Retrato de Balthus

As 100 Pinturas Mais Famosas de Balthus, Cada Uma Única

Atualizado em Outubro 2026 · classificado pela nossa pontuação de popularidade (pesquisas, visitas e pedidos de cada obra) · 200 obras de Balthus em nosso catálogo

Em resumo

A Rua (1933) é a pintura de Balthus que mais atrai olhares. Depois disso, o olhar recai sobre Menina com gato (1937) e The Guitar Lesson (1934). Entre as 200 obras de Balthus em nosso catálogo, estas 100 são as mais famosas, cada uma uma original única apresentada com o seu ano, o seu museu e a razão pela qual perdura.

1908 – 2001, Paris Symbolism Mais obras: Art Institute of Chicago

As 10 principais pinturas de Balthus, sob o olhar da galeria

1
A Rua (1933) de Balthus

A Rua

1933 · Óleo sobre tela

“A Rua” (1933), de Balthus, é um retrato cativante da vida urbana, fundindo o realismo com um surrealismo sutil para criar uma cena envolvente e instigante. Esta pintura de grandes proporções (195 x 240 cm) captura uma rua movimentada, repleta de diversos personagens entregues a diferentes atividades, oferecendo um vislumbre dos ritmos cotidianos da vida na cidade.

2
Menina com gato (1937) de Balthus

Menina com gato

1937 · Óleo sobre tela · Art Institute of Chicago, Chicago

"Menina com gato" (1937) é uma obra-prima cativante de Balthus, renomado por suas composições oníricas e retratos psicologicamente carregados. Esta obra convida os espectadores a um momento íntimo entre uma jovem e seu companheiro felino, evocando uma sensação de tranquilidade e introspecção.

3
The Guitar Lesson (1934) de Balthus

The Guitar Lesson

1934 · Oil On Canvas

The air in the room feels heavy, thick with a silence that is not peaceful. A young girl lies arched across the lap of a woman, her body a pale curve against the darker tones of the setting. The teacher’s hands are positioned with a clinical, almost musical intent, yet the gesture is fraught with a strange, unsettling weight. One hand reaches toward the girl's hair, pulling it downward, while…

4
La Patience (Solitaire) de Balthus

La Patience (Solitaire)

Oil On Canvas

A young woman leans over a small wooden table, her body forming a heavy diagonal that pulls the eye toward the lower right corner of the canvas. She is caught in a moment of stillness, her posture suggesting a quiet, inward focus. The room is defined by the sharp, vertical rhythm of window blinds, their white and tan stripes cutting through the warmth of the scene. Deep reds, ochres, and…

5
Guitar lesson (1934) de Balthus

Guitar lesson

1934 · Oil On Canvas

The painting depicts a provocative encounter between a music teacher, a woman in her early twenties, and a student, a girl thought to be about twelve years old. The teacher has thrown the girl across her lap, pulling her black dress up over her waist. The girl is naked from her navel to her knees, though her lower legs are covered by white socks. The teacher's hand yanks a chunk…

6
Girl at the window (1955) de Balthus

Girl at the window

1955 · Oil On Canvas

In this 1957 portrait, we find ourselves in a room defined by a profound sense of stillness. A woman sits in a chair, her gaze directed toward the greenery visible through a window. The composition is anchored by the starkness of a white wall, which provides a sharp contrast to the lush, natural life outside. There is a certain weight to the atmosphere, a feeling of suspended time that invites…

10
The white skirt (1937) de Balthus

The white skirt

1937 · Oil On Canvas

In the hushed atmosphere of Balthus’s 1937 masterpiece, The White Skirt, we are invited into a moment of profound stillness. The painting presents a solitary young woman seated within the embrace of an armchair, her presence commanding yet deeply introspective. There is an undeniable gravity to the composition; the figure does not merely sit, she exists in a state of quiet contemplation that seems to suspend time itself. As one…

