo BatoniThe Reverend Utrick Fetherstonhaugh (1717/18-1788) as Apollo1751 · Uppark 70Lascelles Raymond Iremonger (1718/19–1793) with Wreaths of Corn and Roses (1751) de Pompeo BatoniLascelles Raymond Iremonger (1718/19–1793) with Wreaths of Corn and Roses1751 · Uppark 71Francis Hutchinson (d. 1807) (traditionally called John Hatch of Lissen Hall) (1747) de Pompeo BatoniFrancis Hutchinson (d. 1807) (traditionally called John Hatch of Lissen Hall)1747 · Hatchlands Park 72Portrait of Charles Eugene, Duke of Württemberg (1728-1793) (1755) de Pompeo BatoniPortrait of Charles Eugene, Duke of Württemberg (1728-1793)1755 · Landesmuseum Württemberg 73Hercules at the Crossroads (1753) de Pompeo BatoniHercules at the Crossroads1753 · Galleria Sabauda 74Vulcan in his Forge (1750) de Pompeo BatoniVulcan in his Forge1750 75Aeneas fleeing from Troy (1750) de Pompeo BatoniAeneas fleeing from Troy1750 · Galleria Sabauda 76Truth and Mercy (1745) de Pompeo BatoniTruth and Mercy1745 · Montreal Museum of Fine Arts 77Portrait of a Gentleman (1762) de Pompeo BatoniPortrait of a Gentleman1762 · Rhode Island School of Design Museum of Art 78Portrait of William Legge, Second Earl of Dartmouth (1756) de Pompeo BatoniPortrait of William Legge, Second Earl of Dartmouth1756 · Hood Museum of Art 79Sir Robert Davers, 5th Bt (1729-1763), aged 21 (1756) de Pompeo BatoniSir Robert Davers, 5th Bt (1729-1763), aged 211756 · Ickworth 80George Lucy (1714 – 1786) (1758) de Pompeo BatoniGeorge Lucy (1714 – 1786)1758 · Charlecote Park 81Self portrait (1765) de Pompeo BatoniSelf portrait1765 · Bavarian State Painting Collections 82William Fermor (1758) de Pompeo BatoniWilliam Fermor1758 · Museum of Fine Arts 83Edward, Duke of York (1739-67) (1764) de Pompeo BatoniEdward, Duke of York (1739-67)1764 · Royal Collection 84Pope Benedict XIV presenting the Encyclical 'Ex Omnibus' to the Comte de Stainville, later Duc de Choiseul (1757) de Pompeo BatoniPope Benedict XIV presenting the Encyclical 'Ex Omnibus' to the Comte de Stainville, later Duc de Choiseul1757 · Minneapolis Institute of Art 85The Crucifixion (1762) de Pompeo BatoniThe Crucifixion1762 · Museu de Belas Artes de Boston 86Luigi Boccherini (1764) de Pompeo BatoniLuigi Boccherini1764 · National Gallery of Victoria 87Portrait of Prince Abbondio Rezzonico as Senator of Rome (1765) de Pompeo BatoniPortrait of Prince Abbondio Rezzonico as Senator of Rome1765 · Walters Art Museum 88portrait of a cardinal (1758) de Pompeo Batoniportrait of a cardinal1758 89Academic Nude (1765) de Pompeo BatoniAcademic Nude1765 90Elector Karl Theodor of the Palatinate (1775) de Pompeo BatoniElector Karl Theodor of the Palatinate1775 · Bavarian State Painting Collections 91Portrait of Pope Pius VI, Giovanni Angelo Braschi (1717-1799) (1775) de Pompeo BatoniPortrait of Pope Pius VI, Giovanni Angelo Braschi (1717-1799)1775 · National Gallery of Ireland 92Edward Howard (1744–1767) (1766) de Pompeo BatoniEdward Howard (1744–1767)1766 · Victoria and Albert Museum 93Bust-length portrait of Pope Clement XIII (1772) de Pompeo BatoniBust-length portrait of Pope Clement XIII1772 · Gemäldegalerie Alte Meister im Schloss Wilhelmshöhe 94Alexander Stewart of Ards (1746-1791) (1773) de Pompeo BatoniAlexander Stewart of Ards (1746-1791)1773 · Mount Stewart 95Self-portrait (1770) de Pompeo BatoniSelf-portrait1770 96Robert Throckmorton (1750-1779) (1772) de Pompeo BatoniRobert Throckmorton (1750-1779)1772 · Coughton Court 97The Right Hon. Sir John Parnell, 2nd Bt (1744–1801) (1769) de Pompeo BatoniThe Right Hon. Sir John Parnell, 2nd Bt (1744–1801)1769 · Castle Ward 98Study for the Portrait of Emperor Joseph II. (1769) de Pompeo BatoniStudy for the Portrait of Emperor Joseph II.1769 · Slovak National Gallery 99Portrait of John Corbet of Sundorne Castle, Shrewsbury (1773) de Pompeo BatoniPortrait of John Corbet of Sundorne Castle, Shrewsbury1773 · Worcester Art Museum 100Portrait of Thomas Fortescue (1767) de Pompeo BatoniPortrait of Thomas Fortescue1767