Pinturas famosas de Balthus, números 11 a 100

11Children Blanchard (1937) de BalthusChildren Blanchard1937 12Therese de BalthusTherese 13Naked in the mirror (1981) de BalthusNaked in the mirror1981 14The Dream (1955) de BalthusThe Dream1955 15Thérèse Dreaming (1938) de BalthusThérèse Dreaming1938 16Large landscape trees (the triangular field) (1955) de BalthusLarge landscape trees (the triangular field)1955 17Nude at Rest (1977) de BalthusNude at Rest1977 18The Mountain de BalthusThe Mountain 19Figure in Front of a Mantel (1955) de BalthusFigure in Front of a Mantel1955 20Study to ''Guitar lesson'' (1934) de BalthusStudy to ''Guitar lesson''1934 21Self-Portrait (detail) (1940) de BalthusSelf-Portrait (detail)1940 22The Cat in the Mirror (1988) de BalthusThe Cat in the Mirror1988 23Patience (1955) de BalthusPatience1955 24Getting Up (1977) de BalthusGetting Up1977 25Terese Dreaming de BalthusTerese Dreaming 26La Place du Pantheon (1929) de BalthusLa Place du Pantheon1929 · Museu de Israel 27Window (1933) de BalthusWindow1933 28Landscape Champrovent (1942) de BalthusLandscape Champrovent1942 29The victim (1939) de BalthusThe victim1939 30The heyday (1945) de BalthusThe heyday1945 31Reclining Nude (1945) de BalthusReclining Nude1945 32The Cat (detail) (1949) de BalthusThe Cat (detail)1949 33The toilet (1957) de BalthusThe toilet1957 34Coffee Cup (1959) de BalthusCoffee Cup1959 35Girl preparing for the bath (blue cloth) (1958) de BalthusGirl preparing for the bath (blue cloth)1958 36The moth (1959) de BalthusThe moth1959 37The Three Sisters (1964) de BalthusThe Three Sisters1964 38Katia asleep (1969) de BalthusKatia asleep1969 39Study for the painting ''Nude Resting'' (1972) de BalthusStudy for the painting ''Nude Resting''1972 40Bare rest (1977) de BalthusBare rest1977 41Waiting (1995) de BalthusWaiting1995 42Cat with mirror III Detalj 1Thomas Ammann Fi (1994) de BalthusCat with mirror III Detalj 1Thomas Ammann Fi1994 43Still Life with Lamp (1958) de BalthusStill Life with Lamp1958 44Study for Girl with a window de BalthusStudy for Girl with a window 45The enthronement of Ogier de BalthusThe enthronement of Ogier 46Lucrecia y Tarquino de BalthusLucrecia y Tarquino 47Roger and his son de BalthusRoger and his son 48Tadzio II, a disgrace in the lido de BalthusTadzio II, a disgrace in the lido 49Solitaire de BalthusSolitaire 50The Living Room de BalthusThe Living Room 51Moroccan Horseman and his Horse de BalthusMoroccan Horseman and his Horse 52Nude with Cat (1949) de BalthusNude with Cat1949 53The Cat in the Mirror (1990) de BalthusThe Cat in the Mirror1990 54Drawing room (1942) de BalthusDrawing room1942 55Reclining Woman de BalthusReclining Woman 56Portrait of Frederick de BalthusPortrait of Frederick 57The Brat de BalthusThe Brat 58Study for Nude with Cat de BalthusStudy for Nude with Cat 59Girl with Crossed Arms de BalthusGirl with Crossed Arms 60Strumpelpeter, front view de BalthusStrumpelpeter, front view 61Portrait of Frederick1 de BalthusPortrait of Frederick1 62Portrait of Louis -René des Forêts de BalthusPortrait of Louis -René des Forêts 63Girl kneeling, her arms on a chair de BalthusGirl kneeling, her arms on a chair 64Girl with a Beret de BalthusGirl with a Beret 65Ganimedes I de BalthusGanimedes I 66Ogier Lahire Brother in arms1 de BalthusOgier Lahire Brother in arms1 67Roberte attacked by spirits de BalthusRoberte attacked by spirits 68Self-portrait de BalthusSelf-portrait 69Colette profile de BalthusColette profile 70The balcony de BalthusThe balcony 71Roberte, the afternoon de BalthusRoberte, the afternoon 72The parallel de BalthusThe parallel 73Milady con el verdugo de Lille de BalthusMilady con el verdugo de Lille 74Impotence and seduction de BalthusImpotence and seduction 75The test time de BalthusThe test time 76Study for the dream I (front) de BalthusStudy for the dream I (front) 77Alice de BalthusAlice 78The Afternoon Nap de BalthusThe Afternoon Nap 79Lena arms crossed de BalthusLena arms crossed 80Bust of young woman de BalthusBust of young woman 81Descend to the basement de BalthusDescend to the basement 82Lahire and young Ogier de Beauseant de BalthusLahire and young Ogier de Beauseant 83Hairy Beauty de BalthusHairy Beauty 84Nude on a Chaise Longue de BalthusNude on a Chaise Longue 85Brother and Sister de BalthusBrother and Sister 86Woman with Violin de BalthusWoman with Violin 87Nude with Arms Raised de BalthusNude with Arms Raised 88The large enclosure II de BalthusThe large enclosure II 89The First Communicants (1926) de BalthusThe First Communicants1926 90The Barracks (1933) de BalthusThe Barracks1933 91Wash and Cathy (1933) de BalthusWash and Cathy1933 92The Fear of Ghosts (1933) de BalthusThe Fear of Ghosts1933 93Thérèse (1938) de BalthusThérèse1938 94Lady Abdy (1935) de BalthusLady Abdy1935 95Cathy (1935) de BalthusCathy1935 96Study for the Dream I (1935) de BalthusStudy for the Dream I1935 97Still life (1937) de BalthusStill life1937 98The white skirt (1937) de BalthusThe white skirt1937 99Joan Miro and his daughter Dolores (1937) de BalthusJoan Miro and his daughter Dolores1937 100Andre Derain (1936) de BalthusAndre Derain1936