Pinturas famosas de Pompeo Batoni, período por período

Early Period

1733 – 1745 · 5 obras nesta lista
The infant Hercules strangling serpents in his cradle (1743), Pompeo Batoni #19 The infant Hercules strangling serpents in his cradle 1743 · Palazzo Pitti Saint Andrew (1741), Pompeo Batoni #24 Saint Andrew 1741 · Art Institute of Chicago Christ in Glory with Saints Celsus, Julian, Marcionilla and Basilissa (1736), Pompeo Batoni #36 Christ in Glory with Saints Celsus, Julian, Marcionilla and Basilissa 1736 · J. Paul Getty Museum Portrait of a man (1733), Pompeo Batoni #37 Portrait of a man 1733 Truth and Mercy (1745), Pompeo Batoni #76 Truth and Mercy 1745 · Montreal Museum of Fine Arts

Mature Period

1740 – 1782 · 93 obras nesta lista
Hercules at the Crossroads (detail) (1748), Pompeo Batoni #1 Hercules at the Crossroads (detail) 1748 · Liechtenstein Museum A Knight in Rome: Charles Cecil Roberts (1778), Pompeo Batoni #2 A Knight in Rome: Charles Cecil Roberts 1778 · Museu do Prado Gaetano II Sforza Cesarini, Duke of Segni (1768), Pompeo Batoni #3 Gaetano II Sforza Cesarini, Duke of Segni 1768 · National Gallery of Victoria Time Unveiling Truth (1742), Pompeo Batoni #4 Time Unveiling Truth 1742 · Art Institute of Chicago Alexander Gordon, 4th Duke of Gordon (1743 - 1827) (1764), Pompeo Batoni #6 Alexander Gordon, 4th Duke of Gordon (1743 - 1827) 1764 · Scottish National Gallery

Os temas que cativaram o olhar de Pompeo Batoni

Os quatro temas que mais se repetem nestas obras originais, cada um com o seu melhor exemplo.

Man 77 obras

Gaetano II Sforza Cesarini, Duke of Segni (1768), Pompeo Batoni #3 Gaetano II Sforza Cesarini, Duke of Segni 1768 · National Gallery of Victoria Alexander Gordon, 4th Duke of Gordon (1743 - 1827) (1764), Pompeo Batoni #6 Alexander Gordon, 4th Duke of Gordon (1743 - 1827) 1764 · Scottish National Gallery John Ker, 3rd Duke of Roxburghe, 1740 - 1804. Bibliophile (1761), Pompeo Batoni #7 John Ker, 3rd Duke of Roxburghe, 1740 - 1804. Bibliophile 1761 · Galeria Nacional de Retratos de Escócia Portrait of John Woodyeare (1750), Pompeo Batoni #8 Portrait of John Woodyeare 1750 · Minneapolis Institute of Art

Woman 28 obras

Portrait of a Woman, traditionally identified as Margaret Stuart, Lady Hippisley (1785), Pompeo Batoni #5 Portrait of a Woman, traditionally identified as Margaret Stuart, Lady Hippisley 1785 · Yale Center for British Art Hercules at the Crossroads (1748), Pompeo Batoni #11 Hercules at the Crossroads 1748 · Liechtenstein Museum Hercules at the Crossroads (1742), Pompeo Batoni #12 Hercules at the Crossroads 1742 · Palazzo Pitti Hercules at the Crossroads (1765), Pompeo Batoni #13 Hercules at the Crossroads 1765 · Museu Hermitage

Dark background 16 obras

The infant Hercules strangling serpents in his cradle (1743), Pompeo Batoni #19 The infant Hercules strangling serpents in his cradle 1743 · Palazzo Pitti Portrait of Joseph Henry of Straffan (1750), Pompeo Batoni #30 Portrait of Joseph Henry of Straffan 1750 · Walters Art Museum Saint John the Evangelist (1741), Pompeo Batoni #41 Saint John the Evangelist 1741 · Basildon Park The Virgin of the Annunciation (1741), Pompeo Batoni #51 The Virgin of the Annunciation 1741

Landscape 15 obras

Peter Beckford (1740-1811), godsejer, Dorset. (1766), Pompeo Batoni #9 Peter Beckford (1740-1811), godsejer, Dorset. 1766 · Statens Museum For Kunst Philip Metcalfe (1766), Pompeo Batoni #22 Philip Metcalfe 1766 · National Portrait Gallery Portrait of John Talbot, later 1st Earl Talbot (1773), Pompeo Batoni #35 Portrait of John Talbot, later 1st Earl Talbot 1773 · J. Paul Getty Museum Maddalena penitente (1742), Pompeo Batoni #49 Maddalena penitente 1742 · Staatliche Kunstsammlungen Dresden

Os museus que guardam os originais de Pompeo Batoni

Os 8 museus que detêm a maioria das pinturas desta página.

Museus Cidade Obras de Pompeo Batoni Pinturas desta lista
UpparkUppark 11 Purity of Heart, Meekness, Sarah Lethieullier, Lady Fetherstonhaugh (1722-1788), with the Branch of a Pear
Basildon ParkBasildon Park 9 Saint John the Evangelist, Saint Paul, God the Father and the Holy Spirit
National Gallery of Ireland, DublinNational Gallery of Ireland Dublin 5 Portrait of Joseph Leeson, later 1st Earl of Milltown (1711-1783), A Lady of the Leeson Family as a Shepherdess, Presumed Portrait of the Marchesa Caterina Gabrielli as Diana
Bavarian State Painting Collections, MuniqueBavarian State Painting Collections Munique 4 Elector Carl Theodor of the Palatinate, Pope Pius VI, Self portrait
Liechtenstein Museum, VienaLiechtenstein Museum Viena 4 Hercules at the Crossroads (detail), Hercules at the Crossroads, Venus Presenting Aeneas with Armour Forged by Vulcan
Art Institute of Chicago, ChicagoArt Institute of Chicago Chicago 4 Time Unveiling Truth, Peace and War, Saint Andrew
National Gallery of Victoria, MelbourneNational Gallery of Victoria Melbourne 3 Gaetano II Sforza Cesarini, Duke of Segni, Sir Sampson Gideon and an unidentified companion, Luigi Boccherini
Walters Art Museum, BaltimoreWalters Art Museum Baltimore 3 Portrait of Cardinal Prospero Colonna di Sciarra, Portrait of Joseph Henry of Straffan, Portrait of Prince Abbondio Rezzonico as Senator of Rome

Pompeo Batoni ao longo das décadas: uma obra original única para cada uma

Obras por década

Escolha uma década para ver a obra original que a define.

Pinturas de Pompeo Batoni: perguntas para a galeria

Qual é a obra mais famosa de Pompeo Batoni?Revelar a resposta

Hercules at the Crossroads (detail) (1748), Liechtenstein Museum, Viena. A Knight in Rome: Charles Cecil Roberts (1778) e Gaetano II Sforza Cesarini, Duke of Segni (1768) vêm a seguir.

Com que idade Pompeo Batoni criou Hercules at the Crossroads (detail)?Revelar a resposta

40 anos: Hercules at the Crossroads (detail) data de 1748, e Pompeo Batoni nasceu em 1708.

Quais são as dez pinturas mais famosas de Pompeo Batoni?Revelar a resposta

Hercules at the Crossroads (detail), A Knight in Rome: Charles Cecil Roberts, Gaetano II Sforza Cesarini, Duke of Segni, Time Unveiling Truth, Portrait of a Woman, traditionally identified as Margaret Stuart, Lady Hippisley, Alexander Gordon, 4th Duke of Gordon (1743 - 1827), John Ker, 3rd Duke of Roxburghe, 1740 - 1804. Bibliophile, Portrait of John Woodyeare, Peter Beckford (1740-1811), godsejer, Dorset. e The Rotterdam tobacco trader Pieter Caarten. O ranking acima apresenta o ano e o museu de cada uma.