Os temas que cativaram o olhar de Balthus

Os quatro temas que mais se repetem nestas obras originais, cada um com o seu melhor exemplo.

Os museus que guardam os originais de Balthus

Os 2 museus que detêm a maioria das pinturas desta página.

Museu Cidade Obras de Balthus Pinturas desta lista
Art Institute of Chicago, ChicagoArt Institute of Chicago Chicago 1 Menina com gato
Museu de Israel, JerusalémMuseu de Israel Jerusalém 1 La Place du Pantheon

Balthus ao longo das décadas: uma obra original única para cada uma

Obras por década

Escolha uma década para ver a obra original que a define.

Pinturas de Balthus: perguntas para a galeria

Qual é a obra mais famosa de Balthus?Revelar a resposta

A Rua (1933). Menina com gato (1937) e The Guitar Lesson (1934) vêm a seguir.

Com que idade Balthus criou A Rua?Revelar a resposta

25 anos: A Rua data de 1933, e Balthus nasceu em 1908.

Quais são as dez pinturas mais famosas de Balthus?Revelar a resposta

A Rua, Menina com gato, The Guitar Lesson, La Patience (Solitaire), Guitar lesson, Girl at the window, The King of the Cats, The Cat in the Mediterranean, Le passage du Commerce Saint-Andre Private e The white skirt. O ranking acima apresenta o ano e o museu de cada uma.

Quantas obras de Balthus são conhecidas?Revelar a resposta

Nosso catálogo contém 200 obras de Balthus, datadas de 1926 a 1995.

Onde se pode ver os originais mais famosos de Balthus?Revelar a resposta

Principalmente em Art Institute of Chicago (Chicago) e Museu de Israel (Jerusalém). A tabela de museus acima lista todos eles.

Em que período Balthus criou as suas pinturas mais conhecidas?Revelar a resposta

Em 1930s: 22 das 100 obras nesta página foram feitas então, sendo A Rua delas.

Qual pintura famosa de Balthus é a mais antiga e qual é a mais recente?Revelar a resposta

Nesta página, a mais antiga é The First Communicants (1926) e a mais recente é Waiting (1995).

Quais temas Balthus preferia?Revelar a resposta

Nudes (11), Women (8) e Woman (7), entre as 100 obras nesta página.

Com quais materiais Balthus mais pintou?Revelar a resposta

Oil On Canvas, para 11 das 100 obras nesta página.

A qual movimento pertence a obra de Balthus?Revelar a resposta

Symbolism, a julgar pelos originais nesta página.

Balthus: um retrato do artista

A World Apart: The Enigmatic Vision of Balthus

Balthasar Klossowski de Rola, universally known as Balthus, remains one of the most compelling and controversial figures in 20th-century art. Born in Paris on February 29, 1908, into a family steeped in intellectual and artistic circles, his life was marked by an early immersion in culture and a deliberate rejection of prevailing artistic trends. His father, Erich Klossowski, was a respected art historian, while his mother, Baladine Klossowska, was a painter herself, fostering an environment where aesthetic contemplation was not merely encouraged but lived. This upbringing instilled in the young Balthus a deep reverence for the Old Masters and a skepticism towards the burgeoning avant-garde movements that dominated the Parisian scene. He wasn’t interested in breaking with tradition; rather, he sought to revitalize classical forms with a distinctly modern sensibility, creating a world uniquely his own—a world often unsettling, always captivating.

Formative Years and Artistic Awakening

Balthus's early life was nomadic, disrupted by the outbreak of World War I and his parents’ subsequent separation. These experiences instilled in him a sense of displacement and introspection that would profoundly influence his artistic vision. He began drawing at a remarkably young age, demonstrating an exceptional talent for capturing form and atmosphere. Mentored by Rainer Maria Rilke during his mother's relationship with the poet, Balthus received encouragement to pursue his artistic inclinations. This period was crucial in shaping his aesthetic sensibilities; Rilke’s poetic explorations of inner life resonated deeply with the young artist, fostering a fascination with psychological depth and symbolic resonance. He absorbed influences from diverse sources—pre-Renaissance Italian painters like Piero della Francesca and Simone Martini, as well as literary figures such as Emily Brontë and Lewis Carroll—creating a unique artistic language that defied easy categorization. His early works already hinted at the themes that would define his career: adolescence, solitude, and the complex interplay between innocence and desire. The influence of Rilke is particularly evident in Balthus’s early drawings, which are characterized by their haunting beauty and emotional intensity.

Controversy and Recognition

Balthus first exhibited publicly in 1934, presenting a body of work that immediately sparked controversy. Paintings like *The Guitar Lesson*, with its ambiguous depiction of a young girl receiving instruction from an older man, ignited debate about the artist’s intentions and the nature of his gaze. Critics were divided, some condemning the perceived eroticism while others praised the painting's psychological complexity and technical mastery. The subject matter itself – a seemingly innocent scene imbued with a subtle sense of unease – became a focal point of discussion. This controversy, however, only served to solidify Balthus’s reputation as a provocative and unconventional artist. He deliberately cultivated an air of mystery around himself, resisting attempts at biographical interpretation and insisting that his paintings should be experienced directly, without the filter of external commentary. Throughout the 1930s and 40s, he continued to develop his distinctive style, characterized by elongated figures, dramatic lighting, and a meticulous attention to detail. His compositions often featured young girls in states of reverie or contemplation, their poses both graceful and unsettling. The paintings were not merely portraits; they were explorations of the inner lives of his subjects, rendered with an almost obsessive precision.

A Legacy of Introspection and Influence

Despite remaining somewhat aloof from the mainstream art world, Balthus achieved significant recognition during his lifetime. He held major exhibitions at the Museum of Modern Art in New York (1956) and throughout Europe, solidifying his position as a leading figure in 20th-century painting. In 1977, he was appointed director of the Académie de France in Rome, a prestigious post that further cemented his status within the artistic establishment. His influence can be seen in the work of numerous contemporary artists, including Jan Saudek, Will Barnet, Duane Michals, and John Currin, who share his interest in figurative painting, psychological realism, and the exploration of complex emotional states. Balthus’s enduring appeal lies not only in his technical virtuosity but also in his ability to tap into universal human experiences—the longing for connection, the fear of isolation, and the search for meaning in a chaotic world. His work continues to be studied and debated by art historians and critics alike, revealing new layers of interpretation with each passing generation.

Key Works and Enduring Themes

Throughout his career, Balthus consistently returned to certain motifs and themes. *La Rue* (1933) exemplifies his early mastery of composition and atmosphere, depicting a street scene with an unsettling sense of isolation. *The Mountain* (1937), a monumental work featuring two adolescent girls in a stark landscape, embodies the artist’s fascination with youth and solitude. Later works, such as *Girl at a Window* (1957) – famously featured in François Truffaut's film Domicile Conjugal – showcase his ability to capture fleeting moments of introspection and vulnerability. His paintings are often characterized by a sense of stillness and silence, inviting viewers to contemplate the inner lives of his subjects. He was also deeply influenced by music, particularly the works of Wolfgang Amadeus Mozart, which he believed reflected the same balance between order and emotion that he sought to achieve in his art. Balthus’s enduring appeal lies not only in his technical skill but also in his ability to tap into universal human experiences—the longing for connection, the fear of isolation, and the search for meaning in a chaotic world. His paintings are not merely images; they are portals into a realm of dreams, anxieties, and unspoken desires—a testament to the enduring power of art to challenge our perceptions and illuminate the hidden corners of the human soul.

Todas as 200 obras de Balthus →