Quantas obras de Pompeo Batoni são conhecidas?Revelar a resposta

Nosso catálogo contém 164 obras de Pompeo Batoni, datadas de 1733 a 1785.

Onde se pode ver os originais mais famosos de Pompeo Batoni?Revelar a resposta

Principalmente em Uppark, Basildon Park e National Gallery of Ireland (Dublin). A tabela de museus acima lista todos eles.

Em que período Pompeo Batoni criou as suas pinturas mais conhecidas?Revelar a resposta

Em 1740s: 30 das 100 obras nesta página foram feitas então, sendo Hercules at the Crossroads (detail) delas.

Qual pintura famosa de Pompeo Batoni é a mais antiga e qual é a mais recente?Revelar a resposta

Nesta página, a mais antiga é Portrait of a man (1733) e a mais recente é Portrait of a Woman, traditionally identified as Margaret Stuart, Lady Hippisley (1785).

Quais temas Pompeo Batoni preferia?Revelar a resposta

Man (77), Woman (28) e Dark background (16), entre as 100 obras nesta página.

Com quais materiais Pompeo Batoni mais pintou?Revelar a resposta

Oil On Canvas, para 76 das 100 obras nesta página.

A qual movimento pertence a obra de Pompeo Batoni?Revelar a resposta

Neoclassicism, a julgar pelos originais nesta página.

Quais originais de Pompeo Batoni posso ver no Uppark?Revelar a resposta

Purity of Heart, Meekness e Sarah Lethieullier, Lady Fetherstonhaugh (1722-1788), with the Branch of a Pear: o Uppark detém 10 das obras desta página.

Pompeo Batoni: um retrato do artista

Primeiros Anos e Formação

  • Nascimento: Lucca, Itália (1708)
  • Falecimento: 1787
  • Pompeo Batoni mudou-se para Roma em 1727.
  • Ele foi aprendiz de Agostino Masucci, Sebastiano Conca e/ou Francesco Imperiali.
  • Seu primeiro encargo independente surgiu como resultado das chuvas que atingiram Roma em abril de 1732.
  • A pintura "O Êxtase de Santa Catarina de Sena" ilustra seu refinamento acadêmico do estilo barroco tardio.

Estilo Artístico e Influências

  • O estilo de Batoni buscava inspiração na antiguidade clássica, no Rococó francês, no Classicismo boloquense e em artistas como Nicolas Poussin, Claude Lorrain e, especialmente, Rafael.
  • Ele é considerado um precursor do Neoclassicismo.
  • Sua obra pode ser encontrada em vários museus, incluindo a Pinacoteca di Brera, em Milão, Itália.

Obras Notáveis e Comissões

    Virgem e o Menino com Santos
  • Um Cavaleiro em Roma: Charles Cecil Roberts – Um célebre retrato de um viajante britânico ambientado entre ruínas romanas.
  • O Triunfo de Veneza
  • Inúmeros retábulos para igrejas na Itália, como o Museu Duomo em Siena.
  • Ele era muito requisitado para retratos, particularmente por viajantes britânicos no Grand Tour, que encomendavam retratos de corpo inteiro inseridos em cenários antigos.

Desenvolvimento e Significância Histórica

    Batoni tornou-se um pintor extremamente elegante e de grande moda em Roma após seu rival, Anton Raphael Mengs, partir para a Espanha em 1761.
  • Ele estreitou laços com Winckelmann e buscou moderar o classicismo em sua pintura.
  • Seus retratos capturaram o espírito da era do Grand Tour, refletindo o fascínio pela antiguidade clássica entre as elites europeias.
  • A habilidade de Batoni em fundir técnicas barrocas com os ideais neoclássicos emergentes posicionou-o como uma figura de transição na história da arte italiana.

Legado

    Pompeo Batoni faleceu em 4 de fevereiro de 1787, em Roma.
  • Ele deixou um legado como um dos pintores italianos mais renomados de sua época.
  • Sua obra continua a ser admirada por sua habilidade técnica, composições elegantes e retratos perspicazes de indivíduos dentro de seu contexto histórico.
Todas as 164 obras de Pompeo Batoni →